Steinmüller is a micro, deep- and techhouse project of Berlin
based Christian Steinmüller. His tracks are known for their
dramturgic flow with focus on dynamics (tension and easing of tension)
and the harmonic meshing of sounds. Massive souldeep floor killers
volve and fill the room with bliss.
DCREC034 – Javier Orlando & Raul Carrasco “Thinking in the Night” DeepClass Records – DEEP HOUSE Javier Orlando & Raul Carrasco, two Argentine producers that present EP to us with highly addictive rates and elements house that makes of this EP a concept deep of the present time. Solid bases and grooves, keyboards Hammond and melodies that gives a warm frame. FX synthesized of surprising way they show a new dimension to us within Deep House. Low solids to the style Bill Waymann or Primus. His amused sample "Music" along of track creates immediately a positive atmosphere doing of "Thinking in the night" true inspiration. It contains remixes in charge of Jimmy & Fer Ferrari, Lukas Greenberg & L.E.O.
ALTON MILLER (Detroit): “yoooooooooooooooo. trackleton ep!!!! Get it or i will send my gremlins over there to take care of you guys. i am really digging this man. super dope funk on plastic. ”
Anthony "Shake"Shakir: “trackleton "jump". is an amazing track to me. this whole record is adult and serious! this is a must have record. I will be playing them in my sets. ”
D'julz (Pokerflat): “superb deep music ”
Dj Deep (Deeply Rooted): “Nice old school flavor "while my sequencer gently sleeps" is the one for me”
Federico Molinari (Oslo): “cool record”
IDJ Magazine: “RECORD OF THE MONTH 03/2009”
TSUGI Magazine (France) RECORD OF THE MONTH 03/2009
Jamie Jones (Crosstown Rebels_: “Really good record, haven't worked out which track is my favorite yet, but all sounds nice. will be spinning for sure... cheers!”
Jose Belo Dance Club Magazin: “you can always count on yore to deliver quality. dance music that is made for more than just dancing.”
Karotte (CocoonGreat Stuff): “b seite find ich gut. wird gespielt.”
Mike Shannon (Cynosure): “I dig the B2 track "let's do it". In the box! ”
RAVELINE: “Wen hat sich Yore den hier an Land gezogen? Drei ganz verschiedenartige Stücke bietet Trackleton auf seiner Debüt-EP an. Und dreimal kann er damit hoch punkten! „While My Sequencer Gently Weeps" bereitet einen deepen Einstieg, indem bekömmlich narkotische Akkordschwingungen mit fitzeligen Säureatomen besprenkelt werden, was de facto einen in schmackhafte Schräglage geratenen Minimalschieber mit unverwechselbarer Detroit-Färbung ergibt. In „Traditional Folk Song" tobt sich sodann eine schnalzend twistende Bassline nach bester Oldschool-Manier aus und treibt eine handvoll funky Sounds durch einen höchst zweckvoll pumpenden Groove, den man aber ruhig noch ein bisschen zusätzlich anpitchen darf. Für einen f
ALTON MILLER (Detroit): “yoooooooooooooooo. trackleton ep!!!! Get it or i will send my gremlins over there to take care of you guys. i am really digging this man. super dope funk on plastic. ”
Anthony "Shake"Shakir: “trackleton "jump". is an amazing track to me. this whole record is adult and serious! this is a must have record. I will be playing them in my sets. ”
D'julz (Pokerflat): “superb deep music ”
Dj Deep (Deeply Rooted): “Nice old school flavor "while my sequencer gently sleeps" is the one for me”
Federico Molinari (Oslo): “cool record”
IDJ Magazine: “RECORD OF THE MONTH 03/2009”
TSUGI Magazine (France) RECORD OF THE MONTH 03/2009
Jamie Jones (Crosstown Rebels_: “Really good record, haven't worked out which track is my favorite yet, but all sounds nice. will be spinning for sure... cheers!”
Jose Belo Dance Club Magazin: “you can always count on yore to deliver quality. dance music that is made for more than just dancing.”
Karotte (CocoonGreat Stuff): “b seite find ich gut. wird gespielt.”
Mike Shannon (Cynosure): “I dig the B2 track "let's do it". In the box! ”
RAVELINE: “Wen hat sich Yore den hier an Land gezogen? Drei ganz verschiedenartige Stücke bietet Trackleton auf seiner Debüt-EP an. Und dreimal kann er damit hoch punkten! „While My Sequencer Gently Weeps" bereitet einen deepen Einstieg, indem bekömmlich narkotische Akkordschwingungen mit fitzeligen Säureatomen besprenkelt werden, was de facto einen in schmackhafte Schräglage geratenen Minimalschieber mit unverwechselbarer Detroit-Färbung ergibt. In „Traditional Folk Song" tobt sich sodann eine schnalzend twistende Bassline nach bester Oldschool-Manier aus und treibt eine handvoll funky Sounds durch einen höchst zweckvoll pumpenden Groove, den man aber ruhig noch ein bisschen zusätzlich anpitchen darf. Für einen f
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