Stephen Bruton

If a stranger were to ask Stephen Bruton what he does for a living, "Im a guitar player" would be the simple answer. However, if Bruton were to ask the same question of himself, the response would be another question; "Whadda ya need?" That's because Bruton is far more than just a guitar player par excellence. He is also a prolific songwriter; singer; recording artist; producer; actor; collaborator' and something of a raconteur and provocateur. One could dub him a renaissance man, but for Bruton it is simply a matter of doing what needs to be done, the best it can be done. His album, "From The Five", plays like a rockin' night at a Texas roadhouse, albeit one where you would come away reflecting on the state of the world via Bruton's hard-earned wisdom permeating from his songs. His music is not so much autobiographical as much as is it is the culmination of his observations on where we are now,; as is has been explained by Bruton. In between his opening thoughts on a higher power in the driving, bluesy rocker "Bigger Wheel" and the closing grace notes of "In The Wind", he looks at how we live today in "Walk By Faith" and "The Clock"; the burdens we carry in "Treasured Wounds" and "The Halo Effect"; and all that we've lost through "Every Once In A While", "Fading Man" and "That Moment When". Even though Bruton's lyrical ruminations are as deep as his musical roots, From The Five also offers an uplifting boost with "This Old World"; and a witty take on heartbreak with "Put Me Out Of Your Misery". Bruton's sense of quality as well as his musical breadth is etched into the proverbial grooves of From The Five. After all, it's his fifth album, and he wrote most of it at the age of 55. The title comes from a bit of musician's slang, "Take it from the five", the cue to start a song from the five chord rather than the one or root chord of the songs key to give it a little twist. From The Five takes the rock, blues, country and R&B that is all found on Bruton's musical palette and adds his own distinctive twists as well. Although Bruton has produced acclaimed albums for Alejandro Escovedo, Marcia Ball, Jimmie Dale Gilmore, Hal Ketchum, Storyville and Chris Smither and others; Bruton relinquished production of From The Five to another. This time out, its his old friend and associate Ross Hogarth, whose credits include production work for Melissa Etheridge, Ziggy Marley and Govt Mule; and engineering albums by R.E.M. and John Cougar Mellencamp. After all, as Bruton explains, "Its kind of like the old adage that the doctor cant operate on himself." Assisting the doctor with finesse and surgical precision is a stellar crew of musicians. Holding down the bottom end is Bruton's longtime bass player Yoggie Musgrove, with drumming by Steve Ferrone (who plays with Tom Petty and The Heartbreakers, and has done stints with everyone from Average White Band to Eric Clapton). On keyboards are Little Feats Bill Payne and Austin player and composer Stephen Barber. Bruton and his long time comrade Randy Jacobs handle guitar duties. Old Fort Worth pal Glen Clark spices the mix with his harmonica while Lon Price leads the horn section on a number of tracks. Bruton's penchant for collaboration finds him co-writing nine of the albums songs with friends like former NRBQ guitarist turned hit Nashville songwriter Big Al Anderson and Memphis rocker John Kilzer as well as Barber, Payne, Musgrove and Jacobs. The one cover on the album is Ordinary Man, which he heard sung by Sam Moore and Junior Walker at the end of the movie Tapeheads. It's almost an understatement to say that Turner Stephen Bruton grew up surrounded by music in his home town of Fort Worth, Texas. His jazz drummer father ran a record store where he was weaned on the musical classics from blues, country, classical, jazz and pop. Bruton would recall that his father told him, "If you're going to listen to music, listen to the best music." By his teen years, Bruton and his buddy T-Bone Burnett were laying down tracks in Burnett's makeshift home studio in between gigging with other pals like Delbert McClinton, all the while digging on musical giants like Freddie King and Ornette Coleman - who could be heard in the local clubs. Bruton sharpened his guitar chops playing both high lonesome bluegrass by day and grinding out the blues at night. "The thing about Fort Worth is that there was no scene there", Bruton explains. "No one was looking at Fort Worth, believe me. But there was great music there and always has been. Its always been black guys and white guys playing together. There was this great exchange of music." Young wanderlust led him East in 1970 to the musical mecca of Woodstock in New York's Hudson River Valley. One night he headed down to Manhattan to catch a gig by his friend Kris Kristofferson, and was offered the guitar gig in the rising songwriting stars band. This launched nearly two decades of regular roadwork with Kristofferson which, in addition led to touring with Bonnie Raitt, Christine McVie and others. By the mid 1980's, Bruton returned to his Texas roots and settled in Austin, where once he had a break from the road, he became a part of the city's thriving music community. Although he had produced an album with Burnett for Fort Worth legend Robert Ely as well as the song Amnesia & Jealousy for Burnett's Behind The Trap Door album, his production career began in earnest when Jimmie Dale Gilmore asked him to produce his major label debut, After Awhile. Bruton also debuted as an artist in his own right with What It Is in 1993. As he stepped out from being a sideman into the spotlight with his own songs, they began to be recorded by notable artists as Kristofferson, Raitt, Ketchum, The Highwaymen, Willie Nelson, Waylon Jennings, Johnny Cash, Little Feat, Jimmy Buffett, Patty Loveless, Lee Roy Parnell and Martina McBride among others. Ever since he appeared in A Star Is Born with Kristofferson in 1976, Bruton has also built an impressive resume as a film and TV actor. "When Kris started doing films, he would bring his buddies along because he always had the bullshit meter with us. So we wound up reading for parts", Bruton explains. His most recent screen role is in "Man Of The House" with Tommy Lee Jones, and hes been seen in such films as Convoy, Songwriter, Heavens Gate, Miss Congeniality, Sweet Thing and The Alamo as well as the TV movie A Seduction In Travis County, the miniseries Amerika and the series Matlock. "In acting, you use everything you use when you are playing music live", notes Bruton. "It's an ensemble thing. Its real similar in terms of support and collaboration." Bruton's collaborative bent is also expressed by his membership in the Austin band The Resentments with Jon Dee Graham and other local heroes. "Even with all his varied pursuits, the guitar is the constant among variables in my life", says Bruton. Since playing with Kristofferson and Rita Coolidge on their Full Moon album in 1973, he has been an in-demand player who has recorded with Raitt, McClinton, Burnett, Elvis Costello, Carly Simon, The Wallflowers, Sonny Landreth, Peter Case, Ray Wylie Hubbard and a slew of others. "I really enjoy doing lots of things, whether its playing a bit part in The Alamo or playing guitar with Bob Schneider for a couple of years. Then I produce and do my own thing", he explains. For Bruton, "The view From The Five is very sweet indeed. Ive got no complaints. I get to do what I love. How many people can say that? That's worth more than anything. I'd be doing it anyway. I've been very fortunate to do what I do for a long time."