Original songs written, arranged and produced by Gavin Hammond.
Executive production and co-writing by Fleurtini.
Studio assistance from Keefe West Jnr, Dan Rejmer and Ben Tolliday.
Live band: Fleurtini (vocals), Gavin Hammond (guitars & additional production), Nick Rye (keys), Damon Wilson (drums/percussion) & Jimmy Sims (bass).
Influences
Air...
Andrews Sisters...
April Stevens...
Bebel Gilberto...
Billie Holiday...
Brigitte Bardot...
Burt Bacharach...
Can Calloway...
Chet Baker...
Django Reinhardt...
Dusty Springfield...
Ella Fitzgerald...
Eric Satie...
Etta James...
Feist...
French lounge music...
Goldfrapp...
Gotan Project...
Henry Mancini...
Jane Birkin...
John Barry...
Julie London...
Kings Of Convenience...
Madeleine Peyroux...
Marianne Faithful...
Mazzy Star...
Milosh...
Nancy Sinatra...
Nat King Cole...
Peggy Lee...
Ray Charles...
Royksopp...
Serge Gainsbourg...
Stan Getz & Joao Gilberto...
The Velvet Underground & Nico
Other influences include the films of Sirk, Hitchcock, Lynch, Mansfield and Monroe... silk stockings... stilettos... French perfume... and lychee martinis.
"Imagine if David Lynch had discovered a time machine with the dial stuck on 1950 and decided to send a Soho nightclub back through it. Then listen to Sweet Tooth. Led by the striking presence and pipes of Fleurtini, Sweet Tooth sound like the soundtrack to 'Mulholland Drive' fed through the slink-o-meter and set to 'caress'."
Big Cheese magazine, August 2008
"Sweet, sensual and subtly-suggestive retro lounge-pop fronted by a gorgeous blonde called Fleurtini."
Time Out magazine
“…standout track 'Everybody Wants To Be In Love' melds the Londinium atmospherics of St Etienne into Galliano’s paradox blues with resonant melancholy... Swoonsome."
The Fly magazine
Welcome (willkommen and bienvenue!) to the world of Sweet Tooth, a lounge/pop/electronica band based in London. Formed in 2006 by vocalist Fleurtini and songwriter/producer Gavin Hammond, the project was born of the duo's mutual love of retro music, lethal cocktails and vintage clothing.
Their debut album, Wow & Flutter, is currently being mixed in their own studio in Brixton. It serves up a heady cocktail of glamorous lounge and sparkling 50s pop, casting film-noir shadows and brushing a twinkle of glitter over the world as you listen; all set to the dark beat of a vintage drum and shaken - not stirred - with a hint of electronica.
Fans who’ve been captivated by the allure of their signature track, Everybody Wants To Be In Love include artists such as Michael Nyman and Nouvelle Vague:
”All looks and sounds highly delightful.”
Michael Nyman (composer/musician)
”Good voice, good songs – Bravo!”
Marc Collin (producer - Nouvelle Vague)
Fleurtini’s on-stage presence harks back to a time when stars of the silver screen were elusive, enigmatic and elegant creatures; and considerably more 'playful' than many of today's bad-girl tabloid stars. Yet Sweet Tooth’s real strength is as a band - as rapturously received shows at the Soho Revue Bar and Madame Jo-Jos have recently confirmed.
Their influences include: Julie London, Peggy Lee, April Stephens, Feist, Billie Holiday, Richard Hawley, Ray Charles, Serge Gainsbourg, Royksopp, Sam Prekop, Mike Milosh, Goldfrapp, Gotan Project and Hotel Costes. But their sound is very much their own, as this quote from the American press affirms:
"The unaffected, sultry vocals by Fleurtini and nuanced, subtle production by guitarist Gavin Hammond give the London band Sweet Tooth an extraordinary allure. Their songs shine with a rare, unadorned beauty that is strikingly resonant. "Everybody Wants to Be in Love" won't soon drift from your mind. The playful "Mine All Mine" is another delight." The Daily News (Bay area, California)
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What's goin' on Sweet Tooth? Panoramic aromavision is the future. How it passes there and back again like a tear drop glistening in moonlight. I love your eyes, I know they can stare through my thoughts. In your absence I am forced into finding other forms of amusement while thinking about you. Your beauty is equal to the smoothness of a polished gem. The music that flows from your instruments overwhelms me with creativity. The skin I shed is a perfume that makes water bubbles so terribly clear to me. I relentlessly desire cotton candy lollipops. I find your eyes to be a wondrous amusement park filled with neo-plastic pleasures and turkish delights. I sense wild vapors of sweet champagne in your larynx. Your tears evoke a taste as memorable as honey. You breath as delicately as vapors flowing towards an attractive flame. Your eyes show as many deep and full shades of fire as a volcano in heat. How can I help but use your eyes as a means for self-asphyxiation? Your cleverness helps me breathe without the need of oxygen.