“Elegantly
filmed.”
John Monaghan, Detroit Free Press |
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“Kim jee-woon
joins the short list of directors to watch.”
Jeff Shannon, The Seattle Times |
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“One of the best
and most haunting of the recent Asian horror films.”
Sean Axmaker, Seattle Post-Intelligencer |
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“Ji-woon has a
distinct auteurial signature, gorgeous and very catchy.”
Tim Appelo, Seattle Weekly |
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“So bloody
good.”
Ruthe Stein, San Francisco Chronicle |
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“The most
beautiful – if not the scariest – horror movie in ages.”
Ken Fox, TV Guide’s Movie Guide |
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“Much more
watchable than much of the Oscar-bait clogging up moviehouses
nationwide.”
V.A. Musetto, NY Post |
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“A tour de force
of psychological horror at its creepest.”
Kevin Thomas, LA Times |
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“Grabs you from
the very first scene.”
Henry Sheehan, KPCC FM |
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“The film
succeeds again and again at pulling you to the edge of your seat and
keeping you there.”
Ernest Hardy, LA Weekly |
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“Plays ping-pong
with perception and time, and makes it look easy.”
Michael Atkinson, Village Voice |
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“Wonderfully
creepy.”
Ken Tucker, New York Magazine |
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“The shocks are
splendid”
Ray Pride, Chicago Newcity |
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“Style reigns
supreme in this film, both visually and aurally.”
Allison Benedikt, Chicago Tribune |
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“This
purposefully evasive chiller invites us to lose our grip on reality.”
Robert Denerstein, Rocky Mountain News |
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“One of the
better movies I’ve seen this year. Its deep, psychological style
absolutely captivated me.”
Joe, asiaXpress.com |
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“Seductively
sinister...visually sumptuous.”
Dennis Dermody, Paper Magazine |
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"Astonishing...this is incredibly powerful stuff."
Blink Magazine |
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“A haunting
tale. A story of guilt, ghosts and sheer madness. A shiver inducing
eeriness.”
Sean Axmaker, Seattle Post-Intelligencer |
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"FOUR STARS
(Highest Rating). An instant horror classic! So beautifully
crafted, so creepy, so nerve-wracking! Guaranteed to provoke thought and
discussion long after the credits roll. I love this film!"
Todd David Schwartz, CBS Radio |
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