hiroshi sugimoto, tadao ando, michael kenna, john pawson, edward tufte, shigeru ban, santiago calatrava, lukas roth, james turrell, donald judd, brian eno, harry bertoia, peter saville
Taylor Deupree (b. 1971) is a sound artist, graphic designer, and photographer residing in New York. On January 1st, 1997, he founded 12k, a record label that focuses on minimalism and contemporary musical forms. In 12k’s 10 years of existence Deupree has released over 40 CDs by a roster of international sound artists and has developed 12k into one of the most respected experimental electronic labels in the world. In September 2000, Deupree and sound artist Richard Chartier formed LINE, a sublabel of 12k that curates its continuing documentation of compositional and installation work by composers exploring the aesthetics of contemporary and digital minimalism. In January 2002 (as a celebration of 12k’s fifth anniversary) Deupree launched term., an online series of MP3 releases. While 12k’s emphasis lies not only in sound but also on design and presentation, term. exists entirely in the digital domain with no physical object or package. In September, 2003, Deupree started a 3rd record label called Happy to promote unconventional japanese pop. Happy was born from Deupree’s interest in Japanese pop and the fact that it is quite unknown outside of Japan.
Since 1993 Deupree has created critically acclaimed recordings for labels worldwide including Spekk, Plop, Noble (Japan), Ritornell/Mille Plateaux, Raster-Noton, Disko B (Germany), Sub Rosa (Belgium), Fällt (Ireland), Audio.NL (Netherlands), Room40 (Australia), Instinct Records, Caipirinha Music, Plastic City (USA), Dum (Finland), and of course 12k and LINE, among others. In January 1999, Deupree currated a compilation for New York’s Caipirinha Music label that he titled “Microscopic Sound.” This release was among the first to gather together artists of this style and helped put a name to a then-rising genre of electronic music.
His solo works in recent years have explored a fusion of digital sound manipulation with organic and melodic textures that take influences from his interest in architecture, interior design, and photography. Themes of minimalism, stillness, atmosphere, nature, and imperfection prevade throughout his work . An intense passion for recording and studio technology creates a strong technological backdrop for all of his compositions.
Collaboration with other musicians is also a very important aspect of Deupree’s work. Working with other artists is a way to not only create unique works beyond his solo recordings but to also expand his own techniques and processes as a learning experience. Over record years he has collaborated with a wide variety of artists such as Christopher Willits (US, guitar), Kenneth Kirschner (US, Piano), Eisi (Japan, 3-piece acoustic ambient-rock band), Tetsu Inoue (US, sound artist), Frank Bretschneider (Germany, sound artist), and Richard Chartier (US, sound artist). Deupree feels the importance of collaborative work is to not layer two individual styles but to create a 3rd, fusion sound that incorporates the strengths of each collaborator yet sounds like a unique, 3rd identity.
Deupree continues to evolve his sound and approaches each project with a new direction and different process. Continued shifting and sound exploration is vital to his work. He has many recording and remixing accomplishments and a substantial, varied, discography formed over 14 years. His design and photography work has appeared on dozens of projects and record labels around the world and published in a number of books in Japan and the UK.
CYNETART 2009 26.11. | 8pm :: opening at the festival theatre Hellerau with Roberto Zappalà and Poon Wei Ming
The 13th international festival for computer based art CYNETART is going to provide a collective atmospheric picture for the reflection on digital culture from 26 November until 06 December 2009 at the festival theatre Hellerau. This will be done by a variety of event formats, such as Automatic Clubbing, a presentation of the output of the European Tele-Plateaus project and the first VIPA-Congress.
Video- and performance-installations as well as a meditative computer game will be shown within Automatic Clubbing from 26 until 28 November. This will be embedded in electronic music by Monolake, eLBee BAD & friends, Jacob Korn or Paul St. Hilaire with Scion.
Adviruz is the artist psedonym of Istanbul’s Pinar Gurcan, whose growing passion for sound is translated through her music. Since an early age, she has been listening and mimicking opera singers, writing melodies, songs and poems in which she spoke her mind and reflected her soul. All of which are evident on "Nightly Sounds", an 8 track album which is the equivilent of having a glimpse into a diary, learning of love lost, gained, a snapshot of the human condition from which we can all draw experience... All of these things are developed musically into minimalistic glitch, noise, idm, experimental music and microsounds, its influences reminiscent of work by artists like Tujiko Noriko, Mira Calix, Plaid and Björk.
Adviruz and Section 27 present "Nightly Sounds", an intricately woven and rewarding musical tapestry. Available now for free download.
Almost Tomorrow is the third full length collaboration album from Section 27 Netlabel founders Tam Ferrans and Andrew Paterson, under their Nonima & theAudiologist guise. This time around the sound is more melodic, and has a definite feeling of a complete and more mature sound than heard on the previous LP's "Dystopian Battle Hymns" and "Ceremony After Amputation". If you are familiar with their individual projects you may even be in for a slight surprise, as the tracks are not as beat driven like before, but are more atmospheric and sound, well... "bigger". In its 75 minutes, Almost Tomorrow takes you on a trip from the digital rain-soaked cavernous scraping in "Thoughtograph", the ethereal beat jittering of "The Colour of Rain", intercepted transmissions from unknown places in "Com-Intercept", "Ganzfeld"s huge yet strangely insect-like beats until everything you knew comes crashing around you in "Almost Tomorrow". Burning pianos, glitched out soundscapes and intricately programmed beatplay, this may well be their best work to date. Consider it the soundtrack to a rainy overcast day, but with just that glimmer of sunshine peeking from the clouds. "Almost Tomorrow" wears its heart on its sleeve.
Tickets SELLING FAST! £7 adv avaliable from (more on the door): wegottickets.com seetickets.com Ticketline Picadilly Records
Grouper (US) has her latest – Dragging A Dead Deer Up A Hill – of three albums on Type Records. She has also been involved in collaborative releases, contributing a track to Xiu Xiu’s Remixed & Covered and four tracks to a split release with Inca Ore. Her other contemporaries are Belong, Growing, Tim Hecker, Windy & Carl and Atlas Sound.
Jasper TX (Sweden), with a hefty back-catalogue of releases on labels such as Miasmah, and collaborations with buddy Machinefabriek, is an essential domestic appliance in the household of conceptual music. He is comparable to artists Fennesz, Sigur Ros, Múm and Tape.
Intricate and atmospheric songsmith, Danny Saul (UK) performs with different combinations of musicians, making each gig a unique event. His forthcoming release is "Harsh, Final", and he also performs with Greg Haines as Liondialer.
Fieldhead (UK) music delights in tape hiss, bleak landscapes and decaying analogue loops. He is also a member of The Declining Winter and Glissando. His debut album, "They Shook Hands for Hours" is released soon on Home Assembly.
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