" Australian Bebop Ragas" is me on Touchstyle Fretboard, Stephen Kent on didjeridu, and Sameer Gupta on Tablas and Jazz drums.
On "Hindustani Ragas" I'm joined by Debopriyo "Bubai" Sarkar on Tabla. On "Koracopia", Bubai and I are joined by vocalist Shubhangi Sakhalkar, and a variety of drum machines, effects, and samplers.
Influences
Debashish Bhattacharya, Ali Akbar Khan, John Mclaughlin, Ravi Shankar, Shahid Parvez, Pandit Jasraj, Habib Khan, K. Sridar, N.Rajam. (also Jeff Beck and Les Paul, who do great Sruti for a pair of Anglos.)
Sounds Like
Traditional music on a brand new instrument, with so little history it can really be called either Eastern or Western. You can buy the CD "Hindustani Ragas" at CDbaby
For over thirty years, I have been playing many forms of world music on the touchstyle fretboard—a guitar-like instrument which is played by tapping the strings with the fingertips, making it possible to play a separate part with each hand. I was one of the first people to play the Chapman Stick®, the most widely known touchstyle fretboard. Today I play a customized Warr Raptor®, which evolved through five different kinds of tuning and stringing before it reached its current form. I have performed in concerts and recordings with traditional musicians from many different cultures, including South America, Africa, China, and Ireland. But my greatest musical love has long been the Hindustani ragas of Northern India.
I originally studied Hindustani ragas to find material for the fusion music I composed with harpist Diana Stork in the world music trio Geist. I performed this music at many well known concert halls, including Grace Cathedral, Great American Music Hall, the Yerba Buena center, and the Herbst Theater. Geist toured Europe, receiving international airplay and sales for their CD More Light. They were featured on the Polygram compilation album Harpestry, which reached the top ten on a Billboard chart, and has so far sold over 150,000 copies.
But as time went by, I became more drawn to Hindustani music in its purest form. I took hundreds of classes with great Indian musicians, including Salamat Ali Khan, Habib Khan, K. Sridar, Laxmi Tewari, and especially the great sarod maestro Ustad Ali Akbar Khan. I became the music critic for India Currents magazine and wrote over a hundred articles on the many different styles of Indian Music. I interviewed great Indian musicians, including Pandit Jasraj, Hariprasad Chaurasia, Zakir Hussein, G.S. Sachdev, and Anoushka Shankar, from whom I received advice on how to improve my own playing. Finally I admitted to myself that I did not want to borrow bits and pieces of this music to create fusion—I wanted to play pure Hindustani Ragas.
After years of practice and performance, I think I have now developed a style which adapts the deep and profound nuances of the Hindustani tradition to this brand new instrument. I believe that, like the double neck violin of L. Shankar and the slide guitar of Mohan Bhatt and Debashish Bhattacharya, the touchstyle fretboard is capable of both preserving and extending one of the world’s richest and most expressive musical genres. In fact, many Indians have said that hearing ragas played on my touchstyle fretboard gave them a greater appreciation of their own traditional music. For me, ragas are the most complete music of all. They have the intellectual subtlety of quantum physics, the spiritual profundity of the Vedas, and the heartfelt emotion of a lover’s cry. So much of our art and music separates these elements. A great performance of a raga brings all of them together in a single moment.
Hello my friend...really nice and new sound from yr instrument..if u r in this area..let me know....like to enjoy with you....have a beutifull time over there...with full of your passion..Respect a lot...
Teed, I'm so sorry to hear about your mother. I remember you discussing her in class. The little that I heard about her was enough to know that she must have been a great woman. The song is beautiful. Very honest and very beautiful. From one musician to another, I'm sure your mother was and still is very proud. I've learned so much from you Teed, it doesn't surprise me that you are a teacher through song as well. Much love and respect. -Timothy O'neil Gall
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Thanks so much. I am a longtime admirer of your music. I am also a longtime practitioner of bhakti-yoga and the Hindustani ragas have had a huge influence. Peace to you.
Hi Teed, how're u? Are you online? Actually i'm working on a project, n want u to collaborate. Its classical, a sufi track. Let me know if u're intrested. Send me you e-mail id, i'll send u that stuff...
hi thanks for the good words.I dont know him but now we are on myspace, we can catch up,. I'm following your lead eventually, going down the indian meets west way , my way!
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