Everything that brings something new and fresh in the music, that inspires us and pushes forward. Our influences are based not only on music but also on the other arts,especially asian movies (Takashi Miike, Kim Ki Duk), books of Kafka, Bukowski, paintings of Hieronymus Bosch and Claude Monet, cause music, same like the other arts it's only a tool that can be use by people to show the rest of population our individual point of view,suffer, fears and desires.
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The 30th of July - LP on SALE now! 的最新部落文章
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The 30th of July was founded in February 2006 by five well-established musicians from the Polish hardcore/metal scene. The band categorizes their music as space rock, which is best described as a blend of stoner, progressive and experimental rock, with hints of metal and hardcore. The band draws their influences from almost all music genres, experiments with different sounds and unorthodox song structures, and takes the listeners on a sonic journey through outer space, hence the genre name space rock. The band has already made a name for themselves on the local scene, very frequently performing live at local venues and supporting many major-label bands. Recently one of the band’s songs was included on the soundtrack for a new skateboarding movie, entitled “Emerica - the gold rookie finals”.
In 2008 The 30th of July recorded “The 30th of July”, their first full-length album, which includes twelve songs. The total running time of the album is 1:04:03. The material was recorded in the Gorycki&Sznyterman Studio in Poland and produced by Jaro Baran, known for his work with artists like Paradise Lost, Delight, Avril Lavigne and many others.
Zespól The 30th of July narodził się w lutym 2006 roku, kiedy to pięciu niezależnych muzyków z polskich kręgów metal/hardcore'owych zebrało się po raz pierwszy aby tchnąć życie w ten nowy, przełomowy projekt. Zespól kategoryzuje swą muzykę jako space rock, który można określić jako specyficzną mieszankę stonera, rocka eksperymentalnego i progresywnego, z brzmiącymi gdzieniegdzie nutami metalowymi czy hardcore'owymi. Zespól czerpie jednak inspiracje z niemal wszystkich gatunków muzycznych, eksperymentując z nieschematycznymi utworami i poszukując nowych brzmień. "Trzydziestki" wyrobiły już sobie konkretną markę na lokalnej scenie, koncertując z dużą częstotliwością, oraz supportując szerzej znane zespoły z całej Polski. Jeden z utworów zespołu został użyty w ścieżce dźwiękowej do filmu skateboard'owego "Emerica - the gold rookie finals".
W roku 2008 The 30th of July nagrali swoja debiutancką płytę LP, zatytułowana "The 30th of July", na której znalazło się 12 utworów. Płyta została nagrana w studiu Gorycki&Sznyterman i wyprodukowana przez Jarka Barana, znanego z pracy z artystami takimi jak Paradise Lost, Delight, Avril Lavigne i innymi.
We're not trying to become a part of any trend or style, we would like to create something different, new and completely ours. For us, music boundaries are something that needs to be erased as soon as possible. There are only a few important things in our lives like: our feelings, emotions, independence and first of all - our music. We are just five friends, who want to conquer this damn world, before it conquers us.
Hi there! If you want a professional recording session, and the chance to support one of the headlining acts during Asymmetry Festival 2010 try your chances in INTERNATIONAL NEURO MUSIC CONTEST. And tell your friends about us.
Witamy !!! Nadszedł PUNKT PRZEŁOMOWY! CZAS ZMIAN! Nowa JAKOŚĆ,Nowe SPOJRZENIE, Nowe DŹWIĘKI Mini płyta CRUCIAL POINT w CAŁOŚCI na nowej odsłonie naszego profilu!!! Zapraszamy do odsłuchu i komentowania !!!
Adviruz is the artist psedonym of Istanbul’s Pinar Gurcan, whose growing passion for sound is translated through her music. Since an early age, she has been listening and mimicking opera singers, writing melodies, songs and poems in which she spoke her mind and reflected her soul. All of which are evident on "Nightly Sounds", an 8 track album which is the equivilent of having a glimpse into a diary, learning of love lost, gained, a snapshot of the human condition from which we can all draw experience... All of these things are developed musically into minimalistic glitch, noise, idm, experimental music and microsounds, its influences reminiscent of work by artists like Tujiko Noriko, Mira Calix, Plaid and Björk.
Adviruz and Section 27 present "Nightly Sounds", an intricately woven and rewarding musical tapestry. Available now for free download.
To celebrate our first 27 releases on Section 27 Netlabel, we proudly present to you "Sectioned", a compilation of 27 tracks, amounting to 2 hours across two discs of twisted electronic beats, discordant melodies, haunting passages, broken ambience, bending senses of time and space, microscopic glitches, pounding bass frequencies, sounds between sounds, the human voice and the audible sensation of music dissolving in acid. This is the sound of your mind's eye. This is the sound of the Sectioned... Strap yourself in and enjoy the experience.
Also features a 75 minute bonus disc "Sectioned : Nonimxs", including 9 remixes of selected Section 27 artists by Nonima and 2 original tracks created by Silent Snow and Nina Kardec using existing Nonima tracks.
Można już posłuchać pierwszej kompozycji z nowej płyty Votum zatytułowanej "Metafiction", która 16 listopada trafi do sklepów! Zapraszamy serdecznie! Votum
Wreszcie znalazłem waszą płytke w Empiku ku wielkiej mej uciesze :) Kawał dobrej roboty, długo czekałem na płytke, zajebiste brzmienia, oby tak dalej ;] Decompression zmienione troche od tego co było na MS kiedyś?;> czy po prostu tak długo go już nie miałem przyjemności słuchać i coś mi sie myli heh
Almost Tomorrow is the third full length collaboration album from Section 27 Netlabel founders Tam Ferrans and Andrew Paterson, under their Nonima & theAudiologist guise. This time around the sound is more melodic, and has a definite feeling of a complete and more mature sound than heard on the previous LP's "Dystopian Battle Hymns" and "Ceremony After Amputation". If you are familiar with their individual projects you may even be in for a slight surprise, as the tracks are not as beat driven like before, but are more atmospheric and sound, well... "bigger". In its 75 minutes, Almost Tomorrow takes you on a trip from the digital rain-soaked cavernous scraping in "Thoughtograph", the ethereal beat jittering of "The Colour of Rain", intercepted transmissions from unknown places in "Com-Intercept", "Ganzfeld"s huge yet strangely insect-like beats until everything you knew comes crashing around you in "Almost Tomorrow". Burning pianos, glitched out soundscapes and intricately programmed beatplay, this may well be their best work to date. Consider it the soundtrack to a rainy overcast day, but with just that glimmer of sunshine peeking from the clouds. "Almost Tomorrow" wears its heart on its sleeve.
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