All Instruments Performed By: Boogie Man Montoya
Executive Producer: Boogie Man Montoya
Music Coordinator: Boogie Man Montoya
Engineered by: Boogie Man Montoya And Mello-Drama Studios
Music Supervisor For Mello-Drama Studios: Boogie Man Montoya
The BGO is looking for musicians and dancers to join the family.
Etkilendikleri
The Fans
Musical inspiration includes but is not limited to...
Aesop Rock AquaVenus Atmosphere Atomic Fireballs Ben Folds Billie Holiday Blind Willie Johnson Bo Diddley Booker T and the MG's Caroline Pond Charles Mingus Coleman Hawkins Cream Danger Mouse Danzig Dick Dale The Doors Elvis Presley Ether Orchestra Frank Sinatra Funk Brothers Gnarls Barkley Gorillaz GZA Henry Rollins Hormonas Howlin' Wolf James Brown Jeff Buckley Jimi Hendrix John Lee Hooker Johnny Cash Leadbelly Los Lobos Mark Knopfler Mazzy Star Morphine Monkeygrinder Muddy Waters Nick Cave & The Bad Seeds Prince The Ramones Reverend Horton Heat Rolling Stones The Pillows Sarah Severson Starlite Wrangers Stevie Wonder The Clash The Time The Who Wu-Tang Clan Yardbirds Yoko Kanno
Neye Benziyor?
In the world of the bastard groove, it is always 3am. The neon lit Main Street drenched in swagger and slow falling rain, leads off to scary alleyways, their gloom promising sensual ghosts and finger clicking adventure.
It is a world where the dead dance a reverb twist, a twilight zone 50s movie of a place. A world where the women are beautiful and scary, mostly worshiped sometimes scolded gently to the ever present sway of the teenage delinquent bass.
This is the sound of nervous tension. Plug ugly barmen who know all the words to every Elvis tune. The room full of Exotic dancers with broken hearts, and musicians who having seen it all, play the blues to prove it.
This is rough sly grinning rock n roll.
This not all a swagger though, in the song ‘Time and Place’ the Orchestra even finds time to deliver some tenderness and an honest yearning.
This is music done wrong. Simple production values, bare-bones mixes, and misused hardware. There is no reason at all that this type of music should work.
....FRIZZ RECORDS is proud to announce our fourth LP release...
LEILA ADU has been described as 'A Nina Simone for the Noughties', and her two acclaimed albums infuse a broadly 'art-rock' approach with elements of torch song, speakeasy blues, avant garde jazz, gamelan, post-rock textures, and a David Lynch style dreamlike b-movie melodrama. As her website has it, exploring the "dissonant edges of familiar forms", but with that kind of 'dissonance' that they once accused Thelonious Monk or Debussy of, the kind that soon betrays it's own compelling melodic and harmonic logic to the attentive listener...
'Dark Joan', Leila's third album as a solo artist, was recorded in Chicago with the legendary Steve Albini (PJ Harvey, Joanna Newsome, Nirvana, Pixies), and Albini's genius has been to strip her sound back to it's essence, and hold it's most distinctive qualities up to the light. It doesn't hurt that this is by far Leila's most powerful set of songs to date, and if anything we are lead even deeper into her world by the pictures painted with just piano (or in some cases harpsichord or a grime-encrusted electric piano) and that voice...
Capable of anything from delicate heartbreaking purity to a fearsome dramatic power, her powers are seemingly limitless, yet unlike most other singers of her calibre, never does she resort to melodrama or show-boating, or any kind of pastiche, instead she employs her resources fully in the expression of her distinctive musical vision and the deep well-spring of her imagination. Nothing ever sounds as though it could have not been sung...
He Of The House's very first (of many) compilation. Nineteen tracks from twenty artists, the end result of which is possibly one of the most diverse compilations I've ever heard. From soft spoken acoustic folk to raving, churning dirge tunes; from a noisy, industrial cover of a Sonic Youth song to oldschool punk from when it was still raw, fast, and unforgiving. Powerviolence peppers the grounds where spooked whispers whinny along, and the caustic words of a madman festering in his own mind play out over perpetually plucked guitar strings. A true honour it is to work with these amazing artists, and I do hope we can keep them coming back for years.
Featuring: Zombie Battle Axe, xHaroldShitmanx, Kro & Jason "EVIL" Covelli, Nemesism, Ginny Greenteeth, Don't Move, Spiral Vertigo, Chachi On Acid, Mike Bruno, Autopia, Dead Kid Harvester, Jason "EVIL" Covelli, Karmakumulator, Chelsea Wolfe, RedSK vs. teh soup rebellion, Torturing Nurse, Sleepers, Flea McGruff
Housed in handmade & handpainted paper jackets with individually original black tissue cutouts, enclosed with a button. Featuring full page insert artwork by Jason "EVIL" Covelli and a blurb about each band/artist from myself. Limited to 45 handnumbered copies.
For more information, tracklisting, artwork, and information on future compilations, as well as a wealth of other fun tidbits, visit heofthehouse.com heofthehouse.com/compilation
To order this compilation for only $8 (prices vary for out of country shipping), visit heofthehouse.com/recordshoppe
....FRIZZ RECORDS is proud to announce our third LP release...
"Anutha Kinda Brotha" is the debut LP from underground legend ART TERRY. Since moving to the UK from his native Los Angeles in the early 90s, Mr Terry has established himself as one of London's characters.
Describing Art's sound to the uninitiated usually involves debunking some of the stereotypes of what the 'typical' black Californian might play. Despite his jazz training, and coming of age to the sounds of classic soul and funk, these styles are only a part of his musical vision. His fascination with folk styles, classical music, punk rock, pure pop, easy listening, musical theatre and the European avant garde have taken him on different paths from most...
The result is an orchestral pop record full of sonic inventiveness, whether it's the blend of Shuggie Otis's 60s California and Sun Ra's ancient Egypt on 'Bible', Frankie Valli & The Four Seasons leading a mariachi band on 'Escort', or the Walt Disney music box orchestra of 'Miss Dominatrix', but whilst this is very much a sonic feast, we shouldn't overlook Art's extraordinary lyrical adeptness, and the distinctive character this brings to the proceedings, with a knack for unique and colourful imagery, and how like a great short story writer he is able to paint an engaging picture whilst keeping back from casting judgement on his characters, always leaving open ends for the listener to tie; giving us the feeling that however far astray someone might have gone, there is always sympathy and human feeling for them in Art's mind...
I kno i just love him!! i feel like i need to have an Evil Dead marathon now! ... HEY! u should come over n join me!! ill share my chocolate chip cookies i made yesterday!!
....FRIZZ RECORDS is proud to announce our second official LP release...
"Modern Mediaeval" is the third LP from singer-songwriter DAVID GARSIDE, and the first to receive the full Frizz Records vinyl treatment. It’s also clearly the most fully-realised statement of his distinctive vision so far…
It’s an easy route to locate David in the tradition of his ‘classic’ influences (McCartney, Nick Drake, Stevie Wonder, Joni Mitchell, The Beach Boys, Love, Talking Heads, Peter Gabriel, Dexy’s…), but there are few songwriters working today that have absorbed these influences so fully, and arrived at a mature style as David has…
This is ’singer-songwriter’ music in the sense that it’s focus is on song-craft and the unfolding of the lyrical vision of a single individual, but if so then it’s definitely at the sophisticated end of the scale (’progressive’ if that term isn’t too loaded…), filed alongside ‘Bryter Layter’, ‘The Hissing Of Summer Lawns’, ‘Pretzel Logic’ or ‘Surf’s Up’...another FRIZZ RECORDS instant classic!
"Modern Mediaeval" can be downloaded from the iTunes Store
The album is also available on heavyweight vinyl LP, or on Digipack CD from www.FrizzRecords.com & all good retailers
....FRIZZ RECORDS is proud to announce our first official LP release...
"It's Not The Wand, It's The Magic" is the debut release from AUGUST, the London based band centred around the songwriting partnership between vocalist VEDINA MOSE and multi-instrumentalist / producer RAPHAEL MANN (MR HUDSON / JOY JOSEPH / ART TERRY), with master drummer CLEAN CUT MARK and clarinetist / vocalist MAREE CHOIE completing the core line-up, and a supporting cast including ART TERRY (keyboards), SHOHEI KAWAMOTO (AKA Japanese producer Baraki, Bass clarinet, soprano sax and flute), and KAI HOFFMAN (French horn)
Always an act that juggled a diverse set of influences, the album has been compared to artists as diverse as KATE BUSH, PRINCE, DE LA SOUL, SLY STONE, MADLIB, SERGE GAINSBOURG and THE DELFONICS, for its concoction of wild experimentation and traditional song craft, organic production and futuristic electronic touches, funk bass & drums and jazz & orchestral references, infectious melodies and lyrical flights of fancy...with nods towards classic soul, JB funk, Studio One, 60s pop, psychedelia, left field hip hop, new wave, doo wop, tropicalia, high life, & avant garde jazz, without any song ever fitting squarely into any of those categories...new music, basically...and an instant classic!
"It's Not The Wand, It's The Magic" can be downloaded now from the iTunes Store
The album is also available on heavyweight vinyl LP in a sumptuous gatefold sleeve, or on Digipack CD from www.FrizzRecords.com & all good retailers
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Online!
