THE
BLACK CROWES
(Bio)
"Hallelujah, come join the jubilee."
That's
the invitation that opens WARPAINT, the first new studio
recording in seven years from the blessed THE BLACK CROWES, true
believers in rock's power and potential to set us free. Their powerful new
album--the first on the band's own Silver Arrow Records, distributed through Megaforce/Sony
Red BMG--builds compellingly on the band’s trademark adventurous brew of rock,
blues, country, soul and gospel, and finds the band in top fighting form.
"WARPAINT
is a declaration of our soulful independence," says Chris Robinson, the
creative force behind this band with his brother Rich for the past 18 years.
"The thing about the last three years has been, 'How do we continue to be
independent? How do we begin to exercise control and freedom over our own
trip?' That's what the title is all about."
"Every
record was a great experience to get us to where we are today," says Rich
Robinson. “This is what we love to do, and we want to do it the best we can.
That's what's in this record and I think that shows."
Today,
anyone checking in on “The Most Rock ‘N Roll Rock ‘N Roll Band In The
World," as the U.K.’s Melody Maker once called them, will find THE
BLACK CROWES more dedicated than ever to their craft which has resulted with sales of 20 million albums worldwide. WARPAINT is
the band’s seventh studio recording and features 11 songs--all of
which were written by CHRIS and RICH ROBINSON, except “God’s Got It” by the
Reverend Charlie Jackson. The disc, which features such standout songs as first
single “Goodbye Daughters of the Revolution,” “Oh Josephine,” “Locust Street”
and “Walk Believer Walk,” hums with an apostolic zeal appropriate to a record
that often delves into the things we place our faith in.
"If
someone hears WARPAINT and they like rock n' roll music, it's going to
mean something to them," says Chris. "People have wondered if it's a
political record or if these are protest songs. I say no, my politics are the
politics of beauty. And if that's something you're into then you have to
understand the myriad of shades we have in something beautiful–from joy to pain
to sorrow, from tenderness to ugliness. All those things are in there."
Says Rich: "You listen to Dylan, you listen to Bob
Marley, you listen to anything, from blues to up until now, and really the
things that last and mean something are beautiful songs about universal themes
that mean something about the integrity of human beings, about love, about
passion--all the great virtues we sort of lost through technology and TV and
self-absorption.”
THE
BLACK CROWES are Chris (vocals), Rich (guitars), Steve Gorman (drums) and Sven Pipien
(bass)--and WARPAINT introduces new members Adam MacDougall (keyboards)
and guitarist Luther Dickinson, known for his work in the North Mississippi
All-Stars and The Word, where he performs with Robert Randolph and John Medeski
(of Medeski, Martin & Wood).
"Luther
couldn't have complimented the material or what the band does any better,"
says Chris. “And what Adam has brought to the band is equally a gift to our
music." Rich continues, "Luther fit in before he even plugged in to
play. He comes from where we come from, he loves the music we love, and he
brought so much new to our songs. Same thing goes for Adam. Bringing them
in--their energy, playing and approach--just made it so seamless and great.
The first week we were in the studio we recorded the majority of the album. We
just knocked it out."
Paul
Stacey, who's worked with Chris for years and played guitar with the band for a
(by design) temporary period before Dickinson joined, produced the new album,
which came to life at Allaire Studios at the foot of the Catskills in upstate
New York. Not far from Woodstock, the live-in facility has been the birth place in
recent years for My Morning Jacket's Z, Ray Lamontagne's Till The Sun
Turns Black, Martha Wainwright's debut and many other resonant modern
gems. WARPAINT easily joins this lineage, a work of instant depth and
unrestrained gusto.
"It's
a little more self-assured, and has a bit more swagger,” enthuses Chris about
where the new album fits into the band’s body of work. “Not since Southern
Harmony have we had such a crystal clear picture of where we are and where
we're going.” Rich picks it up, "Allaire is stunningly beautiful, so quiet
and isolated…It brings a focus and inspiration to what you're doing. You do
draw from the place where you are."
Right
from their start in 1990—with their six million-selling SHAKE YOUR MONEY
MAKER, a pivotal work that kick started an authentic style of rock and roll
in America—THE BLACK CROWES have been at odds with prevailing commercial trends.
Their heady mix of '70s inflected rock, Funkadelic soul and heartfelt roots
music jostled against the hair metal and high-gloss pop getting airplay at the
start of that decade. While the sheer attitude and charm of "Hard To
Handle" and "Twice As Hard" managed to make waves, the
intervening years have seen the band steadily evolve an increasingly refined,
singular sound that takes the best parts of hard rock, gospel, country, psychedelia
and anything else it fancies into their hungry maw to create something several
light years beyond the young men who recorded "She Talks To Angels."
"Even
in our most commercially successful period,” says Chris, “there was nothing
like us on any format. By the time grunge happened, Southern Harmony
(1992) and amorica (1994) didn't fit into any part of popular music. We
looked different, we sounded different, and we set up our culture a little
different," he adds. "Everybody who wanted to bag us because they
thought they knew what we were missed out on a lot of good music, good concerts
and a band that, even at our weirdest, had something to say."
THE BLACK CROWES not only had something to say; they became known as as one of rock’s best live acts and have been called a “thoroughbred American rock ‘n’ freakin’ roll band.” Their panoramic live shows feature alternating set lists and signature incendiary
musical explorations that are designed to take audiences on a journey.
The band took a break starting in late 2001. which turned out to be a four-year-hiatus. Then,
on January 11, 2005, THE BLACK CROWES announced their highly anticipated
and long-awaited return to the live concert stage with five special shows at New York’s
Hammerstein Ballroom (March 22-30, 2005). All five concerts—billed by brothers CHRIS and RICH ROBINSON as ‘’ALL JOIN HANDS”--sold out instantly, marking the fastest New York sell-out that THE BLACK CROWES have experienced to date. To meet the absolutely overwhelming fan demand, two more shows were added at Hammerstein. And those sold out. Total tickets sold in New York City: 22,000. Clearly, THE BLACK
CROWES were back.
Since then, the
touring dynamos have explored their extensive catalog on main stages from Bonnaroo
to the Voodoo Music Experience to the New Orleans Jazz & Heritage Festival,
celebrating nearly two decades of "Cosmic Rock-n-Roll" in front of
sold-out audiences everywhere. THE BLACK CROWES are one of the few acts to
emerge in the early '90s still thriving today. And fewer still can claim to
have shared the stage with Jimmy Page, AC/DC, Bob Dylan, Grateful Dead,
Aerosmith, The Rolling Stones, Neil Young and The Who. Like these legends, THE
BLACK CROWES create music that endures because it speaks to more than momentary
concerns.
Now,
with WARPAINT, THE BLACK CROWES are ready to tour the world, bringing
their Freak N’ Roll to the devoted fans that have embraced them. As always,
THE BLACK CROWES continue to do things their own way.
THE BLACK CROWES’ DISCOGRAPHY
SHAKE
YOUR MONEYMAKER (1990)
SOUTHERN
HARMONY AND MUSICAL COMPANION (1992)
AMORICA
(1994)
THREE
SNAKES AND ONE CHARM (1996)
SHO’
NUFF (box set, 1998)
BY
YOUR SIDE (1999)
JIMMY
PAGE & THE BLACK CROWES: LIVE AT THE GREEK (2000)
GREATEST
HITS 1990-1999 A TRIBUTE TO A WORK IN PROGRESS (2000)
LIONS
(2001)
LIVE
(2002)
FREAK
& ROLL…INTO THE FOG (2006, live DVD)
WHO
KILLED THAT BIRD OUT ON THE WINDOWSILL (2006; re-mastered video collection from
1992)
THE
LOST CROWES (2006; two-CD set including 1993’s TALL and 1997’s BAND)
WARPAINT
(2008)