CHRIS JAMES - Vocal & Guitar
PATRICK RYNN - Bass & Vocal
Influences
LITTLE WALTER, MUDDY WATERS, ELMORE JAMES, THE ACES, ROBERT JR. LOCKWOOD, EDDIE TAYLOR, JIMMY REED, JIMMY ROGERS, MEMPHIS MINNIE, BIG BILL BROONZY, TAMPA RED, SONNY BOY WILLIAMSON I, LONNIE JOHNSON, T-BONE WALKER, LOWELL FULSON, BO DIDDLEY, LIGHTNIN' HOPKINS, EARL HOOKER, JODY WILLIAMS, MAGIC SAM, FREDDY KING, HOMESICK JAMES, ROBERT NIGHTHAWK, LIL ' SON JACKSON, WILLIE JOHNSON, HOUND DOG TAYLOR, ARTHUR "BIG BOY" CRUDUP
Blues fans are well aware of vocalist and guitarist Chris James and bassist Patrick Rynn as longtime leaders of their own band, the Blue Four, as well as for their stellar work with a dazzling array of blues legends. Now Stop and Think About It, their debut album for Earwig Records, takes their shared musical feats to a whole new level.
The San Diego-based bluesmen inaugurated their musical partnership in 1990 when both were in Chicago for the first time. The sartorially splendiferous duo has been inseparable ever since, their telepathic onstage interplay in evidence whether they’re digging deep into classic postwar blues or dishing up the meaty, satisfying originals so prominent on their new CD.
Born in North Carolina but raised in the warm and sunny climes of San Diego, Chris was hooked on blues as a child. “I started playing blues piano by the time I was 11. Chuck Berry was the first guy that was really a big influence on me,” he says. Transfixed by anything having to do with blues, Chris snagged a gofer job at a local blues festival where he talked to Texas-bred guitarist Tomcat Courtney, San Diego’s top bluesman then and now. Chris was skilled enough on harp at the age of 13 to join Courtney’s band shortly thereafter their first encounter.
“I only played harmonica with him for maybe six months or something like that, and then the bass player quit. And then Tom just gave me a bass and said, ‘Okay, boy, here’s the bass. The bass player’s quit. I need you to learn this by next week!’” laughs Chris. Soon he was alternating between bass and guitar with Courtney before switching over to guitar altogether.
In 1990, Chris made his first pilgrimage to Chicago. An impromptu jam with blues pianist Detroit Junior led to his first steady gig. In his free time, Chris made the rounds of local jam sessions. He first encountered Patrick while sitting in at B.L.U.E.S. Etc. “We did not hit it off when we first met each other,” admits Chris. Fate decreed that the pair would cross paths again very soon at the Guitar Center, where Patrick worked. Chris came in and played a dazzling “Terraplane Blues.” “We became instant friends,” says Patrick. “He ended up coming down to the store just about every day.” A new blues duo was permanently established then and there.
It wasn’t like Patrick didn’t have experience holding down the bottom in a blues band. Born in Toledo, Ohio, he was classically trained on bass before a buddy urged him to check out a high school jazz ensemble led by veteran saxist Floyd “Candy” Johnson, who invited the young bassist to play with the orchestra. “That’s how I got introduced into blues,” says Patrick, who had an epiphany while attending college when he heard Elmore James for the first time on tape. “My whole world just changed,” he says. “It just blew me away.” After serious woodshedding, Patrick hooked on as bassist with Toledo’s leading blues band, the Griswolds, led by brothers Art and Roman Griswold. “I ended up playing with them for five years,” he says.
Harmonica great Junior Wells invited Patrick to Chicago in the spring of 1990. That autumn he moved there. With both young bluesmen thus settled in the Windy City, Chris drilled Patrick on the traditional aspects of the blues. “He was teaching me the rudiments of everything,” says Patrick. “I was exhausted. But over time, it started happening.” The pair’s first big break came at a tribute to harp immortal Little Walter at Rosa’s Lounge. An all-star cast of Chicago blues giants was in attendance, including the legendary Louis and Dave Myers. "Louis and Dave and all these guys, they wanted a break,” says Chris. “They asked me, ‘Do you know Little Walter?’ I said, ‘Of course I know Walter’s stuff!’ So they put us up there, and we started playing. And there’s Willie Smith and Sam Lay and all these guys, looking at us.” It took a few months, but that performance paid off. “The phone rang, and Chris runs in the house, and he’s in there for about a half hour,” says Patrick. “And he comes running out. He says, ‘Get packed! We’re going to Atlanta!’ I’m like, ‘What do you mean?” He said, ‘Sam Lay–we just got hired!’” The two anchored the powerhouse drummer’s band for five years and first recorded together as members of Sam’s band, the tapes debuting in 1994 on Appaloosa as Sam Lay Blues Band Live. Slide Guitar Blues, hailing from the same date, later came out on Icehouse and marked Chris’ first vocal outings on record. More recently, they backed Lay on Hightone’s live Rhythm Room Blues in 2001.
The two grew close to Dave Myers, co-founder of the Aces and a Chicago blues electric bass pioneer. “We used to go over to his house and spend all night just sitting in his kitchen playing. Chris on guitar, Dave on guitar, me playing Davey’s bass. I always knew I was doing okay if Dave was smiling,” says Patrick. “Dave Myers was a huge influence on me. Not only was he an influence, but he was a really dear, close friend.”
While playing in Colorado in 1994, Lay invited budding harp player Rob Stone to sit in with the band. Like Chris and Patrick, Rob felt a migrational pull to Chicago. The three teamed up as a unit there before Chris and Patrick returned to San Diego (they can be seen in action at the 2000 Chicago Blues Festival in Godfathers and Sons, part of Martin Scorsese’s PBS-TV blues documentary series). When Stone decided to make an album, he asked his friends to help. “Robbie wanted to start getting gigs in Chicago on his own, so he needed to have his own CD,” says Chris. “Then we said, ‘What are we going to call the band?’” They decided on the C-Notes, in honor of Rob’s spendthrift ways and Chris’ penchant for spending his last buck on CDs.
No Worries, Rob Stone & the C-Notes’ acclaimed 1998 debut album, was just the beginning. In addition to co-starring on the C-Notes’ potent 2003 Earwig release Just My Luck, Chris and Patrick recorded with pianist Dennis Binder (2007's Hole in That Jug on Earwig) and Chicago guitarist Jody Williams’ second Evidence album in 2004, You Left Me in the Dark (Chris had the honor of playing alongside one of his heroes, Robert Jr. Lockwood, on the set). They’d begun playing with Jody near the beginning of his comeback and traveled the globe with him until 2004, when Chris contracted a stomach ailment in Italy that took him off the road.
Chris was well enough by July of ‘05 to travel to Europe as a member of Phoenix harpist Bob Corritore’s band. That led to his being asked to join Corritore’s Rhythm Room All Stars. “I was in the band for like six months, then Patrick came aboard,” says Chris. Their explosive exploits at the Rhythm Room can be heard on House Rockin’ and Blues Shoutin’!, a 2007 live disc on the Blue Witch label where they back Big Pete Pearson and Billy Boy Arnold.
Now their own "Stop and Think About It" takes it one mighty step further.
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Chris James and Patrick Rynn's Friend Space (Top 28)
my Brothers, Hope all is well at your door and my note finds ya' doing the proverbial happy dance! Please tell all of your friends about this very important benefit concert. Thanks for helping!
*Benefit for Steve White local musician/artist/songwriter Saturday November 14, Tango Del Rey - 3567 Del Rey, by Mission Bay 4:00 pm. Featuring Baja Blues Boys, Bayou Brothers, Ruby & Red Hots, West of Memphis, Nathan James, Chet with The Committee, Chill Boy, Slim Crowbar and The IOU's! $12.00 Donation. Proceeds go to Steve White; recently diagnosed with Throat Cancer. He had his surgery 9/26 is recovering well and will start Radiation Treatments on 11/9. The event only makes a difference if we fill the room, we can only do that with your help! Beautiful Dance Floor, Free Parking, Great Sound, Good Food, Beer, Cocktails Served. Read about Steve and his music: www.stevewhiteblues.com Visit www.tangodelrey.com
Red, White and Blues Fundraiser Food Drive Tonight at Humphrey's Lounge! Join us for this very important event to help our Military families October 19th. It's a good time for a very good cause. . . Special Thanks to our Musicians!
*Red, White & Blues Fundraiser and Food Drive at Humphrey's Backstage Lounge.
-Monday 10/19, Featuring live blues by Miss Jacqui Foreman, The Kingfish Jones Band, Ayanna Hobson and Joe Norwood, Chet and The Committee with Guests, and the very cool Delta Heat. Dancing, Dining, Drinking and Carrying on etc. . .
$12.00 Benefits Navy and Marine Corps Family Food Locker. It's Another Good Time for a Good Cause! 7:00 -11:00 pm. This event only works if we fill the room. . . to do that we need your help! Non perishable Food items are also accepted. www.humphreysbythebay.com
Please tell all your friends about this very important event.
Thank you for being our friend. Mike Dollins & The Cruize Bros "Live" Hot Springs Blues Festival 2009 jamming Sissy Strut.
Guido Ciardetti – Born in Chicago, and was Buddy Miles Bass Player
Brad Messer – Born in Texas, and grew up with SRV
Mike Fraz – Born in New Orleans, playing same venues as Dr. John
Mike Dollins – From California & Arkansas Delta, played in the King Biscuit Blues Band, and with the great blues legends Big Daddy Rucker and Len Rainey on the west coast.
These veteran players love jammin’, and Sissy Strut is becoming a fan favorite on YouTube, AOL, MySpace and FaceBook. United as brothers in the roots of Blues, Jazz, R&B, Soul, Funk, Gospel and American Rock.
Thanks for the add, goes without saying. Saw you @ the Rhythm Room the other night, loved it. Loved the tightness, yet flexible to eachothers moves. Have tickets to see you in Tempe the 25th, looking forward to it. Hope you always play the Blues, but pray you never have the Blues.
In a very far-off time, when peace didn't know war because life didn't know man.
In the time when the vast ocean drowned the red sun, the wind composed a Te Deum on its piano in the universe. And God said to the wind: "Of all my senses, you are the one who resembles me most closely. Look at me so I can see myself ! "
So to thank God, the wind became music.
From that time tunes became mirrors, where God sees himself and gives his joy.
