“The trio's strength is their lo-fi authenticity, and some instantly catchy bittersweet guitar melodies…” – NOW Magazine, Jordan Bimm
“…This local trio wear their sunglasses at night, not simply to look cool (though, hey, it never hurts) but to make a dark world look even darker. Though Demonstration's Smiths-aping cover art makes their allegiances plain, The Disraelis expand outward from their '80s mope-pop base to absorb the genre's post-punk past and shoegazer future….” – EYE Weekly, Stuart Berman
“…Jaunty bass lines and danceable breakdowns, they created a fresh concoction that embraced its influences without ironically winking at or outright parroting them” – CMW, Scott Tevener
Nice CMW review in the April issue of Exclaim the trio's late Silver Dollar show evoked a range of well-dressed heavy-hitters, like the Fall and Chameleons, while touching on the Cure (see the jangly guitar on "Distance") and even Psychedelic Furs (see "In Memory"). However, tempering the gravitas with occasional jaunty bass lines or danceable breakdowns, they created a fresh concoction that embraced its influences without ironically winking at or outright parroting them'
hope to do it here, there or anywhere sometime again very, very soon... the guy that jumped on stage during our set and started breaking shit and trying to fight Cameron, apologized... he was not in control of his mind... remembers nothing...
Great set at The Silver Dollar. Chiming psych-laced riffs infused with the glow of the 60’s. A tripped-out mix of melancholic vocals, neo-psychedelic splendor, and the urbane grittiness of The Velvet Underground. The definition of being wired on cool.
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