the husbands

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swept aside

Album: Intoducing the Sounds of...

Released: Feb 20, 2005

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swept aside
1:40
29,707 plays
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take it or leave it
2:16
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Tell Me Your Love Is Only Mine
1:41
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Running Scared
3:12
20,624 plays

Total Plays: 108,758 / Plays Today: 1See All Featured ►

General Info

Genre: Blues / Garage / Rock
Location SAN FRANCISCO, US
Profile Views: 153965
Last Login: 9/23/2010
Member Since 2/17/2005
Website thehusbands.net
Record Label Swami Records www.swamirecords.com
Type of Label Indie
Bio
.. .. .. .. .. .. Brain piercing reverberating echoes of guitar feedback reflecting off the bloody walls of a dark cave, an orgy of relentless percussion. This sinister world collides into a love for the raw spirit of primordial Soul, R&B, Punk Rock, Gospel and Rock and Roll. This is the new universe created by The Husbands. B-movie chic and houserockin' histrionics compel even the most limp willed to get it up and shake it. Contagious unforgiving and unforgettable, The Husbands are the baddest of the bunch. - www.swamirecords.com www.thehusbands.net .. .. ..
Members
Sarah Reed, Sadie Shaw, Casey Ward
Influences
Gories, Led Zepplin, Jackie Wilson, Irma Thomas, Ike and Tina, Rolling Stones, The Monkeys, The Sonics, The MilkShakes, The Prisoners, The Pretty Things, Black Sabbath, The Stooges, The Shangri-Las, The Shirelles, John Reis, Beehive and The Barricudas, Dead Moon, The Brood, The Pandoras, The Go-Gos, Demolition Doll Rods, Early Van Halen, Iron Maiden, Weakling, Casey Ward, Tracy Sawyer, Harold Ray Live in Concert, The J.B.'s, Sly and The Family Stone, Funkadelic, Creedence Clearwater Revival, ACDC, Kiss, Coachwhips, Maggie Vail, Etta James, Isley Brothers, Earth Wind and Fire, The Mothers, Hound Dog Taylor and the House Rockers, Blind Willie McTell, Ray CHarles, James Brown, Bo-Diddley, Hazel Atkins, The Cramps, Joan Jett, The Runaways, Chuck Berry, Eddie Cochran, The Yardbirds, Cream, Joy Division, Buzzcocks, Sex Pistols, The Jam, The Action, The Young Rascals, Solomon Burke, Otis Redding, Sam Cooke, Smokey Robinson, Little Stevie Wonder, The Crytals, Brian Wilson, John Lee Hooker, Muddy Waters, Howlin Wolf, Memphis Minnie, Bob Marley and The Wailers, Alton and Hortense Ellis, Peter Tosh, The Ikettes, Lee Scratch Perry/The Upsetters, The Skatalites, Betty Davis, Gregory Isaacs, Dennis Brown, Jackie Mittoo, Girl From The Garage Compilation Series, Nuggets, Loosin Streaks, The Mothballs, The Flakes, Nagg, Lynn Collins, Betty HArris, Sonny Terry, Drunk Horse, Blue Cheer, Rainbow, Hot Snakes, Rocket From The Crypt, The Makes Nice, Dan Sartain, Big Bizness, The Love Exchange, On me: King Coleman, James Brown, Earnest Tubb,Rudy Ray Moore (Dolemite), Isaac Hayes, Bootsy Collins, Richard Pryor, Gravy Train!!!, The King Khan BBQ Show
Sounds Like
INK19 review by Mathew Moyer:The Husbands There’s Nothing I’d Like More Than To See You Dead Swami Records There's Nothing I'd Like More Than To See You Dead is rampaging garage cave-stomp that’s way more versatile than you’d think, daddy. Sure, there’re plenty of the standard switchblade knives and switchblade combs brandished with flair from the pockets of leather jackets, torn fishnets and distortion pedals festooned with human skills, but The Husbands have a broader musical palette than many of their fellow garage-dwelling brothers and sisters. Their sound is often reminiscent of the shoulda-been-huge cult act Red Aunts, Thee Headcoatees and The Cramps, only with the bleeding teenage heart of the Ronettes and the Shirelles underneath the hood. Songs like “Never Again” and "Just Ain't Right For Me" dive headfirst into the beehived teenage-psychodramas of the Spector sound and the cha-cha heel-wearing bad girls a young John Waters worshipped, just rendered more raw and primitive. Whoever said breakups sounded slick anyway? Liquid eyeliner and mascara running down the cheeks, angel-sweet backing harmony vocals, that huge drum sound and cadence from "Be My Baby" to the Velvet Underground. Or how about the gothic, funeral-parlor blues of “Much Too Late?” Reminds me very much of another recent favorite coffinside love song "Funeral Parlor Blues" by David Allan Coe. And I give them all the credit in the world for covering Roy Orbison's "Running Scared," a chestnut of doomed love and treachery (isn’t it the only kind you can really count on anymore?), and if it isn’t quite up the the standards set by Nick Cave, well ... hell, at least they’re putting it out into the collective sonic consciousness again. Funky blues chops surface in the sweet party rave-up of “Bar-B-Q” --with an unbelievably genius/simple chorus. Who doesn’t love barbecue? It almost makes me not hate summer as much. And there are thrashers and romps and punk anthems to spare, trust me. Like the one-minute riff-o-rama “Pretty Lil’ Baby,” which either the Misfits or Johnny Thunders would have killed for. “Nervous” has that tense, mod-stutter-step jerk and lurch, all booming drums and heavily leashed guitar -- prime "Ready, Steady, Go!" fodder. “Monster Party” is an absolutely godhead homage to that central theme of so much good, early garage/surf rock: namely, the monster shindig. And oh fucking baby, it delivers the goods in spades, complete with horrified screams, lyrics that outline the crashing of an honest-to-god monster party, a frugtastic dance breakdown for all the ghouls to do the twist and gritty, tombstone-shakin’ geetars. The playground taunts that kick off the one-minute blur "You Know What Sadie," hint at the great truth, why not marry rock and roll? The Husbands are the motorcycle-riding, leather-wearing younger sisters of the Jesus and Mary Chain –-they've picked up all of their older brothers' best bad-boy tricks, but fleshed them out even more with contemptuous glances from under 10 tons of liquid eyeliner, hairspray and a bruised heart pinned securely to a torn sleeve. Bands: Gories, Led Zepplin, Jackie Wilson, Irma Thomas, Ike and Tina, Rolling Stones, The Monkeys, The Sonics, The MilkShakes, The Prisoners, The Pretty Things, Black Sabbath, The Stooges, The Shangri-Las, The Shirelles, John Reis, Beehive and The Barricudas, Dead Moon, The Brood, The Pandoras, The Go-Gos, Demolition Doll Rods, Early Van Halen, Iron Maiden, Weakling, Casey Ward, Tracy Sawyer, Harold Ray Live in Concert, The J.B.'s, Sly and The Family Stone, Funkadelic, Creedence Clearwater Revival, ACDC, Kiss, Coachwhips, Maggie Vail, Etta James, Isley Brothers, Earth Wind and Fire, The Mothers, Hound Dog Taylor and the House Rockers, Blind Willie McTell, Ray CHarles, James Brown, Bo-Diddley, Hazel Atkins, The Cramps, Joan Jett, The Runaways, Chuck Berry, Eddie Cochran, The Yardbirds, Cream, Joy Division, Buzzcocks, Sex Pistols, The Jam, The Action, The Young Rascals, Solomon Burke, Otis Redding, Sam Cooke, Smokey Robinson, Little Stevie Wonder, The Crytals, Brian Wilson, John Lee Hooker, Muddy Waters, Howlin Wolf, Memphis Minnie, Bob Marley and The Wailers, Alton and Hortense Ellis, Peter Tosh, Ike and Tina Turner, The Ikettes, Lee Scratch Perry/The Upsetters, The Skatalites, Betty Davis, Gregory Isaacs, Dennis Brown, Jackie Mittoo, Girl From The Garage Compilation Series, Nuggets, Loosin Streaks, The Mothballs, Lynn Collins, Betty HArris, Sonny Terry,Drunk Horse, Blue Cheer, Rainbow, Hot Snakes, Rocket From The Crypt, Beehive and The Barricudas, Dan Sartain, Big Bizness,