Montreal, Canada

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Blending the timeless tastiness of classic synth-pop to the intensity and dynamics of modern punk and the irrefutable rump mobilization of the recent dance-rock insurgence, the New Cities are primed to bring their own form of urban renewal to the Canadian pop-music scene and beyond as their first single, “Dead End, Countdown,” hits radio in February, with the full album set to hit in May.

The band says “It took three years but everything is falling into place,” talking about the New Cities’ steady rise through the ranks, of course—the Quebec band’s initial, independent forays into recording, releasing and touring to test the waters, through their serendipitous hook-up with producer and manager Greig Nori, their baptism of fire in Toronto, their signing to the Sony label and the ever more high-profile gigs they’ve snagged even before their first single hits the radio waves.

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