The Beatles, Oasis, Radiohead, The Strokes, The Freshman Quartet, Chet Baker, Los Rodriguez, Andres Calamaro, Bob Dylan, Cake, The Beach Boys, The Velvet Underground, Queen, Muse, The Doors, Pink Floyd, Miles Davis, M-clan, George Gershwin, Stravinsky, Paul Simon&Garfunkel, The Blues Brothers, Ray Charles, J.S. Bach, Gustav Mahler, Nofx, Robert Johnson, Django Reinhardt, Beethoven, Dire Straits, Chuck Berry, The Who, Debussy, Nirvana, Blur, The Zombies, Stevie Wonder...
Si quieres recibir información de los conciertos manda un mail a theseihos@gmail.com
THE SEIHOS Tribbiani, Barcelona
De vegades, es fa difícil definir propostes com la d'aquest quartet barceloní. Perquè el que fan et resulta familiar, però no saps on ho has escoltat. I és que de fet, no ho has escoltat. Els Seihos tenen molt clar d'on vénen, però encara més cap on van. Vénen del pop de tall britànic. Suspiren melodies que tan poden remetre a Beatles, Teenage Fanclub o Ocean Colour Scene. Es deixen seduir per l'esperit dandy de Ray Davies i Paul Weller. Fan viatges siderals a la recerca de Syd Barrett. I acaben a l'altre costat de l'Atlàntic, prenent-se un cocktail amb uns Strokes que han deixat la distorsió de banda per relaxar-se sota una palmera una tarda d'estiu.
Tot això, per avançar cap a una personalitat sòlida que comença a treure el cap en temes com "Summer Siesta", "Nanana Song" o "Disco Swing". Tres exemples d'un mosaic sonor que es presenta fresc fins i tot quan emulen descaradament a Casablancas i companyia a "Lucille". Per què inventar si tot està inventat? Doncs per necessitat. I sembla ser que aquesta gent, de necessitat, en té molta. Necessitat de crear cançons rodones i tenyir-les amb colors tan vius com el talent que es manifesta quan aquest quartet trepitja les taules. Dissabte a la nit va quedar claríssim en un ambient íntim per una banda molt gran. Segueixin-los la pista.
Crítica de Oriol Stardust.
Més informació a www.myspace.com/oriolstardust o http://www.fotolog.com/oriol_stardust/13141730
Almost Tomorrow is the third full length collaboration album from Section 27 Netlabel founders Tam Ferrans and Andrew Paterson, under their Nonima & theAudiologist guise. This time around the sound is more melodic, and has a definite feeling of a complete and more mature sound than heard on the previous LP's "Dystopian Battle Hymns" and "Ceremony After Amputation". If you are familiar with their individual projects you may even be in for a slight surprise, as the tracks are not as beat driven like before, but are more atmospheric and sound, well... "bigger". In its 75 minutes, Almost Tomorrow takes you on a trip from the digital rain-soaked cavernous scraping in "Thoughtograph", the ethereal beat jittering of "The Colour of Rain", intercepted transmissions from unknown places in "Com-Intercept", "Ganzfeld"s huge yet strangely insect-like beats until everything you knew comes crashing around you in "Almost Tomorrow". Burning pianos, glitched out soundscapes and intricately programmed beatplay, this may well be their best work to date. Consider it the soundtrack to a rainy overcast day, but with just that glimmer of sunshine peeking from the clouds. "Almost Tomorrow" wears its heart on its sleeve.
Hi, there! Stop by to show your support of my music by listening to and buying my two new singles off iTunes called, “The Singles.” Also, let me know how you are doing. And I’d really appreciate it if you’d add my new FACEBOOK music page: www.facebook.com/elizabethsouthmusic and new TWITTER: www.twitter.com/elisabethsouth Thank you so much for your support. :-)
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