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Our 1998 debut CD, "Drop Another Coin", has just been given the tenth Anniversary treatment courtesy of Brutarian Records! Order your copy for only $10 postpaid to anyplace on Earth! Click the cover below for more details or go to www.ubangis.com !

The live montage below is from a recent outdoor concert with The Slickee Boys in Accoceek, Maryland. Recorded live on a hot (and I DO mean HOT!) Summer night, August 30th 2008, by Happy Room Mobile (aka toastyplatters70 on youtube) with additional footage by Little Liam (a 6 year old!) & Sean Epstein at DSI Records. As this was a "family" show several naughty words were changed to avoid trauma to any sensitive young ears. Also the extra-long loincloth was worn to hide any schlongage.

Below is the official trailer to Horrorwitz's docu-thingy "Antena Criminal - Making a Jess Franco Movie" that I was in Malaga, Spain in the year 2000 and features an original score by yer everlovin' pals The Ubangis! (Available now on DVD-R) It features, amongst other people, Spanish cult director Jess Franco working on his (app.) 176th movie "Blind Target". Also featured are actresses Lina Romay and Linnea Quigley. For more information please see the official webpage at http://www.trashpalace.com/Antena.htm

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A BRIEF HISTORY OF WHAT IT WAS (written by Dr. Horatio Penis in 1998 at the time of the "Drop Another Coin" CD release) Around 1990 Brian D. Horrorwitz, then drummer (now singer) for (ex-Slickee Boys) Kim Kane's Date Bait, was bitching an' whining with other local garage rock losers about the poor state of the local music "scene". Punk had become as boring and generic as a long ride on an elevator, and pretty much all of the local rockers had either retired, moved, died, or worse, formed contemporary country music bands. (Insert barfing sound here.) There was a pretty decent rockabilly scene at the time, but somewhat clique-ish these particular weekend ducktailers were. Maybe out of desperation, probably out of jealousy, Horrorwitz got the idea to create "The Ultimate Rock-N-Roll Band" to show these posers how to really rock-out and that it was all about soul an' spirit, and not about fashion and trying to sound "retro". What was the point in trying to imitate a Johnny Burnette song note for note, mimicking his sound? Cause you just AIN'T GONNA BE ABLE TO DO IT! (Horrorwitz was always frustrated that he couldn't make a cool rockabilly hair-do with his mop, which he couldn't, cause he said his hair was "too Jewish" and "wavy like the Red Sea", which it is.) Horrorwitz made a bet with several of his aging garage-band buddies that he could come up with a "fake" band, book a show, and, after only practicing once, blow the headlining snob-abilly wimps off the stage. The plan was not to even spend any time writing songs, but just lift them from whatever old 45's and vintage trash-rock compilations that were available at the time. After phoning local D.C. underground hot-spot D.C. Space, the show was booked. The Ubangis, the original lineup, spent a whopping 2 hours rehearsing which went something like: Horrorwitz'd play an off-speed tape recording of one of these scratchy records, the guitar player would figure out the basic chords, then they'd play the song once, maybe twice. And that was it. One week and a few hours later they left the stage in a sweaty smgema-like coating of dog food, spilled beer, and chicken feathers. (Don't ask.) The once-jaded audience stood agape like a bewildered German Shepard. Much to their surprise they started getting calls from other clubs in the area! The Ubangis' (pronounced "you- bang-eez") blending of late 50's / early 60's rock-n-roll with over-the-top "punk burlesque"stood out in the politically correct D.C. music scene like Jayne Mansfield in a convent! Was it their 6 song chicken medley, complete with rubber chickens, chicken puppets, and chicken g-strings? Or their insistence on covering / destroying at least 3 Andre Williams songs and 5 Link Wray tunes per gig? Or could it have been Horrorwitz's freaky dog food eating geek-show appeal? Okay, it was the last thing. The bars were mostly either yuppie and pre-yuppie pick-up disco's that payed pretty good, or alternative-rock shitholes that were more fun to play but paid terrible. At least the chicks at the latter didn't wear business suits! Things got so busy in fact that the other original Ubangis couldn't hack it (what with their other bands an' such) and bailed. So there was Horrorwitz getting tons of gig offers but with no band. One day he had the good luck to walk into Saucy Randy. Picking himself off the ground, he asked Randy if he'd had anything better to do for the next decade or so, and was he interested in becoming a Ubangi. With stars in his eyes he screamed "Hell, yeah!" and off they went. Saucy agreed with Brian that their main goal was to provide no-holds-barred primitive rock-n-roll, the way the good lord planned it, and not be "in it for the money". (Also cause there was none!) A short time later they were introduced to Eric "U.M.F." Tavela, a man of mystery. No one really knows from whence he came, or, less pretentiously, where he comes from. He had a bass. He had an amp. He had a car. nuff said, he was in. And now, after releasing a handful of singles, with years in the making, the boys pull all of their musical prowess together and are proud to have produced "Drop Another Coin", their debut full-length release. Today Wheaton, MD, tomorrow the world!

--- Dr. Penis

DON'T FORGET TO VISIT OUR OFFICIAL WEBSITE FOR MORE TUNES, PHOTOS AND FUN! IT'S AT http://www.ubangis.com

See what happens when Rudy Ray Moore (aka Dolemite) joins the Ubangis onstage for an impromptu performance at the October 2004 Chiller Theatre expo! WARNING: THE LANGUAGE IS A BIT RAW! ....