All International and UK bookings: Paul Fletcher:fletch@onelove-music.com
Remix and production enquiries : Paul Fletcher:fletch@onelove-music.com
Influences
Cluster, Can, Li'l Louis, Lee Scratch Perry, Neu!, Prince, Erik Satie, Steve Reich, Suicide, David Sylvian, Talking Heads and Eno, Eno, Mick Ronson, Television, Boards of Canada, Youngsta, Cabaret Voltaire, Nude Photo, The Velvet Underground, Cussing House Music, Bowie in Berlin, Stina Nordenstam, The shimmering dub disco of Kevorkian and Levan,Iggy anywhere but Miami beach, Timbaland, Clinton George, Ziggy Stardust, ON-U, Arthur Russell, Blackstrobe, The Associates, Kraftwerk when analogue, Devo, Dancemania Records, Roxy Music and Eno, MONSTROUS Acid House, Link Wray, The Music of John Carpenter, Public Enemy, Silver Apples, Gherkin Records, The books of Philip K.Dick,MARK E., Terry Riley, M.I.A, Fast Product, The Popgroup, Warsaw, Eno and many , many more!...oh and Pere Ubu too...the end.
SOME PRESS:
Dasilva/The Virgo Hi Fi's mix of cult Belgium group Arbeid Adelt's (as featured on the first 2ManyDJ's mix CD) is out on Play Out.be.
Look for Part 2 of the remix package.
See The Glimmers Chart...in at No.7...http://www.residentadvisor.net/dj-chart.aspx?id=856&chart=1687
April 7th sees the release of Dasilva / TVMR project's "Bowie in the Bronx" single on Anu Pillai's Perspex label with mixes by Dasilva/The Virgo Hi Fi and Shinichi Osawa.
Manicured Noise (Cult Manchester Punk Funketeer's) are also on Jon's remix block
this month...
Following teenage stints in Post Punk (Funk) bands playing guitar / drums, Dasilva was inspired by the wacked-out disco of DJ's Levan and Kevorkian and sonic experiments of the likes of Can, Suicide, Adrian Sherwood, and the early 80's Hip Hop scene turning his attention instead to the decks...
Soon enthralled by the dark sound of Chicago House he moved to Manchester, England his heart set on DJing at the pre-E, House haven that was Fac 51 The Haçienda.Dasilva's mixing skills and innovative style were so impressive that he was promptly invited to become one of the club’s resident DJ’s on what was to become the legendary HOT night...
Dasilva’s studio work started with a remix of The New Fast Automatic Daffodils “Big (Baka)” back in 1989, an inspired collision of Sheffield bleeps, African chants and dubbed out Indian tablas, it recently appeared on the Headman DJ mix CD (Eskimo, 2005) and in many ways sets the tone for this unpredictable and idiosyncratic producer. At present Dasilva is out playing live with his band TVMR (www.myspace.com/tvmr)...and at the other end of the business is in the process of remixing Leeds band Rochelle, now signed to Southern Fried and Manchester Punk Funkateers, Manicured Noise, as well as looking forward to the release (on Perspex) of TVMR's "Bowie in the Bronx" with remixes by himself and Shinichi Osawa.
Style wise Dasilva manages muscular beats and the dark twisted magic that is at the heart of great House/Disco/Electro and is remarkably still true to the original, open minded DJ ideal. Jon Dasilva, “the acid house legend” (Jockey Slut Magazine), proves himself ever relevant in his own mercurial way.
Some quotes about Jon Dasilva!
“I heard Jon Dasilva playing a cappella first, he was the master of that stuff and I ripped his style. He was the one DJ at the Hacienda who really constructed a set and used a cappella and sound effects, mixed in key, built a set into a soundscape. He was the person who influenced me more than any other DJ.”
Sasha (Interview in Jockey Slut Magazine, 2002).
"Jon Dasilva is the Eric Cantona of House music!"
Mark Rae (Grand Central Recordings, 1998).
"The Hot thing, everyone thinks it was just an acid house night but it wasn't because Jon Dasilva at the time was one of the greatest Djs in the world and Dasilva was Balearic. He'd never admit to being Balearic but we'd go early doors and Jon would do his warm up and it was fucking outstanding man. He'd play these really weird dubbed out reggae things and sound effects and slow disco things. Jon was incredibly Balearic. I mean no-one would play disco records at the time but Jon would make a disco record sound like a house record. At the time youd just think thats just another house record but listening back to tapes Ive got you think fucking hell, I cant believe he played that in the middle of a house set but he mixed it all in incredibly well,
The thing that interested me most wasn't the house stuff but the weird records that pushed me more down that Balearic route. Mike Pickering would just be plying banging acid records, Chicago, Detroit thing but we'd queue up to get in. Once I was right at the front of the queue, sat there for an hour and half waiting to get it just so I could hear Dasilva play fucking Summer Rain Fall in the first five minutes, which is this BBC Sound Effects thing, just the sound of rain pouring down. Incredible! "
DJ Richard "Moonboots" Bithell (from an interview "Moonboots : Paid in tapas & other tales by Phil Thornton
Thx so much for the add I love your music even more ! I wish you like my sound, tell me what you think, your opinion matters for us ! We are a French electro label, listen to our last band “haxis”
Today I finished my album..If you know any good singers in tokyo let me know...I wanna play some live shows real soon! Rock and roll!!!!!!! Hope your ok!!!!......aLSO LOOKING FOR PEOPLE WHO WANNA LEARN ENGLISH IN TOKYO...I CAN TEACH!
“Go on!” is a pure funk explosion, with an irresistible instrumental bassline and hip hop bumps that irrefutably sketches Enzo’s style, but the real mind-climax comes with “Triplet Work”deep bassline & synths, cosmic arps and a really “charmante” melody, so disco, so cosmic, so defintely Ponzio’s style!
Really looking forward to seeing and hearing you sunday at The 27th Birthday Party at Sankeys. What a line up, you, Justin Robertson, Darren Emerson downstairs, The Whip, Hooky and Dave Haslam upstairs.
Online Now!
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