Brendan Cartwright-lead vox/acoustic guitar/harmonica Sean Cartwright-lead guitar/mandolin/harmonica Carl Atkin-drums/percussion Gareth Howard-bass guitar Tom Carver-keys and fiddle
Influences
Little Feat, The Band, Steve Earle, Bob Dylan, Johnny Cash, Gene Vincent, Led Zeppelin, Stone Roses, Ryan Adams / Whiskeytown
Sounds Like
There's a rock / country / blues / americana party in your ears and everybody is invited. As long as they bring some bourbon.
The Yellhounds are a five-piece from Manchester, their lyrics are bluesy, their tunes are dust blown and loose-limbed, able to climb and sway and fall and stagger around after a gallon of whiskey. There are aspirations in the words, a lot of ‘good times will come’ and a refreshing lack of claustrophobia and tension. - Glasswerk Review
You can also join the Facebook group for more info on the band - Click here
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Just Wanna Ride, directed by Andy Moss
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Although their name may not suggest it, The Yellhounds are a folk act at heart, and sound very comfortable within their chosen genre. It seems easy nowadays to pass off any folk music in the public eye as 'alt-folk', but The Yellhounds take a more traditional approach. In fact, if 'MTV Blues' is anything to go by, they have no intention of conforming to current trends, and on the strength of this EP, they shouldn't do so. The aforementioned track, as well as opener 'Got No Place To Go' and 'Ain't Got No Home', confidently showcase the jauntier, more upbeat side of their genre. It is the slower, stripped sound of 'Just Wanna Ride' however, which best highlights this bands talent. Brendan Cartwright's vocals excel when the tone of the band is lowered, and I honestly could've mistaken the band for Ryan Adams and the Cardinals if I didn't already know who I was listening to. This is an impressive and refreshing EP from a modest band with raw talent which is perhaps not yet realised by even the band themselves.
Sandman Magazine review
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The Yellhounds sound like Jools Holland, Eric Clapton and Bruce Springsteen all getting together to play Garth Brooks songs, with John Bellucci’s healthier younger brother on lead vocals. They had a nice way of structuring the set too; alternating between loud country rock one minute, and then quieter, Dylan-y tunes. You simply cannot fault their truckstop rock stompers
(Music Dash.co.uk)
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..It's refreshing to see and hear a band who don't care for fashion, the mainstream, or what everyone else might be doing. The Yellhounds do their own thing...and should be kept an eye on for the future. Rating: 5/5
(Daily Music Guide.com)
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Manchester’s very own Yellhounds are a quintet that sound like they’re from the same streets of America that spawned The Boss, but with the kind of widescreen energised splattered punk blues that could found on a mid-career album from Strummer and The Clash.
This is the sound of rough and tumbling rock and roll driven by C&W and rugged bluesy guitars. “The MTV Blues” is made from the 12-Bar, but “Got No Place To Be” is an excellent soundtrack to a road movie that could be told from the front seat of a Cadillac where the driver wears cowboy boots, a big grin and carries a six-shooter.
A ballad is eased in on “Just Wanna Ride” and with the warm and spellbinding vocals of Brendan Cartwright, The Yellhounds threaten to excel the more moving moments of both Prefab Sprout and Deacon Blue.
Even though “Ain’t Got No Home” departs on the rhythm of a wash board and wild west violins, it’s the end of an accomplished and thoroughly entertaining EP, whose gimmick is that there really isn’t one.
MMMM ½
(Music Dash.co.uk)
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Their brand of Americana is totally accessible; fast, catchy, bouncy and joyously expressive. ‘Forty Days and Forty Nights’ explores a language that is evocative of the USA and yet they are quirky, appealingly British and fresh; not proclaiming, but inviting us to join in and have some fun, and this is exactly what the audience do.
Blowout Live Review
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Billing themselves as 'countryside and north western' there are some good, no frills roots-rock moments to be had on this Manchester band's debut ep.
Got No Place To Go is a strong opener with a resurgent country vibe in the vein of Steve Earle or Whiskeytown.
The title of MTV Blues and lines "please don't look for me on MTV" pretty much speak for themselves.
Just Wanna Ride is the strongest track - a wistful ballad ("Don't want to leave but I need to run") where Brendan Cartwright's vocals again owes a strong debt to Ryan Adams.
The upbeat closing track - Ain't Got No Home - has a crowd pleasing hoedown feel with Carver's fiddle playing to the fore.
A highly enjoyable ride which at under 15 minutes is all done and dusted with admirable economy. 8/10
Whisperin' & Hollerin' Review
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....there's no question that they would go down a storm in some of the whisky bars and laid-back boozers which proliferate North America.
'Ain't Got No Home' is a fiddle laden country stomp bereft only of a few 'yee ha's' and foot tapping gringo boots. A great song though, as is the James Taylor sounding 'Million Miles'.
Strummermag review
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Hi everybody, just here to say our new RORY GALLAGHER HAWK BOOSTER is ready for shipping. Have a listen if you get a chance, All the best, Stevie Flynn.
Tickets SELLING FAST! £7 adv avaliable from (more on the door): wegottickets.com seetickets.com Ticketline Picadilly Records
Grouper (US) has her latest – Dragging A Dead Deer Up A Hill – of three albums on Type Records. She has also been involved in collaborative releases, contributing a track to Xiu Xiu’s Remixed & Covered and four tracks to a split release with Inca Ore. Her other contemporaries are Belong, Growing, Tim Hecker, Windy & Carl and Atlas Sound.
Jasper TX (Sweden), with a hefty back-catalogue of releases on labels such as Miasmah, and collaborations with buddy Machinefabriek, is an essential domestic appliance in the household of conceptual music. He is comparable to artists Fennesz, Sigur Ros, Múm and Tape.
Intricate and atmospheric songsmith, Danny Saul (UK) performs with different combinations of musicians, making each gig a unique event. His forthcoming release is "Harsh, Final", and he also performs with Greg Haines as Liondialer.
Fieldhead (UK) music delights in tape hiss, bleak landscapes and decaying analogue loops. He is also a member of The Declining Winter and Glissando. His debut album, "They Shook Hands for Hours" is released soon on Home Assembly.
Four more little sonic gems for your August pleasure are now available on the site. Blitzen Trapper, Boulder Acoustic Society, Jay Brannan and The Wiyos. Yet another fine quartet even though we say so ourselves as picked them out.
Picnic Club, Fuel Bar, Wilmslow Road, Withington, Manchester M20 Thurs July 16th, 7.30pm, adm free: Acoustic showcase hosted by Picnic Area. This month’s show features local Manc Americana specialists The Yellhounds; last time they played, their version of Little Feat’s "Willin’" caused a standing ovation! In a similar musical vein is local songstress Joanna Lyon, who has an impressive range of instantly catchy songs. Ben Calvert brings Smiths-influenced alt folk all the way from Brum. Whilst Hannah Peel, despite her name, is nothing to do with The Avengers and everything to do with experimental ambience and 80s synth-pop!
Come join us for our album launch - kicks off at 7pm, will go on till very late, will be very exciting, will be very messy etc etc etc. And not only that, it’s free entry. Recession-busting rock and roll, oh yeah…
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thank you for being mymyspace ace new friend,....
keep me informed on what you're up to,...
and i'll fill you in on my brilliant show-biz-ness career !
my next uk concert is on sunday 8th march at the l.m.r.c.a.
club in altrincham (0161 652 1217 for details).
then i'll be in new york for the first week in april, doing -
*** 7 fantastic live shows *** 3 brilliant radio sessions
*** some instore thingies & *** a cable telly whatsit.
oh yes,... and i'll be "saving coney island" aswell.
that's good !!!
best regards
frank sidebottom
www. franksworld. co. uk
p.s. i've got a flower on ebay you know !!!
p.p.s. here's me onstage in london (filmed by a fan)...