BELLOWHEAD
Music
- Play
- Play Next
- Add to queue
8,690 plays- Play
- Play Next
- Add to queue
Fakenham Fair
4:59
35,731 plays- Play
- Play Next
- Add to queue
Jordan
4:07
20,179 plays- Play
- Play Next
- Add to queue
Sloe Gin
5:18
13,892 plays- Play
- Play Next
- Add to queue
London Town
4:13
3,954 plays
Hedonism - Out Now
Available now:
Available on CD, LP and Special Edition CD including bonus 32 page booklet and “Making of” documentary DVD featuring interviews with producer John Leckie and the band.
Track Listing:
1. New York Girls
2. A-Begging I Will Go
3. Cross-Eyed And Chinless
4. Broomfield Hill
5. The Hand Weaver And The Factory Maid
6. Captain Wedderburn
7. Amsterdam
8. Cold Blows The Wind
9. Parson's Farewell
10. Little Sally Racket
11. Yarmouth Town
General Info
-
Genre: Alternative / Folk / Indie
Location UK
Profile Views: 328923
Last Login: 1/23/2012
Member Since 2/18/2006
Website www.bellowhead.co.uk
Record Label Navigator Records
Type of Label Indie
-
Bio
The past six years have seen Bellowhead progress from being a band whose main intention was to ‘have fun at festivals’ to recording two acclaimed, ground-breaking albums (Burlesque, Matachin), performing at the BBC Proms in front of 40,000, appearing on everything from BBC Four to BBC Breakfast TV and everywhere from Truck, to the Big Chill, Glastonbury, Sidmouth and Cambridge Folk Festivals. Following in the footsteps of chart-toppers, St Etienne, Bellowhead have become Band in Residence at London’s Southbank Centre. They have also been voted Best Live Act at the BBC Radio 2 Folk Awards an unparalleled four times. And that’s not including the DVD release (‘Live At Shepherd’s Bush Empire’), plus major UK and North American Tours. Now we have a glorious third studio album, Hedonism, produced by the legendary John Leckie (Radiohead, Pink Floyd, Rodrigo y Gabriela) recorded at Abbey Road and due for release by Navigator on October 4th 2010. A full UK tour beginning at the Bristol Old Vic on 11th November (also including dates at The Sage - 15th Nov and Shepherds Bush Empire - 20th Nov) - will follow. Formed in 2004 by renowned duo John Spiers (melodeon, concertina) and Jon Boden (vocals, fiddle), whilst stuck in a traffic jam, this 11-piece big band, comprising friends and friends of friends, fuses a dazzling amount of individual musical talent into something truly original and invigorating. With fellow band-members Pete Flood (percussion); Justin Thurgur (trombone); Brendan Kelly (saxophone, bass clarinet); Andy Mellon (trumpet); Paul Sartin (oboe, fiddle); Rachael McShane (cello, fiddle); Ed Neuhauser (helicon, tuba); Benji Kirkpatrick (guitar, mandolin, bouzouki) and Sam Sweeney (fiddle, pipes) Bellowhead honour centuries of English musical tradition while at the same time creating a unique sound, teaming with boundary crossing appeal. On Hedonism, the music is still a delirious amalgam of schooled musicianship and uproarious, anarchic abandon. However, working with John Leckie and recording at Abbey Road Studios (using John Lennon’s microphone), the band have been able to embellish their music-hall tinged, traditional English core with the scale of Arcade Fire and the unsparing, bittersweet worldview of Jacques Brel - all served with a sprinkling of skewed humour. Musically, Hedonism is a heady mix and not for the faint-hearted. The seventeenth century English folk standard ‘A Begging I Will Go’ is dragged thrillingly into the modern age, its ancient roots mixed with echoes of ska, Isaac Hayes’ ‘Theme From Shaft’ and a Louisiana jug band. Elsewhere, there’s the grubby dockside poetry of Brel’s ‘Amsterdam’ and the venerable Child Ballad, ‘Cold Blows the Wind’, where sublime brass creates an atmosphere of ecstatic mourning. Taken from a collection of songs by AL Lloyd, ‘The Hand Weaver’ provides a refreshingly tough female central character, while the deranged, throwing-out time, Barbershop-punk-folk version of ‘Little Sally Rackets’ is inspired by a bootleg recording of the Young Tradition in a 60s folk club. ‘Broomfield Hill’ tells a tale closely related to the ‘outlandish knight’ stories depicted in cave drawings: the tune is from ‘Bogie’s Bonny Belle’ and features English bagpipes, while the chorus is borrowed from a verse in a Robin Hood ballad. ‘New York Girls’ has equally fascinating origins: a raucous polka that somewhere along the line boarded a ship, acquired ‘forebitter’ lyrics and became a sea-shanty. It all adds up to a truly compelling album. Punctuated with galloping instrumentals and on occasion, a sound akin to breezy acoustic pop, a bawdy joie de vivre runs through Hedonism, something that those lucky enough to have witnessed the band live will recognise. Although this is a Bellowhead album through and through, the influence of John Leckie is apparent. There is a real sense that Hedonism is a landmark achievement in the band’s history and one that captures the dynamism and energy of one of the UK’s finest live bands, regardless of genre. -
Members
Jon Boden, John Spiers, Benji Kirkpatrick, Sam Sweeney, Paul Sartin, Rachael McShane, Andy Mellon, Justin Thurgur, Brendan Kelly, Ed Neuhauser, Pete Flood -
Influences
Kool and the Gang; Led Zeppelin; Benjamin Britten; Brass Monkey; Abba; Peter Bellamy -
Sounds Like
Nothing else on earth!<br />
Videos
London Town
04:16 | 597 plays | Dec 20 2009
Bio:
The past six years have seen Bellowhead progress from being a band whose main intention was to ‘have fun at festivals’ to recording two acclaimed, ground-breaking albums (Burlesque, Matachin), performing at the BBC Proms in front of 40,000, appearing on everything from BBC Four to BBC Breakfast TV and everywhere from Truck, to the Big Chill, Glastonbury, Sidmouth and Cambridge Folk Festivals. Following in the footsteps of chart-toppers, St Etienne, Bellowhead have become Band in Residence at London’s Southbank Centre. They have also been voted Best Live Act at the BBC Radio 2 Folk Awards an unparalleled four times. And that’s not including the DVD release (‘Live At Shepherd’s Bush Empire’), plus major UK and North American Tours.
Now we have a glorious third studio album, Hedonism, produced by the legendary John Leckie (Radiohead, Pink Floyd, Rodrigo y Gabriela) recorded at Abbey Road and due for release by Navigator on October 4th 2010. A full UK tour beginning at the Bristol Old Vic on 11th November (also including dates at The Sage - 15th Nov and Shepherds Bush Empire - 20th Nov) - will follow.
Formed in 2004 by renowned duo John Spiers (melodeon, concertina) and Jon Boden (vocals, fiddle), whilst stuck in a traffic jam, this 11-piece big band, comprising friends and friends of friends, fuses a dazzling amount of individual musical talent into something truly original and invigorating. With fellow band-members Pete Flood (percussion); Justin Thurgur (trombone); Brendan Kelly (saxophone, bass clarinet); Andy Mellon (trumpet); Paul Sartin (oboe, fiddle); Rachael McShane (cello, fiddle); Ed Neuhauser (helicon, tuba); Benji Kirkpatrick (guitar, mandolin, bouzouki) and Sam Sweeney (fiddle, pipes) Bellowhead honour centuries of English musical tradition while at the same time creating a unique sound, teaming with boundary crossing appeal.
On Hedonism, the music is still a delirious amalgam of schooled musicianship and uproarious, anarchic abandon. However, working with John Leckie and recording at Abbey Road Studios (using John Lennon’s microphone), the band have been able to embellish their music-hall tinged, traditional English core with the scale of Arcade Fire and the unsparing, bittersweet worldview of Jacques Brel - all served with a sprinkling of skewed humour.
Musically, Hedonism is a heady mix and not for the faint-hearted. The seventeenth century English folk standard ‘A Begging I Will Go’ is dragged thrillingly into the modern age, its ancient roots mixed with echoes of ska, Isaac Hayes’ ‘Theme From Shaft’ and a Louisiana jug band. Elsewhere, there’s the grubby dockside poetry of Brel’s ‘Amsterdam’ and the venerable Child Ballad, ‘Cold Blows the Wind’, where sublime brass creates an atmosphere of ecstatic mourning. Taken from a collection of songs by AL Lloyd, ‘The Hand Weaver’ provides a refreshingly tough female central character, while the deranged, throwing-out time, Barbershop-punk-folk version of ‘Little Sally Rackets’ is inspired by a bootleg recording of the Young Tradition in a 60s folk club. ‘Broomfield Hill’ tells a tale closely related to the ‘outlandish knight’ stories depicted in cave drawings: the tune is from ‘Bogie’s Bonny Belle’ and features English bagpipes, while the chorus is borrowed from a verse in a Robin Hood ballad. ‘New York Girls’ has equally fascinating origins: a raucous polka that somewhere along the line boarded a ship, acquired ‘forebitter’ lyrics and became a sea-shanty.
It all adds up to a truly compelling album. Punctuated with galloping instrumentals and on occasion, a sound akin to breezy acoustic pop, a bawdy joie de vivre runs through Hedonism, something that those lucky enough to have witnessed the band live will recognise. Although this is a Bellowhead album through and through, the influence of John Leckie is apparent. There is a real sense that Hedonism is a landmark achievement in the band’s history and one that captures the dynamism and energy of one of the UK’s finest live bands, regardless of genre.
Now we have a glorious third studio album, Hedonism, produced by the legendary John Leckie (Radiohead, Pink Floyd, Rodrigo y Gabriela) recorded at Abbey Road and due for release by Navigator on October 4th 2010. A full UK tour beginning at the Bristol Old Vic on 11th November (also including dates at The Sage - 15th Nov and Shepherds Bush Empire - 20th Nov) - will follow.
Formed in 2004 by renowned duo John Spiers (melodeon, concertina) and Jon Boden (vocals, fiddle), whilst stuck in a traffic jam, this 11-piece big band, comprising friends and friends of friends, fuses a dazzling amount of individual musical talent into something truly original and invigorating. With fellow band-members Pete Flood (percussion); Justin Thurgur (trombone); Brendan Kelly (saxophone, bass clarinet); Andy Mellon (trumpet); Paul Sartin (oboe, fiddle); Rachael McShane (cello, fiddle); Ed Neuhauser (helicon, tuba); Benji Kirkpatrick (guitar, mandolin, bouzouki) and Sam Sweeney (fiddle, pipes) Bellowhead honour centuries of English musical tradition while at the same time creating a unique sound, teaming with boundary crossing appeal.
On Hedonism, the music is still a delirious amalgam of schooled musicianship and uproarious, anarchic abandon. However, working with John Leckie and recording at Abbey Road Studios (using John Lennon’s microphone), the band have been able to embellish their music-hall tinged, traditional English core with the scale of Arcade Fire and the unsparing, bittersweet worldview of Jacques Brel - all served with a sprinkling of skewed humour.
Musically, Hedonism is a heady mix and not for the faint-hearted. The seventeenth century English folk standard ‘A Begging I Will Go’ is dragged thrillingly into the modern age, its ancient roots mixed with echoes of ska, Isaac Hayes’ ‘Theme From Shaft’ and a Louisiana jug band. Elsewhere, there’s the grubby dockside poetry of Brel’s ‘Amsterdam’ and the venerable Child Ballad, ‘Cold Blows the Wind’, where sublime brass creates an atmosphere of ecstatic mourning. Taken from a collection of songs by AL Lloyd, ‘The Hand Weaver’ provides a refreshingly tough female central character, while the deranged, throwing-out time, Barbershop-punk-folk version of ‘Little Sally Rackets’ is inspired by a bootleg recording of the Young Tradition in a 60s folk club. ‘Broomfield Hill’ tells a tale closely related to the ‘outlandish knight’ stories depicted in cave drawings: the tune is from ‘Bogie’s Bonny Belle’ and features English bagpipes, while the chorus is borrowed from a verse in a Robin Hood ballad. ‘New York Girls’ has equally fascinating origins: a raucous polka that somewhere along the line boarded a ship, acquired ‘forebitter’ lyrics and became a sea-shanty.
It all adds up to a truly compelling album. Punctuated with galloping instrumentals and on occasion, a sound akin to breezy acoustic pop, a bawdy joie de vivre runs through Hedonism, something that those lucky enough to have witnessed the band live will recognise. Although this is a Bellowhead album through and through, the influence of John Leckie is apparent. There is a real sense that Hedonism is a landmark achievement in the band’s history and one that captures the dynamism and energy of one of the UK’s finest live bands, regardless of genre.
Member Since:
February 18, 2006Influences:
Kool and the Gang; Led Zeppelin; Benjamin Britten; Brass Monkey; Abba; Peter BellamySounds Like:
Nothing else on earth!Record Label:
Navigator RecordsMusic
-
11 Songs | Oct 3, 2010
-
14 Songs | Jan 10, 2010
-
13 Songs | Sep 23, 2008
Comments
Latest Blog Entries
- Mar 3, 2011 8:06 AM HEDONISM LIVE DVD
- Feb 22, 2011 11:04 AM BBC RADIO 2 AWARDS - BEST LIVE BAND FOR 5th TIME!!
- Jan 17, 2011 12:57 AM Shifting Sands
- Nov 4, 2010 11:01 AM LATER...WITH JOOLS HOLLAND NOV 2nd & 5th
- Nov 4, 2010 10:57 AM BELLOWHEDONISM - NEW YEAR’S EVE PARTY














'Oh you New York Girls, can't you dance the polka?' I havn't heard that one for thirty years. Brilliant!!
Saw them in Salisbury; they were absolutely fantastic!
Top work on 'Later with Jools' fellas . . . !!!
www.reverbnation.com/miskhillsmountainrambler
Thank you for a fantastic night in Bilston, and an even better one in Oxford!
Last night was awesome!!!! Had a fantastic time! Thank you!
Fantastic gig last night (Leadmill) - thanks! :-)
I Liked very,very much your sound...
Congratulations!!!
Let this weekend will be pleasant for you ...
Take care
Life Love Music
The first Orkin man.