“There’s a certain uneasiness to the Toadies,” says Vaden Todd Lewis, succinctly and accurately describing his band—quite a trick. The Texas band is, at its core, just a raw, commanding rock band. Imagine an ebony sphere with a corona that radiates impossibly darker, and a brilliant circular sliver of light around that. It’s nebulous, but strangely distinct—and, shall we say incorrect. Or, as Lewis says, “wrong.”
“Things are done a little askew [in the Toadies],” he says, searching for the right words. “There’s just something wrong with it that’s just really cool… and unique in a slightly uncomfortable way.”
This sick, twisted essence was first exemplified on the band’s 1994 debut, Rubberneck (Interscope). An intense, swirling vortex of guitar rock built around Lewis’s “wrong” songs and abstract lyrics—like the smash single “Possum Kingdom,” subject to as much speculation as what’s in the Pulp Fiction briefcase, it rocketed to platinum status on the strength of that and two other singles, “Tyler” and “Away.”
Perhaps in keeping with the uneasy vibe, that success didn’t translate to label support when the Toadies submitted their second album, Feeler. Perhaps aptly, things in general just went wrong. “We got approval for a record,” says Lewis, “and somewhere in the process of handing over the masters to get mixed, it got unapproved. So we went back to the drawing board.”
Eventually some of the Feeler tracks made it onto Hell Below/Stars Above—a sophomore offering that came seven years after Rubberneck. “It was a very weird, trying time,” says Lewis, who didn’t see the next blow—the sudden departure of bassist Lisa Umbarger—coming. “We went out on tour, and immediately the band split up,” he laughs sardonically. “We kinda shot ourselves in the foot.” They released a live album, Best of Toadies: Live from Paradise, and it was over.
Coming out of the Toadies, Lewis, guitarist Clark Vogeler and drummer Mark Reznicek were disillusioned. Vogeler went to work as a film editor, Rez hooked up with the country-western band Eleven Hundred Springs. Lewis initially thought, “Fuck this whole business. I’m gettin' out. I just wanted to do anything else.”
Toadies fans, though accepting, stuck with them, often inquiring as to the band’s activities. Says Lewis, “People just asked me “So, what are you doin’ now?” Although he’d been “foolin’ around” with Rev. Horton Heat drummer Taz Bentley, he answered, “I don’t know. Nothin’. This, that and the other. Workin’ around the house, workin’ in the garage, just toolin’ around.” Soon it occurred to him that music was all he wanted to do. “I’m a musician. That’s what I do, and I’m not happy not doing it.” Eventually Lewis and Bentley formed the Burden Brothers in 2002 and released a slew of EPs, two albums and a DVD while touring profusely.
Meanwhile, “Possum Kingdom” never left the airwaves, enjoying constant rotation at major modern rock stations. Fans clamored for a Toadies reunion. “The band never went all the way away;” says Lewis. They regrouped in 2006 for a couple of sold-out shows around St. Patrick’s Day, and again the next year for the same thing. In August 2007, when personnel changes with the Burden Brothers resulted in that band going on hiatus, Lewis began writing.
“I was pissed off again and wanted to keep goin’,” he says. “I didn’t know what I was writing, right out of the gate, but… it was just coming out very “Toadies.”
Lewis called Rez and Vogeler and asked if they were interested in making another record. They were—and the Toadies officially reconvened, signing with Kirtland and recording No Deliverance with David Castell (Burden Brothers, Blue October) at Fort Worth Sound in Fort Worth and Music Lane in Austin. Lewis says the band has gone for a “bare knuckle” sound, amping up the psychotic stomp heard on Rubberneck and Hell Below… on the grinding, relentless title track as well as the seething, death-of-a-romance gem “So Long Lovey Eyes” and the towering, sludgy “Man of Stone.” The upshot is a taut, exhilarating listen that is quintessentially Toadies.
Lewis is stoked on “the freshness of this new record. Getting back into this, back into the feel of the Toadies, is cool. Lewis, Rez, Vogeler and new bass player Doni Blair (Hagfish, Only Crime) are optimistic that their indie incarnation will succeed, thanks to the support of their devout fans—and equally supportive label. “The music industry has changed so much,” says Vogeler. “A band like us can be on an independent label and still get the music out to the people who want to hear it.”
The Toadies are now free to pursue success on their own merit and muscle. And things are starting off nicely: On August 2, The Toadies will play Lollapalooza and, following the album’s release, they’ll embark on a nationwide tour offering old fans and those to come—as he recently told SPIN, “Balls. A ton of balls.”
“Getting back to the bare knuckles element of the Toadies,” continues Lewis, “is what I really enjoy, after being away from it for so long.” Vogeler and Rez concur. “I’m here and still doin’ it,” furthers Vogeler, “because the music’s good.” And Rez proclaims in his thick Texas drawl, “The Toadies are back in business.”
I last saw the toadies in sacramento. the show was amazing! i was able to see the sound check and watch them all eat sphagetti with the lions! it was so small so i wa right up close!!! It was amazing!
Last night's show was fucking awesome. NOTE TO EVERYONE: If you haven't started following the guys on Twitter DO IT! They've done contests the last two shows to get entry for two...and Wes' tweets are fun to read.
If you haven't done so yet, be sure to download EXPLODING IN SOUND presents...BANDS YOU NEED TO KNOW 2009!!! This FREE compilation features some of the best and brightest bands that you really don't want to miss!! With an impressive selection of styles and sounds, the first official Exploding in Sound compilation has something for all rock fans, and has been receiving rave reviews!
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Bands You Need to Know 2009 features incredible songs from: Magnet School, Abigail Warchild, Fears, Satellite Tragedy, Kid:Nap:Kin, Gravehaven, Lamb Handler, Kung-Fu Grip, Here Holy Spain, Exeter, True Widow, Waterbodies, (Damn) This Desert Air, Marquis of Vaudeville, Hazard Adams, Audiovox, Sputnik Monroe, Violent Soho, and The Boom Boom Box
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Enjoy, and please feel free to PASS AROUND EVERYWHERE!! Your comments and thoughts on the compilation would be greatly appreciated as well!
Hey Mark, and you other awsome dudes. Dave and I met Cassity from Texas in New River on the 14th. She said the drummer of her band took over for your country band. It's a small world. Hope your tour rocked!
the last sow i went to was in orangeville in sacramento at the bordwalk! and i got to see the sound check was amazing and the concert was even better! i love the toadies!
Cant wait for the Boston show! This will be 2 possibly 3 times (if we can make the in store deal) in one year seeing the Toadies for me! I am totally stoked!
