Tiger Mountain, a now-defunct group featuring Steve Thomas, guitar and keyboards; and Tony Renner, guitar. Tiger Mountain's peak was playing on the parking lot of Terrastock I, April 26, 1997, in Providence, Rhode Island.
Poison Rat R. Experimental electronics from Tony Renner. New tracks featuring Japanese cyberpunk writer Kenji Siratori added!
The Art School Boys, a solo project featuring Tony Renner, keyboards, guitars, and drums.
Unsettled Ground. A live electric guitar improvisation by Tony Renner. Recorded at the Des Lee Gallery in October 2005. Feel free to download any of these tracks to remix or to provide a basis for a new piece of your own!
Ne Plus Ultra, an also now-defunct group featuring Devin Devon, keyboards and tape manipulations; and Tony Renner, guitar and tape manipulations.
Note: all of the above paintings are by Tony Renner from the series "Minatures," acrylic on paper, 4" x 6", 2007.
"I Love Rock & Roll, Baby" is just a practice -- recorded on May 1 -- for a New Music Circle concert "Fifty (Or More)" featuring Tom Hamilton on May 2. I joined Tom for one of the seven segments. I played guitar and Tom manipulated, in real time, 50 sound clips originated by the various musicians who have performed as part of the New Music Circle during NMC's first 50 years. For this recording, I was playing along live to a compact disc of an example of the continuous electronic sound that Tom played at the concert.
"Erik Satie Plays the Blues for John Coltrane" is a spontaneous composition performed by Tony Renner at the Luminary Arts Center in Saint Louis, Missouri, on Thursday, April 16, 2009. The warbling of the sound is due to a defective cassette tape. No other effects have been added.
"Neither Stockhausen Nor Cage" is a spontaneous composition performed by Tony Renner at the Luminary Arts Center in Saint Louis, Missouri, on Thursday, April 16, 2009.
If you listen carefully, you can still hear faint traces of the jazz music that was previously on the cassette tape used to record this piece.
All reverberation heard on these recordings is from the natural sound of the room.
"Science of Dreams (for Glenn Branca)" is an improvisation recorded at the Lemp Neighborhood Arts Center, St. Louis, Missouri, on Monday, November 3, 2008.
"Science of Dreams (for Rhys Chatham)" was recorded in performance at the Lemp Neighborhood Arts Center, St. Louis, Missouri, on Wednesday, March 5, 2008.
Tony Renner, experimental musician's Friend Space (Randomized)
Tony Renner, experimental musician has 3035 friends.
Hey! Thanks again for being our friend. Make sure you have a little listen to our album Songs For Abandoned Buildings and our EP Gravity. If you like it, please follow the link on the player to buy it from itunes so we can play a town near you! Don't forget to give us a review on itunes when you buy it :)
....FRIZZ RECORDS is proud to announce our fourth LP release...
LEILA ADU has been described as 'A Nina Simone for the Noughties', and her two acclaimed albums infuse a broadly 'art-rock' approach with elements of torch song, speakeasy blues, avant garde jazz, gamelan, post-rock textures, and a David Lynch style dreamlike b-movie melodrama. As her website has it, exploring the "dissonant edges of familiar forms", but with that kind of 'dissonance' that they once accused Thelonious Monk or Debussy of, the kind that soon betrays it's own compelling melodic and harmonic logic to the attentive listener...
'Dark Joan', Leila's third album as a solo artist, was recorded in Chicago with the legendary Steve Albini (PJ Harvey, Joanna Newsome, Nirvana, Pixies), and Albini's genius has been to strip her sound back to it's essence, and hold it's most distinctive qualities up to the light. It doesn't hurt that this is by far Leila's most powerful set of songs to date, and if anything we are lead even deeper into her world by the pictures painted with just piano (or in some cases harpsichord or a grime-encrusted electric piano) and that voice...
Capable of anything from delicate heartbreaking purity to a fearsome dramatic power, her powers are seemingly limitless, yet unlike most other singers of her calibre, never does she resort to melodrama or show-boating, or any kind of pastiche, instead she employs her resources fully in the expression of her distinctive musical vision and the deep well-spring of her imagination. Nothing ever sounds as though it could have not been sung...
Recorded: live on March 16, 2003 at the Beta Lounge in San Francisco
In 1967, San Francisco’s Fifty Foot Hose were certainly one of the
innovators of a sound that took Psychedelia to new heights and was
captured on the band’s one record, Cauldron. They are a totally
unique hybrid—on one hand pulsating bay area acid rock, on the other,
fractured electronic freakery, becoming one whole cohesive being. The
sci-fi-ish video game-like artwork hinted at the sounds within, as did
the Limelight label’s pedigree for truly progressive sounds. Band
leader, Cork Marcheschi, used homemade electronic devices to create
crude and experimental soundscapes and instrumental compositions that
were sprinkled throughout the album.
Often starting shows with a swelling rumble that exploded into the
first song, they soon developed a rabid following on the SF scene,
though there was the occasional totally wrong gig, like when a
very-pregnant Nancy had to perform at a Catholic Girls’ school! Still,
the group wowed the crowds, performing with greats like Chuck Berry and
Fairport Convention.
Thanks for your friendship. We’re a booking agency and record label who empowers artists. We’re always looking for artists and people to collaborate with, so please don’t hesitate to contact us. Best, Butterfly Entertainment
....FRIZZ RECORDS is proud to announce our third LP release...
"Anutha Kinda Brotha" is the debut LP from underground legend ART TERRY. Since moving to the UK from his native Los Angeles in the early 90s, Mr Terry has established himself as one of London's characters.
Describing Art's sound to the uninitiated usually involves debunking some of the stereotypes of what the 'typical' black Californian might play. Despite his jazz training, and coming of age to the sounds of classic soul and funk, these styles are only a part of his musical vision. His fascination with folk styles, classical music, punk rock, pure pop, easy listening, musical theatre and the European avant garde have taken him on different paths from most...
The result is an orchestral pop record full of sonic inventiveness, whether it's the blend of Shuggie Otis's 60s California and Sun Ra's ancient Egypt on 'Bible', Frankie Valli & The Four Seasons leading a mariachi band on 'Escort', or the Walt Disney music box orchestra of 'Miss Dominatrix', but whilst this is very much a sonic feast, we shouldn't overlook Art's extraordinary lyrical adeptness, and the distinctive character this brings to the proceedings, with a knack for unique and colourful imagery, and how like a great short story writer he is able to paint an engaging picture whilst keeping back from casting judgement on his characters, always leaving open ends for the listener to tie; giving us the feeling that however far astray someone might have gone, there is always sympathy and human feeling for them in Art's mind...
....FRIZZ RECORDS is proud to announce our second official LP release...
"Modern Mediaeval" is the third LP from singer-songwriter DAVID GARSIDE, and the first to receive the full Frizz Records vinyl treatment. It’s also clearly the most fully-realised statement of his distinctive vision so far…
It’s an easy route to locate David in the tradition of his ‘classic’ influences (McCartney, Nick Drake, Stevie Wonder, Joni Mitchell, The Beach Boys, Love, Talking Heads, Peter Gabriel, Dexy’s…), but there are few songwriters working today that have absorbed these influences so fully, and arrived at a mature style as David has…
This is ’singer-songwriter’ music in the sense that it’s focus is on song-craft and the unfolding of the lyrical vision of a single individual, but if so then it’s definitely at the sophisticated end of the scale (’progressive’ if that term isn’t too loaded…), filed alongside ‘Bryter Layter’, ‘The Hissing Of Summer Lawns’, ‘Pretzel Logic’ or ‘Surf’s Up’...another FRIZZ RECORDS instant classic!
"Modern Mediaeval" can be downloaded from the iTunes Store
The album is also available on heavyweight vinyl LP, or on Digipack CD from www.FrizzRecords.com & all good retailers
....FRIZZ RECORDS is proud to announce our first official LP release...
"It's Not The Wand, It's The Magic" is the debut release from AUGUST, the London based band centred around the songwriting partnership between vocalist VEDINA MOSE and multi-instrumentalist / producer RAPHAEL MANN (MR HUDSON / JOY JOSEPH / ART TERRY), with master drummer CLEAN CUT MARK and clarinetist / vocalist MAREE CHOIE completing the core line-up, and a supporting cast including ART TERRY (keyboards), SHOHEI KAWAMOTO (AKA Japanese producer Baraki, Bass clarinet, soprano sax and flute), and KAI HOFFMAN (French horn)
Always an act that juggled a diverse set of influences, the album has been compared to artists as diverse as KATE BUSH, PRINCE, DE LA SOUL, SLY STONE, MADLIB, SERGE GAINSBOURG and THE DELFONICS, for its concoction of wild experimentation and traditional song craft, organic production and futuristic electronic touches, funk bass & drums and jazz & orchestral references, infectious melodies and lyrical flights of fancy...with nods towards classic soul, JB funk, Studio One, 60s pop, psychedelia, left field hip hop, new wave, doo wop, tropicalia, high life, & avant garde jazz, without any song ever fitting squarely into any of those categories...new music, basically...and an instant classic!
"It's Not The Wand, It's The Magic" can be downloaded now from the iTunes Store
The album is also available on heavyweight vinyl LP in a sumptuous gatefold sleeve, or on Digipack CD from www.FrizzRecords.com & all good retailers
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