Bun Bun, Micheal Jackson, Yes, SMB3, Timbaland, Goodnight Matthew, Clinton, Bill Bruford, Max Bill, Doom, Tom and Ed, Rick and Karl, Mike and John, Morgan and Darshan, Torbjorn and Svein, Rob and Eric, Thomas and Guy-Manuel, James and Shadow, Thom and Johnny, Tourquil and Amy, Eirik and Erland, Micheal and Marcus, Jeremy and Matthew, Nicolas and Jean-Benoit.
Sounds Like
Royksopp, RJD2, M83, Minotaur Shock, Air, Dangermouse, Manitoba, Boards of Canada, Chemical Brothers.
Record Label
Available @ itunes, emusic, Rhapsody, Napster etc.
Touch Base is Steve Jones and Scott Lumsden.
Both members of various bands and projects during their musically formative years, Jones became frustrated with
the resistance to experimental composition and electronic instrumentation in the surrounding local music scene,
and diverted his attention to other mediums. Eventually meeting Lumsden, a known unconventional guitar
technique and effects pedal experimenteur with an interest in computer music, the two quickly started exchanging
what would prove to become fundamental music creation ideologies.
During their first project in Lumsden's studio, (scoring and sound designing for
a multimedia performance art piece being designed and performed by Jones at a local venue) many shared opinions
in the importance of cultural recycling (neighbourhood 8-bit gaming, old vinyl coloured audio, the future as
envisioned by the early 1980s) were revealed. Sharing an appreciation for vintage rare groove and a love for
emerging champions of electronic pop such as Air, Royksopp, The Chemical Brothers and Prefuse 73, as well as
composers of early video game scores, the two would often share DJ duties at festival events, some actually
hosted by the duo.
After schooling in Recording / Music Production, and working on other projects, schedules finally convened for a long overdue
collaboration that was celebrated early on on by national press, and the nightlife of local London Ontario, (a
musical port-city, being home to 3 of the most vital music production and music performance schools in the
country, and thousands of eager 'new music' seekers.)
The album was recorded and rough mixed during the winters of '04 and '05, When the warmest places to be were the
studio and the clubs, and the frozen view outdoors lay soundless and white. The effort finds Touch Base in top
form: clever, bold, articulate, and as always, ambassadors of the frosted nostalgia and glowing intensity
that makes every moment memorable, and every cut a classic.
Diedrich Thirsk
Forest City Free Press
April 2006
hi how are things goin? your page is looking tight! anyway, i just grabbed some sweet new tones off www.tonetomyphone.info for FREE! they have the tightest selection!
just wanted to stop by and leave some regards ... hope you're fine! by the way - lots of new stuff in my player and even more coming up, would be honoured if you check it out.
I love the music... it's great. I love the textures and the spaces--and the way it evokes memories of times that I just can't put my finger on.
Also, most of it is not reminiscent of the soundtrack of a Hungarian porn video I rented a few years ago and watched with some students. But really though, even that part is good!
Hey dudes. Thanks! I actually did the whole record in Ableton, which I believe Scott introduced me to way back in the interns' office. Where's Jetpack?
ive been up for 4 hours past my bed time racking my brain for something cool to say so people would think i'm cool, and then i would be cool, so here is what i am going to say: puberty
If I touch base, round third, and if the crow flies 25 minutes to the next county, then what is the mass of the speed of the two different x's solving for the limit of the remainder?......... welp, see you in the car.
