About TOMO (Transcendental Organic Magical Objective)
TOMO (Transcendental Organic Magical Objective) is influenced by "temperament" such as musical tunings, pitches, and harmonic overtone from many of various folk traditional and early music in all around the world,
While his understanding of folk traditional music has been enthusiastic, on the other hand, he pays attention to the relationship
between "temperament"and "stream of
consciousness" which is derived from sound, and uses aspects of minimalism, drone, ambient, and electronica as musical factors
based on his own interpretation. On the basis of these influences, he aims to reach the essence and roots of music.
1. white dwarf
2. the esoteric conversation
3. sunflowers under the curved rainbow
Ingredients: hurdy gurdy, percussion, and electronics
The CD-R contains 3 tracks. “white dwarf”, the cosmic minimal work of hurdy gurdy with massive analogue tape delay and loop machine. “the esoteric conversation” shows dark image of sound with enigmatic mantra and metal percussion. And, “sunflowers under the curved rainbow” is the ambient and emotional piece of work.
“metamorphic hypnosis”, over 30 minutes of heavy drone was played by the electric hurdy gurdy. It was inspired by G Leibniz’s micro and macro cosmic idea “monade” and also Kafka’s work. “courantseau de source” is based on the theme of “water”.
"dance suite (rondo)/music for butoh dance"
TOMO(Transcendental Organic Magical Objective)
CD-R: $10.00 (including tax/shipping fee)
1. 1st movement-dream/featuring Higuchi Keiko (voice)
2. 2nd movement- dance of death/featuring Higuchi Keiko (voice)
3. 3rd movement- place of spirits
4. 4th movement- rebirth- light
Ingredients: voice, Celtic harp, Indian recorder, hurdy gurdy, Chikuzen biwa, Laos cane, percussion, synthesizer, and electronics
The suite was produced for actual performance of Butoh dance in 2006, consists 4 parts of theme. Overall, it is electro-acoustic work with using electronics and many of ethnic folk instruments. Also, the voice performer, Keiko Higuchi is featured in first and second tracks.
OUT NOW on Idiosyncratics Records : Phil Maggi - Blue Fields in Paramount CD
..Blue Fields in Paramount is a very personal and fascinating opus, a beautiful introduction to the style of this talented artist, that could be qualified as 'dark psychedelia for daydream believers'. It has been mastered by James Plotkin (Khlyst, Khanate, Old, Phantom) and is out now as a stricly limited to 300 copies ekopack edition with a fantastic artwork by czech artist Jan Karpisek...
"Also hugely enjoyable, highly original AND psychically useful is the
music of Australian duo The Scrapes, whose fiery epic guitar and
abandoned Mithraic fiddle pieces evoke images of lost Keltic lands
inundated by the oceans, lost Iberian & Armorican sea peoples and
lost times from beyond the beyond." Julian Cope
告知失礼致します。 BLUE tal YOKOHAMA curated 「blue line -The Heavenly Music Corporation From Hell-」 2009 6.07(Sun)シネマ・ジャック＆ベティ1Fカフェ http://www.jackandbetty.net/
「ロフト・エクスペリメンタル／The Heavenly Music Corporation From Hell」
"The Heavenly Music Corporation"をひとつのルーツに掲げ、かつて黒澤明に"地獄"として描かれたことのある街"黄金町"の映画館カフェを解放し、ノイズを通過した2009年型「ロフト・アンビエント/ドローン」「ロフト・エクスペリメンタル」を実践する試みをBLUE tal YOKOHAMA -blue line-としてキュレーションし、その初回を6月7日に迎えます。 今からちょうど40年前の1969年、オーネットコールマンがソーホー地区にあった自宅の一室のスタジオをリハーサルやコンサート用として創造的ミュージシャンに開放したことを発端とし、やがてソーホー/ビレッジ地区に増殖した..にて数々のアンダーグラウンドジャズのイベントが催された「ロフト・ジャズ」の手法に習い、blue lineでは既存のライブハウスのシステムから脱却し、開かれた実験の場として2009年型「ロフト・エクスペリメンタル」の実践を試みます。 blue lineの..は、かつて黒澤明に"地獄"として描かれたことのある街"黄金町"の映画館カフェ。 音像に加えインディペンデントの短編映画とのクロスオーバーも試みます。 2010年代型の革新的な試みをイリーガルと準えての「青線=blue line」行為です。 シネマ・ジャック＆ベティ 〒231-0056 横浜市中区若葉町3-51 TEL 045-243-9800/FAX 045-252-0827
PAINT YOUR TEETH 3 @ Gamuso in Asagaya on Sunday, June 7th
Ashim Shanker and the Hentai Chefs + Kenji Siratori - performing "a noise opera", Ashim will read from his novel Don't Forget to Breathe accompanied by legendary area noise musicians
Steve Finbow - UK writer reads a piece of Autistic Realism
she's my octopi - David F. Hoenigman reads from Burn Your Belongings accompanied by Anthony Magor on saxophone and Herman Bartelen on percussion
ORIGAMI & TEA - back for an encore performance after their dynamic debut of "candypop noise with odd costumes and dancing" at PAINT YOUR TEETH 2
TADMのSoddyとFacialmessのKennyによるハーシュノイズイベント "FUCK MY ASS"が高円寺・Club Rootsにて復活！ 約10年振りに活動を再開した90年代ジャパノイズのMo-Teを筆頭に、おそらくこの日しか観れない特別ユニットを含めた豪華な布陣でお送りします。必見！
Club ROOTS Map: http://www.muribushi.jp/information.html 〒166-0002東京都杉並区高円寺北3-22-3群星館B1F Take the North exit of JR Koenji station, go straight past the McDonalds and keep walking straight ahead. Look out for Club Roots on your right in a basement. Tel 03-3330-0447 e-mail: roots@muribushi.jp
Hello myspace friend here is a free little comp of my past work from 2001 to 2008, Click the image to find it..it's cool, Free and you'll be able to wait for the album i'm working on:
Online Now!
