Transgressive formed a while back when Tim and Toby's minds melded over what they'd achieved in music on their tods... teaming up seemed like a sensible idea, stolen from Captain Planet...
They have since released music from: Jeremy Warmsley, The Young Knives, Foals, The Shins, Battle, Regina Spektor, Burningpilot, Ladyfuzz, Mechanical Bride, The Noisettes, Bloc Party, The Rakes, The Subways, Mystery Jets, The Pipettes, Ox.Eagle.Lion.Man, So So Modern, Duels, Larrikin Love, GoodBooks, Trencher, Esquilax, Polytechnic, The Rumble Strips... They have also started managing Johnny Flynn and publish The Noisettes, Absentee, and Jeremy W...
Not bad for a couple of 22 year old's, eh?
Just wait till you see what they've got coming next.
www.transgressiverecords.co.uk
N.B. Apologies, but due to traffic/volume, we can't always respond to private messages, yet endeavour to do our best to listen to everything we can... We'll always be in touch if we're over the moon about your music and think that our involvement will be the way to go... If you want your new music reviewed on a thousands-of-readers-a-day, quality music magazine, submit your demos to rockfeedback.com, our favourite / associated online site
Don't forget to visit our official website (link to the left of this page) in order to download - FOR FREE - our infamous Podcasts. There are 6 in total, and content includes interviews with the likes of Regina Spektor, Young Knives, an exquisite live duet between Jeremy Warmsley and Mechanical Bride, exclusive live tracks, and lots of exclusive music you'll not hear anywhere else.
And, finally - a strictly limited run of TRANSGRESSIVE T-SHIRTS is available via our official site; get ordering before it's too late.
Le Lapin Rose vous informe qu'il ne reste plus que 5 jours pour envoyer votre musique et ainsi participer au PILC! Faites nous parvenir vos morceaux à: le.lapinrose@yahoo.fr
Le Lapin Rose informs you that there are only 5 days left to send your music and to enter the PILC! Please send us your track at: le.lapinrose@yahoo.fr
Schotel van de dag / Lost Bear : 10inch Split Schotel van de dag (dish of the day) is a brand new punk/hardcore/indie-band from Utrecht. They came to this world to serve humanity with uncompromised guitar violence! For this split they've teamed up with the 90's inspired hairy indierockers of Lost Bear. -- GET IT FOR FREE --
Voici le PILC Le PILC est un CLIP Peut être votre CLIP Cette vidéo n'a pas de son, pas de musique, nous vous proposons donc de nous envoyer votre musique afin que ce PILC devienne votre CLIP. Vous avez jusqu'au 30 novembre inlus pour participer au concour du PILC ennos envoyant votre morceau à l'adresse suivante: le.lapinrose@yahoo.fr. Plus de détails sur notre page myspace.com/le_lapinrose. Here comes th PILC The PILC is a VIDEO CLIP Maybe your CLIP The PILC has no sound, no music. We would like you to send us your m
SO WE en 1ère parite d'HERBALISER / 27 nov / LUNA - Maubeuge
Des places sont encore disponibles pour ce concert, dépêchez-vous ! 2 tarifs sont proposés : 8€ en tarif réduit, dont adhérents bougez rock, et 11€ en tarif plein Renseignements et réservations au Théâtre du Manège 03 27 65 65 40
....FRIZZ RECORDS is proud to announce our fourth LP release...
LEILA ADU has been described as 'A Nina Simone for the Noughties', and her two acclaimed albums infuse a broadly 'art-rock' approach with elements of torch song, speakeasy blues, avant garde jazz, gamelan, post-rock textures, and a David Lynch style dreamlike b-movie melodrama. As her website has it, exploring the "dissonant edges of familiar forms", but with that kind of 'dissonance' that they once accused Thelonious Monk or Debussy of, the kind that soon betrays it's own compelling melodic and harmonic logic to the attentive listener...
'Dark Joan', Leila's third album as a solo artist, was recorded in Chicago with the legendary Steve Albini (PJ Harvey, Joanna Newsome, Nirvana, Pixies), and Albini's genius has been to strip her sound back to it's essence, and hold it's most distinctive qualities up to the light. It doesn't hurt that this is by far Leila's most powerful set of songs to date, and if anything we are lead even deeper into her world by the pictures painted with just piano (or in some cases harpsichord or a grime-encrusted electric piano) and that voice...
Capable of anything from delicate heartbreaking purity to a fearsome dramatic power, her powers are seemingly limitless, yet unlike most other singers of her calibre, never does she resort to melodrama or show-boating, or any kind of pastiche, instead she employs her resources fully in the expression of her distinctive musical vision and the deep well-spring of her imagination. Nothing ever sounds as though it could have not been sung...