Kiss, Kraftwerk, John Foxx, Ultravox, Art Of Noise, DAF, Der Plan, Ton Steine Scherben, Neu!, Cluster, Conny Plank, Can, Harmonia, Ash Ra Temple, Tangerine Dream, Conrad Schnitzler, Smiths, Joy Division, And Also The Trees, Pink Floyd, Syd Barrett, Psychedelic 60s, Tangerine Dream, Klaus Schulze, Liaisons Dangereuses, Yellow Magic Orchestra, Early Yello, Gershon Kingsley, Beaver & Krause, Popol Vuh, Morton Subotnik, Bebe & Louis Baron,
Human League, Heaven 17, The Future, Vice Versa, Krupps, Cabaret Voltaire, Throbbing Gristle, Chris Carter, The Normal, Adam And The Ants, Dead Kennedys, Front 242, Nitzer Ebb, Section 25, New Order, Pet Shop Boys, late ABBA, Visage, Disco, Bobby Orlando, Patrick Cowley, Giorgio Moroder, Gino Soccio, Jimi Hendrix, Beatles, Rolling Stones, Wendy Carlos, Robert Moog, Wolfgang Palm, Gary Numan, Depeche Mode, Shelley, Keats, Byron, Beaudelaire, Poe, 70s, 80s, Radiohead, Placebo, Coldplay, Pulp, Happy Mondays, Inspiral Carpets, Moody Blues, Mellotron Instruments, Oskar Sala, Roland Instruments, ARP, Synton, EMS, Fairlight, PPG, Nico, Velvet Underground, Man, King Crimson, He Said, Wire, Felt, Spacemen 3, Sonic Boom, Iggy And The Stooges, Black Sabbath, Led Zeppelin, Doors Japan, Italo Disco, Man Parrish, Pet Shop Boys, Morrissey, Alien Sex Fiend, The Klinik, Information Society, Einstuerzende Neubauten, Fad Gadget, Kitchens Of Distinction, late Johnny Cash, Nick Cave, Wim Wenders, Rainer Werner Fassbinder, Fritz Lang, Friedrich Murnau, The Mission, Mötörhead, Ramones, Blancmange, Devo, Orchestral Maneuvres In The Dark, Alphaville, Tears For Fears, Echo And The Bunnymen, Boytronic and countless more...
Sounds Like
Myself with all the influences of above and life itself ;-)
Thomas P. Heckmann started doing techno-house music professionally in summer 1991with his first release EXIT 100 - LIQUID .
After doing all sorts of electronic music since age eleven - including synthi pop, industrial, ebm, experimental
- he was attracted by the likes of KLF and 808 STATE..s early stuff, that lead him into the new acid and techno styles in 1989 .
His first release as EXIT 100- Liquid on the just started label FORCE INC was a good start into the then small techno world .
It brought him the respect of a lot of people and the license on DANIEL MILLERS label MUTE RECORDS in England,
which was single of the month in MELODY MAKER and reached number 20 in the independend charts in 1992.
He also was one of the pioneer producers to release new acid styles in the likeness of UNDERGROUND RESISTANCE and
+8 in Germany with his other projects on FORCE INC : AGE and SKYDIVER . Another of his landmark inspirations for germany !
After producing successfully for FORCE INC until 1993 he released new stuff on LABWORKS records in Germany under the name
SPECTRAL EMOTIONS and on DJAX-UP-BEATS in Holland as PURPLE PLEJADE .
1993 he launched his own label TROPE RECORDINGS with his first release under his most successful project DRAX .
TROPE RECORDINGS invented new styles, new sounds, new record-
formats and was soon one of the leading independend techno labels in Germany
and got friends and big following all over the planet .
1994 saw the birth of another label called ACID FUCKER UNITE (A.F.U) ,
projected more as an acid-house and dance-label with his own projects SILENT BREED and ELECTRO NATION,
which also earned a big following all over the world !
His first big hit came out in 1994 as DRAX LTD. II
- AMPHETAMINE, that became a world wide crossover hit and even reached number 20 in the official french charts .
It is still played all over the world and was influencing lots of producers - commercial and underground !
Extensive live-touring through America, Australia, New Zealand, Germany, England,
Switzerland, Austria, France, ... since ..91 made him one of the most respected and most freaked out live-acts in the world .
Thomas rejoined FORCE INC in 1997 as AGE and released a 12 inch which was followed by a complete AGE album in march 1998 !
He also launched a new Label for Electro-Style music called ELECTROCUTE SOUNDPLATES, with it..s first release early september 98 .
Winter 98 was the most successful time for SILENT BREED . The track SYNC IN, which was originally released as A.F.U. 016 one year before,
was picked up as a crossover - tune and became a commercial hit, reaching even position 83 in the official german top 100
and reached also position 1 in all german dance charts . .
The follow up IN VIVO reached position 103 in the german charts and also position 1 or 2 in all german dance charts .
SILENT BREED played twice at VIVAs Clubrotation . SYNC IN changed the commercial scene -
all was getting more techno and harder - in germany and people still trying to copy it until today !
Though still doing the music he loves and still doing powerful techno tracks, people are more aware than ever of thomas.. work,
..cause again he changed the minds of a lot of people again and showed them,
that one can do underground music, but can also be successful without selling out !!!
In the underground field his most rockin.. projects from 98 - 00 were on FORCE INC. again :
WELT IN SCHERBEN and KNARZ, the later introducing vocals by Thomas and HECKMANN .
The SÄGEZAHN / SAWTOOTH sound he invented together with cologne..s Mike Ink was the techno-sound of late 98 !!!
In late 1998 he joined up with Carlos Peron (the founder of YELLO) and they produced a complete album under the name TRÜMMERFELD,
that..s sadly still not released .
Thomas produced an album for Wavescape as HECKMANN called TANZMUSIK,
that got very good reviews in german magazines and was even awarded record of the month in three of them !
He also started a WAVESCAPE sublabel called - as if you knew - SUB~WAVE, that is the platform for techno-house and not so hard techno stuff .
The releases by T.P. Heckmann were picked up very enthusiatic and are picked up well by DJs from Ibiza to Chicago a.s.o. .
The last Knarz single was released in early september 2000 and is called Kind der Nacht,
that again featured the vocals of Thomas and includes a cover version of Nitzer Ebb..s Join In The Chant .
The cover version of Join In The Chant was licensed by Mute in England and
was released in 2001 as a Nitzer Ebb remix 12 . NITZER EBB VS. THOMAS P. HECKMANN !!!!
In 2001 he re-released one of his main anthems - AMPHETAMINE -
again, reworked by himself as a final remix version and to complement his best of tripple CD KOPFGEISTER 1991-2001,
that featured most of his famous work and a full length bonus CD in a very nice Digipack .
Between 2001 and 2005 he released several 12 inches on his own outlets Wavescape ans Sub~Wave. As HECKMANN on Wavescaoe he perfectionised the fusion of Techno and EBM with tracks like HIMMEL & HOELLE, TEUFELSWERK, BELZEBUB aso. ! The sound he created already in 1990 as Exit 100 found many fans in the Techno as well as the EBM and Gothic scene.
He recorded a full length WELT IN SCHERBEN album called Scherbengericht in 2005.
Since then he restarted his AFUltd. label and rereleased some of his most sought after tracks and also new stuff.
Right now he..s also mastering for other musicians and does Vinyl cutting with Andreas Kauffelt at the SCHNITTSTELLE.
But there..s also new music in the pipeline that has to be finished and let out into the world ! Stay tuned for more news soon or check the website www.wavescape.de...
I created my own profile using nUCLEArcENTURy.COM and you should too!
hi thomas..ich liebe deinen sound!! aber deiner roten schrift hier bei myspace bekomme ich augenkrebs...:)..hätte gerne alles gelesen aber ich hab schon angefangen zu schielen..:=)..schönes weekend und weiter so einen geilen sound!
