The world is very infrequently blessed with genius talent which leaves an indelible mark on humanity. In the last century, it was Picasso in the art world who captured the world's imagination. In the realm of South Asian music, one can think of historical figures such as Tansen or Ghalib. In the contemporary period, when it comes to pecussionists emanating from the sub-continent the name of a contemporary genius Abdul Satar Tari Khan is inseperable from Tabla. What makes Tari, as he is affectionately known, so special? Many tabla players with dedication and hard work can establish themselves as leading exponents of this art-form but it is the genius of Tari which makes him stand out amongst all Tabla players. He has that inexplicable factor of genius which he brings to his playing. When one first encounters Tari's tabla playing it is not a mere performance but rather a musical experience which asks as much of the audience as it does of the artist. Tari has taken tabla which was originally thought of as an accompaniment instrument to new and dizzying heights. Regardless, of whether he is accompanying or engaged in a solo performance the listener is forced to come to terms with his genius. For the music connoisseur, Tari hardly needs an introduction. He comes from the famous Punjab Gharana and since the age of six was under the tutelage of Ustad Mia Shaukat Hussain Khan. Coming from a lineage of musicians it was destined that he be an accomplished musician. Tari, is however, much more than an accomplished musician, he is a genius.
Ustad Tari Khan's percussion art is a rare experience, a combination of artistic purity, charisma, lyricism, and expressive innovation. The work characterized by his impeccable understanding of music and a sensitivity to artistic values, Ustad Tari Khan is considered as one of the most accomplished exponents of tabla in the world today, and is indeed a torchbearer of the Punjab Gharana.
Ustad Tari Khan has performed in virtually every part of the globe, participating in prestigious festivals and concerts, dazzling and captivating audiences by his extraordinary versatility. Tours abroad have taken him to all continents and almost every major city of the world, and he enjoys a large following. A leading percussionist, he gave a solo tabla recital at the world famous Percussive Arts Society convention in Nashville, and performed at the Boston Conservatory of Music. Ustad Tari Khan has received the highest acclaim for both his accompaniment and solo performances.
Apart from his musical renderings, Ustad Tari Khan holds workshops, seminars, and teaching assignments in cultural institution and universities throughout the world. He conducts individual and group lessons through his school the Tabla Learning Center.
An erudite musician, Ustad Tari Khan has been honored by numerous public and private organizations both at home and abroad, and has carved a permanent niche for himself in the world of fame. He has been crowned with the title of "Tabla Prince of India and Pakistan" and has been decorated with the prestigious Hazrat Ameer Khusro Award.
By the time he was 16 Ustad Tari Khan had already made a name for himself in the art of Ghazals around the world. Having played with such artists as Ghulam Ali, Pervez Mehdi, Nusrat Fateh Ali Khan, and the great Mehdi Hassan. His tabla is in fact revolutionary in the art of Ghazals and is a model for all ghazal tabla players today. At the age of 16, Ustad Tari Khan began showing great creativity in making his own items. His first original item was the "train". In this item he used the tabla to mimic the sounds of a train. Soon he invented his most popular item "International Kherwa". This item showed how different parts of the world play Kherwa or four beats, including Punjab, the Middle East, Europe, America, and Africa.
But beyond his own creative items, Tari has mastered the art of virtually every kind of tabla accompaniment. In ghazals he has played with Hari Haran, Talat Aziz, Mehdi Hassan, Ghulam Ali, and many others. Since Ustad Tari Khan's Ghazal playing was derived from his classical roots and unique style of classical playing, there should me no doubts that Ustad Tari Khan dazzles audiences with his classical accompaniment. Accompanying such artists as Pandit Jasraj, Rais Khan, Salamat Ali Khan, Vilyat Khan, Sultan Khan, Dr L. Subramanium, V.G. Jog, Shaid Parvez, and many others. Ustad Tari Khan has a great following of young generation tabla players mimicking his classical style. He has even played the art of Qawwali, accompanying such greats as Nusrat Fateh Ali Khan, Badar Ali Khan and Rahat Ali Khan.
His solo is even greater than his accompaniment, being able to express himself in such complicated tals as 5 1/4 beats and 8 3/8 beats. Every element of his solo is unique. One can listen to the roots of his Ustad's creations blended in with the innovations and creations of Ustad Tari Khan himself. His solo will leave you in a state of utter amazement and great appreciation.
Whether you are interested only in modern pop/rock/rap music or a hardcore classical enthusiast, Ustad Tari Khan will be sure to leave a positive impression on you. He is truly the most versatile tabla player in the world today.
(A more complete biography will be posted upon it's completion)
After you've finished here, you may like to hear this poem sung on myspace...
Poem 162 of 230, WalkaboutsVerse (please see my blog): TEES TO TYNE: FIRST IMPRESSIONS - SUMMER 2001
Where traditions are not so rare; Sea, country and works scent the air; A multitude of monuments, Planted tubs and patterned pavements.
The longish pedestrian malls; The remnants of defensive walls; Historic buildings are a gauge Of the respect for heritage.
Wheat, rape and pines in the fields; Estuaries guarded by shields; Long sandy beaches and wide scenes; Romantic-ruin go-betweens.
Rivers in parts licked by trees, Or fringed by boat clubs, wharfs, gantries, And crossed by practical delights - Varied spans, forming pleasing sights.
Fine churches headed at Durham; Football kits ad infinitum; Kept castles - one for study; Masonry behind masonry.
And, with moulding-works out that way, It’s somewhere for a longer stay..?
Hello Friends ! New FICUS Podcast !! Ficus radio shox podcast 01 // 07.Oct on radio404 by Ficus Playlist : - Ras G : Steath mode < - Gogh : Daru prod - Electrons Libres : Bestown state of M - Dabrye : Air ft Mf Doom rmx by fLako & Robot Koch - Pac Div rmx : prod by Blented babies - Dj Diamonds Kuts : Main attraction - Hovatron : Gypsy trader - LowLimit : Cop that flip - Natsunogogo : Like i love u - Suicidal Thoughts : lorn rmx - West up : Slik up rmx Powell - Kush Lando Kal rmx int. - Samples : For 8 breaks More - Hugg Pepp : Penguini (Lando Kal edit) - Cryptical : Diamonds - The new soma : Bass science rmx
Shangri-la
Lounge is back in September for it's fourth annual event! Twisted Tales
vaudeville Bellydance show featuring Bellydance, Burlesque, Souk full
of shiny things to buy and aftershow party with DJ
Plus a
weekend of workshops for those who want to get their shimmy on and for
those who don't, Just come along and enjoy the show!
This years theme is Twisted Fairy Tales. Check out the website for more info www.shangrilalounge.co.uk. Hope to see you there! x
After you've finished here, you may like to hear this poem sung on myspace...
Poem 2 of 230, WalkaboutsVerse (please see my blog): WALKABOUT WITH MY PEN
Once drove an old sedan, up north, From a place in Sydney to Cairns; Then to Kuranda I went forth, By train, to look without set plans.
I browsed through the trendy market, With fresh fruits of tropical kind; Walked to the creek through lush thicket - Nature’s hand giving peace of mind.
I dined in a scenic cafe; Then, outside, as I wrote for yen, Some passing Kooris called-out: “Hey, You go walkabout with your pen.”
Request or question, I don’t know - Assured voices, elderly men. That’s now several years ago, And I’ve seen the world - with my pen.
Dear friend Tari ji, Hello/Namaskar, Thank you so much for your add me in your friends list in myspace. With best wishes ,and much regards.Happy to see your info. Keep in touch. Pt Hindraj Divekar.
Home: Pt Hindraj Divekar. 82,Budhwar peth, Ramsukh Tulsi build, 3rd Floor,Flat no 301-302. Ganapati chowk, Tulsibag Ganapati, Pune 411002.M.S.India. www.hindrajdivekar.org for audio and video recording. Rudra Veena Khayal style & Dhrupad style & Sitar Sadhak of Pune India. Tel:+91-20-24458026. M: +91-0-9371556801. M:+91-0-9923551095. Email: info@hindrajdivekar.org hindraj_divekar@hotmail.com hindraj.divekar@gmail.com pthindraj_rveena@yahoo.com
I am so, so delighted to be in your Ustad Tari Khan's Space! Thank you very much for the Add!! I LOVE your music! I wish you peace, love, and harmony in your life! I look forward to seeing you live! I look forward to seeing you play live again! Respectfully yours, Sindie Beat
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