(Publicity photos by David Leyes)
Violinist Lynn Kuo has performed as soloist and chamber musician across Canada, United States, Wales, Austria, Hungary, Serbia, Croatia, Bulgaria, and Romania. As guest soloist,she has performed with the Quebec Symphony Orchestra, Orpheus Chamber Orchestra of Bulgaria, Canadian Sinfonietta, Brandon Chamber Players, the Newfoundland Symphony Orchestra, the Nexus percussion ensemble, and has also collaborated with artists such as Christoph Eschenbach, the Gryphon Trio, and Penderecki String Quartet.
In demand as an interpreter of new music, Lynn has given numerous world premieres of acoustic and electroacoustic works written for her and various ensembles (Duo Vita, Les AMIS Ensemble): Canadian and European composers which include Michael Pepa, Dennis Patrick, Katarina Miljković, Daniel Foley, Elizabeth Raum, Scott Godin, James Harley, John Oliver, Constantine Caravassilis, Avalon Rusk (Canada), Séan Clancy (Ireland), and Viktorija Cop (Croatia).
In 2008-09, Lynn gave the Canadian and European premieres of a fifth Michael Pepa work (ISOMORPHE), as soloist with the Cantus Ensemble of Croatia. Reprising her role as head of the Les AMIS Ensemble, Lynn embarked on a third European tour in April 2009 under the artistic direction of Michael Pepa. Among the performances: world premieres at the 2009 Music Biennale Festival in Zagreb, Croatia, the Mendelssohn Concerto in D minor with the Orpheus Chamber Orchestra of Bulgaria and the Chausson Concerto for Piano, violin and String Quartet with Marianna Humetska, piano and the Penderecki String Quartet.
Maintaining a busy performance schedule, Lynn is the Assistant Concertmaster of the National Ballet of Canada Orchestra, and has also served as guest concertmaster of orchestras including the National Arts Centre Orchestra. Lynn also performs with the Canadian Opera Company, Via Salzburg Chamber Orchestra, and the Toronto Symphony Orchestra. In addition to performing, Lynn is a doctoral candidate in the Doctoral of Musical Arts program at the University of Toronto for which her dissertation research is on “Holistic Health and its Role in the Prevention of Musculoskeletal Disorders in Musicians.”
Lynn gratefully performs on a 1904 Riccardo Antoniazzi violin and Hill bow on loan from Steven Pepa.
Hello, It's always a pleasure to contact my friends, first thanks for your friendship and hope all is well. if you have time, there are some new videos on my page. Life is beautiful. All the best - Pat.
Dear friends, Έχω uploaod τρία νέα κομμάτια του επόμενου CD μου I've uploaod three new pieces of my next CD J'ai téléchargé trois pièces de mon nouveau CD à paraître bientôt... Cordialement, Frédéric
a super-song, a mega-composition, something that astonishes people, that makes them sob, laugh and rejoice. No “sophisticated” art but no cheap entertainment either. Take the best of pop, jazz, tango, opera, operetta, klezmer, soul, blues, minimalist music, virtuosic violin-music (Paganini, Wienawsky, Sarasate) and so on, or compose your own style. Everything is fine as long as the audience is crazy about it.
Concerning the playing technique the composition is expected to be sophisticated, challenging and unconventional. It is expected to combine new effects with innovative sounds and hot rhythms.
Instrumentation: 2 violins
Duration: approximately 5 minutes of music
Awards: 1. Prize: 3000 Euros Heinrich-Vetter Preis 2. Prize: 2000 Euros Bourgier-Seisser-Cleve-Werhahn-Preis 3. Prize: 1000 Euros Pro Musica Viva Maria Strecker-Daelen Preis 4. Prize: 400€ Additionally, there will be two extra prizes of the PE-Förderkreis for students of music: each consists of 250 Euros!
Deadline: 01.07.2009
Course of events: With the professional counselling of Prof. Sidney Corbett we will determine a preselection (in total six compositions) among all the compositions sent in. That preselection is presented to the audience at the concert of awardees (on the 18th of September 2009 at the Reiss-Engelhorn Museum, Mannheim). The audience is going to vote for the awarding.