Autechre, Boards Of Canada, Aphex Twin, Orbital, The Orb, The Future Sound of London, Underword, Fluke, The Grid, Biosphere, Fizzarum, Vesna, Novel 23, Eu, Ruxpin, Funckarma, Gimmik, Ceephax Acid Crew, Ilkae, Shitmat, Otto Von Schirach, Dino Felipe, Deceptikon, Blamstrain, Kettel, Secede, Sense, Xela, Brothomstates, Manual, Ochre, Bola, Proem, Kid606, Speedy J, B12, Planet Boelex, Maps And Diagrams, Portland, Nautilis, Verbose, Metamatics, Styrofoam, Telefon Tel Aviv, Ulrich Schnauss, M83, Abfahrt Hinwil, Marumari, Diagram of Suburban Chaos, Arc Lab, Flotel, Benge, Einsturzende Neubauten, Bit Meddler, ENV(itre), Miles Tilmann, Christ, Vessel, Apparat, The Flashbulb, Freeform, Tomcats in Tokyo, Milieu, Infinite Scale, Test Pressing, Preston, Zainetica, Cheju, Mint, Depeche Mode, Camouflage, Information Society, Nitzer Ebb, Front Line Assembly, Skinny Puppy, Front 242, The Shamen, Underworld, Inspiral Carpets, Stone Roses, Cure, Clan of Xymox, The Beatles, and many more... My friends, Ivan Johnson, and the Warmy Lovers Army: Aerreh, Niña Bonita, Mentalik, Fluor, Uamenk, Iszen, Die Noia Futuriszka, Ezeh, Ø+yn, Preston, Fabrice, Mc Fly, Sword XL, ngc 2602, Alex Delarge, Veleta and Lord Diego Arandojo.
BTB is the solo project by Franco Colombo, Systems Engineer, Musician and Producer, born in 1978. Franco has been producing sensitive and emotional electronic music in Capital Federal, Buenos Aires, Argentina, for many years now. His production is simple and complicated, probably encapsulated under the IDM subgenre, introducing broken melodies and downtempo grooves with a strong pop influence. Sometimes using the variant of other styles like Ambient, Drum'n'Bass and Click's and Beats.
He begun in 1999 as BTB Project drifting into Ambient and Intelligent Techno; released his first ep in the Argentinian label Fuga Discos in 2001, leaded by the experimental musician Luis Marte. He took part of many projects and editions, as guest in the band Giorgiolive and also edited with her alter ego Evhaoid 82. He has released ep's and tracks in compilations from labels such as Boltfish Recordings, Audiobulb, Electrosound.ru, Envizagae, Enough Records, Discos Sordos, Monteaudio, Punchi Discos and Zensible Records, which now is part of with many talented artist like Ivan Johnson aka Bruno de Vincenti (know for his work in the pop band Miranda!), Funzion, Niña Bonita, Iszen and Spektre. He was invited to the argentine tribute to Throbbing Gristle "Sufre, Sufre, Desesperadamente", with his version of "Hamburger Lady" as HG (BTB+Fluor). He has also played live in many concerts and events featuring his work in the format live act or dj.
Other projects. Franco appears with other alias/side projects like "Evhaoid 82" (retro-techno/8 bit), experimental duo project "HG" with Fluor, post industrial duo project "Cloro" with Diego Sima (Farmacia), the audiovisual crew "Veleta" with Dario Martinez, and the oldskool hardcore breaks or RAVE music alias called "Oldbrain".
Adviruz is the artist psedonym of Istanbul’s Pinar Gurcan, whose growing passion for sound is translated through her music. Since an early age, she has been listening and mimicking opera singers, writing melodies, songs and poems in which she spoke her mind and reflected her soul. All of which are evident on "Nightly Sounds", an 8 track album which is the equivilent of having a glimpse into a diary, learning of love lost, gained, a snapshot of the human condition from which we can all draw experience... All of these things are developed musically into minimalistic glitch, noise, idm, experimental music and microsounds, its influences reminiscent of work by artists like Tujiko Noriko, Mira Calix, Plaid and Björk.
Adviruz and Section 27 present "Nightly Sounds", an intricately woven and rewarding musical tapestry. Available now for free download.
Fuga Grafica, consta dos dias de activides sonoras y graficas, Djs, Vjs, musicos, todos conjugados en un mismo lugar, 20 propuestas diferentes dos salas de exprecion unidas por el amor a la experimentacion sonora y visual! artistas: Luis Marte, Pangea, Lothus, Automartin,Mc Ffly, Observatorio 51, Microesfera, Melman, BTB, Libre, Ignacio Garcia, Srta. Amalia, Quum, GLC, Danel, Kabusaki, Jorge Castro, Druhb Haro, Brian McKern... Los esperamos!
To celebrate our first 27 releases on Section 27 Netlabel, we proudly present to you "Sectioned", a compilation of 27 tracks, amounting to 2 hours across two discs of twisted electronic beats, discordant melodies, haunting passages, broken ambience, bending senses of time and space, microscopic glitches, pounding bass frequencies, sounds between sounds, the human voice and the audible sensation of music dissolving in acid. This is the sound of your mind's eye. This is the sound of the Sectioned... Strap yourself in and enjoy the experience.
Also features a 75 minute bonus disc "Sectioned : Nonimxs", including 9 remixes of selected Section 27 artists by Nonima and 2 original tracks created by Silent Snow and Nina Kardec using existing Nonima tracks.
Hey, ¿Qué tal?. Me pasaba por aquí para avisar de mi nueva producción llamada "Calma la tempestad - Steps" pasate si puedes y comenta. Espero que te pases, venga un abrazo, nos vemos. Cuidate.
English version:
Hey, What's it going? . I passed by to tell them about my new production called "Calma la tempestad - Steps" pasate by my profile and leaves a comment if you can. I hope you pass by my profile, a hug, see you.
Hey, ¿Qué tal todo?. Me pasaba para avisar de mi nueva produción llamada " Siempre me acordaré de tí - Steps " pasate si puedes y comenta. Espero que te pases, venga nos vemos cuidate.
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Interesting music here as usual! Keep it up!
Preview for all tracks of my debut album Symbiosis of Contradictions are now available on my myspace page through zimbalam player. Mp3 release is now available in all the major stores worldwide.
Greetings from the snowy Moscow/Russia
/Ivan
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Almost Tomorrow is the third full length collaboration album from Section 27 Netlabel founders Tam Ferrans and Andrew Paterson, under their Nonima & theAudiologist guise. This time around the sound is more melodic, and has a definite feeling of a complete and more mature sound than heard on the previous LP's "Dystopian Battle Hymns" and "Ceremony After Amputation". If you are familiar with their individual projects you may even be in for a slight surprise, as the tracks are not as beat driven like before, but are more atmospheric and sound, well... "bigger". In its 75 minutes, Almost Tomorrow takes you on a trip from the digital rain-soaked cavernous scraping in "Thoughtograph", the ethereal beat jittering of "The Colour of Rain", intercepted transmissions from unknown places in "Com-Intercept", "Ganzfeld"s huge yet strangely insect-like beats until everything you knew comes crashing around you in "Almost Tomorrow". Burning pianos, glitched out soundscapes and intricately programmed beatplay, this may well be their best work to date. Consider it the soundtrack to a rainy overcastday, but with just that glimmer of sunshine peeking from the clouds. "Almost Tomorrow" wears its heart on its sleeve.
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