King Tut's tomb, Carole King, Burt Bacharach, Ed Wood, Brian Wilson, Claude Debussy, Stanley Kubrick, The Lawgiver, Lennon-McCartney-Harrison & Starr, Margaret Keane, Richard Rogers, Syd Barrett, David Lynch, Joe Meek, Ray Davies, Jerry Goldsmith, Benny Andersson & Bjorn Ulvaeus, Bob Crewe, Jimmy Webb, Chris White, David Gates, Mark Wirtz, Todd Rundgren, Jack Nitzsche, Declan McManus, Freddie Mercury, Serge Gainsbourg, Juan Garcia Esquivel, Roy Wood, Jeff Lynne, William Shooby Taylor, B.J. Snowden, etc.
Sounds Like
Beach Boys, Burt Bacharach, Beatles, XTC, Bread, Free Design, Todd Rundgren, Elvis Costello, Carpenters, Os Mutantes, Left Banke, Kinks, Zombies, early Pink Floyd, ELO, Monkees, Yes, Partridge Family, Stereolab, Raspberries, Byrds, etc.
It doesn't sound THAT obtrusive when you consider how long Wondermints have waited to ask it. Four years is a long time for any band. For Darian Sahanaja, Nick Walusko, and Mike D'Amico, it's been a period of intense creative and personal growth that found Wondermints develop from a highly-touted L.A. band idolized by fans of the town's thriving pop music scene to being revered by world class musicians such as Brian Wilson, Eric Clapton, Paul McCartney, and members of S Club 7.
Like most groups, their beginnings were the result of a collaboration between a pair of enthusiastic music fans -- keyboardist Sahanaja and guitarist Walusko. Following a collection of self-recorded/self-released cassettes of their brilliant homespun confections (and the crucial addition of drummer/vocalist D'Amico), the group inked a deal with Japan's Toy's Factory Records who released their debut album -- an assemblage of tracks from the aforementioned cassettes -- in 1995 and contributed to an endless stack of compilation albums as well as penning the title track to "Austin Powers: International Man Of Mystery". Interest from Beach Boys mastermind Brian Wilson and other elders of the pop music world elevated the band to a near-mythical status, and although their sophomore effort -- 1996's "Wonderful World Of Wondermints" -- was merely a collection of cover songs (albeit the most unique collection of cover songs since Bowie's Pin-Ups), they bounced back in 1998 with their true "debut" album, "Bali". Since the album's release, Wondermints have become the toast of the international rock scene, performing worldwide as members of Wilson's band, a gig that exposed them on several late night talk shows, found them being invited to weddings by ex-Beatles, brought them acclaim from shrieking Japanese groupie girls, and eventually thrust them onstage performing in front of the Queen Of England. It's a long way to the top, but it's even a longer way from the Astro Family Restaurant in Silver Lake to Buckingham Palace.
On their highly anticipated fourth album and most collaborative effort to date -- "Mind If We Make Love To You" -- Wondermints guide us through a stunning song cycle in sensual surround sound, a jet setting romp through inner space by the proven masters of the aural massage. Music this divine isn't inspired by tense boardroom meetings or uptight A&R clowns, but by such otherworldly realms as that playground of plastic 'n' fiberglass known as Tomorrowland and endless summer nights spent at the purple-hued, U.F.O.-like cocktail lounge The Encounter that towers high above LAX.
Wondermints have always been light years ahead of their peers, and their music has always been inspired by an affection for a superb palate of sonic architects, a fusion of such unlikely bedfellows as Brazilian psychedelic mavericks Os Mutantes, soundtrack svengali John Barry, Elvis Costello, and sophisticated '60s pop stylists like the Zombies and the Left Banke effortlessly blended with a liberal dosage of West Coast studio wizardry and deceptively tolerant elements of prog rock.
Out of mind and completely off the map, "Mind If We Make Love To You" is nothing less than a tour de force through Wondermints' kaleidoscopic range of eclecticism and durability, as much an homage to the past is it is to the unexplored universe of pop music's future. (Plus, it's got a good beat and you can, wellthe title kind of hints at what you can do. Really. It's been done.)
Mind If We Make Love To You? I thought you'd never ask.
The Blue Zombies care about your dog. Don't be lighting off fireworks if it scares the crap out of them or well come and eat your brain...Have a great 4th!!
hi guys.. i met darian here in rome before brian wilson's gig.. are you gonna play again here in italy for this tour? this time will be difficult to me to take an aeroplane to reach your show in other places!!! (for the smile tour i flew to frankfurt) hope to see you soon..even with a new lp..
Just started digging into ProTools LE. I was using it to do some editing last year but now I'm getting into recording again. Started doing a cover of "For No One", but I think it's going to have some Partridge overtones. Love the sound you guys have gotten on your various projects (including SMiLE) and I agree about the Proteus harpsichord patch....it rocks!
Hey guys .It's been a while ...Love your music...Hope all is well.Wow it's getting HOT here in the valley. wish you a productive year ...Peace & cheers ...Richie
Thanks for the add, and welcome aboard the Redline ship. Looking forward to sharing our journey ahead with you. We will also be checking out where you are going often. Take Care, and thanks again.
Online Now!
