"the percussion is manicured yet spritzy, with the baroque cadences of spitting rain. periodic vocal samples are hung about in hazy washes, making it sound a bit like Burial for english-lit majors... they got the album title right-- they've arrived."
brian howe, pitchfork
"a sumptuous, immersive piece, populated with lonely clicks, earthly organs and stirring synthetic strings. infrequently a voice appears; disembodied, quietly squalling, it is not quite of our world – much like worriedaboutsatan, in fact"
lauren strain, plan b magazine
"it would smack more than faintly on hyperbole to say that this is a pioneering album, regardless of its qualities. i shan't waste any more words on what genre the sea of sound that is Arrivals fits into. let's just call it an hour's worth of creepy, organic, nearly always-tension-building electronic ambience which certainly owes as much, if not more, to the hidden influences as the obvious ones"
luke slater, drowned in sound
"brittle guitar tones glittering amongst chattering beats and waterlogged R2-D2 bleeps to altogether splendid effect, providing just one of the many reasons why ‘arrivals’ is one of the more intriguing debut albums in recent times"
alex deller, rocksound
"step off the path just an inch and you’ll be tumbling through patterns and motifs both unfamiliarly alien and unsettlingly absorbing"
mike diver, clash magazine
"it manages that rarity in ambient music of sounding engaging throughout - even on repeated listens it hold you in rather than allowing you to escape into the real world"
rock a rolla magazine
"arrivals is probably the best dub-inflected techno album since the black dog's 'radio scarecrow' last year. two further positives: this seems like an album that can only improve on further listening and worriedaboutsatan are still at the early stages of their musical life"
jeremy bye, the silent ballet
other discography
'the butterfly effect remixes ep' (2009)
2 track net release ep, features two remixes of 'the butterfly effect' by maybeshewill and binary [download]
'ep02' (2007)
6 track EP, features 'the butterfly effect', 'relative minors' and 'the last song (first song remix)'
You're playing SEVEN?! Awesome... I remember back in the day when that was called Junktion 7 and basically put on metal / hXc / punk gigs with acoustic stuff downstairs. Good beer on tap and an 'open' piano, which was available for some tinkerings... I also saw Million Dead there with about 11 other people once. So rad! xx
Tickets SELLING FAST! £7 adv avaliable from (more on the door): wegottickets.com seetickets.com Ticketline Picadilly Records
Grouper (US) has her latest – Dragging A Dead Deer Up A Hill – of three albums on Type Records. She has also been involved in collaborative releases, contributing a track to Xiu Xiu’s Remixed & Covered and four tracks to a split release with Inca Ore. Her other contemporaries are Belong, Growing, Tim Hecker, Windy & Carl and Atlas Sound.
Jasper TX (Sweden), with a hefty back-catalogue of releases on labels such as Miasmah, and collaborations with buddy Machinefabriek, is an essential domestic appliance in the household of conceptual music. He is comparable to artists Fennesz, Sigur Ros, Múm and Tape.
Intricate and atmospheric songsmith, Danny Saul (UK) performs with different combinations of musicians, making each gig a unique event. His forthcoming release is "Harsh, Final", and he also performs with Greg Haines as Liondialer.
Fieldhead (UK) music delights in tape hiss, bleak landscapes and decaying analogue loops. He is also a member of The Declining Winter and Glissando. His debut album, "They Shook Hands for Hours" is released soon on Home Assembly.
Hello once more, We've just put up 3 new tracks from our latest sessions on the player, check them out and let us know what you're thinking. Or just drop by and say hi. Cheers, Insig.Bro
haha i know explosions are an incredible band don't listen to them as much as i used to but thank you you guys are incredible as well can't wait to hear new stuff from you take care out there :]
Online Now!
PB
