Sensient, Tetrameth, Shadow Fx, Krumelur, Autonomech, SunControlSpecies, One Tasty Morsel, Grouch, Merkaba, Superfluous Nipple, Meat Axe, Cujorius One, Moses, Psypox, Tristian Boyle, Vacuum Stalkers, Hypogeo, plus label djs - Fortress (Cairns), Nokturnal (North America), Fabio Leal (Brazil), Nomolos (Isreal), Cyrah/Seraphim (Northen NSW), Solar (Mexico), Val Vashar (Croatia), Ego-T (Sweden)
Influences
Deep sessions in the Aussie Bush, cutting edge electronic musical equipment, friends and family, the worldwide doof crew, artists pushing boundaries in all fields...
Sounds Like
Deep intelligent minimal psychadelic electronica with strong lashings of musicality and twisted sound design.
ZENON RECORDS:
Zenon Records is a label run by Sensient, from Melbourne, Australia. Zenons’ mission is to expose the psytrance world to a range of fresh and interesting music, and to expose new acts that write music outside the sphere of mainstream psytrance labels. The Zenon sound ranges from dark minimal, to deep tech-trance, to funky minimal, to smooth morning progressive, but always with a psychedelic bent and an increasing emphasis on pure musicality. It steers clear of the generic cheese trance so prevalent in today’s psytrance scene, instead offering deep, intelligent music whilst maintaining the dance floor factor.
Almost Tomorrow is the third full length collaboration album from Section 27 Netlabel founders Tam Ferrans and Andrew Paterson, under their Nonima & theAudiologist guise. This time around the sound is more melodic, and has a definite feeling of a complete and more mature sound than heard on the previous LP's "Dystopian Battle Hymns" and "Ceremony After Amputation". If you are familiar with their individual projects you may even be in for a slight surprise, as the tracks are not as beat driven like before, but are more atmospheric and sound, well... "bigger". In its 75 minutes, Almost Tomorrow takes you on a trip from the digital rain-soaked cavernous scraping in "Thoughtograph", the ethereal beat jittering of "The Colour of Rain", intercepted transmissions from unknown places in "Com-Intercept", "Ganzfeld"s huge yet strangely insect-like beats until everything you knew comes crashing around you in "Almost Tomorrow". Burning pianos, glitched out soundscapes and intricately programmed beatplay, this may well be their best work to date. Consider it the soundtrack to a rainy overcastday, but with just that glimmer of sunshine peeking from the clouds. "Almost Tomorrow" wears its heart on its sleeve.
Online Now!
