13&god
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Old Age
3:24
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Perfect Speed
3:36
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Soft Atlas
3:54
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Afterclap
3:51
72,273 plays
General Info
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Genre: Electronica / Indie / Pop
Location OAKLAND, Please select your region, Un
Profile Views: 342297
Last Login: 7/7/2011
Member Since 7/5/2005
Website www.anticon.com
Record Label ..anticon... (US) ..alien transistor.. (EU)
Type of Label Indie
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Bio
Ever since sales figures for physical records started to dwindle there has been a debate surrounding the future of the album format. Some people claimed that download practices of the average music fan would make the album as we know it redundant. There were already obituaries for the album as an art-form being published and those who declared that they only listen to single tracks on their iPod anyway. This served as a reminder that the LP was originally nothing more than a collection of a particular artists recent singles anyway. Whether 13&God were thinking about any of this when they started work on their second album „own your ghost“ or not is a different question. Although one might suppose so. For although „own your ghost“ in no way overpowering, it is so diverse that one sometimes has the feeling that one is listening to a compilation. Whoever opens themselves to this album is letting themselves in for an emotional rolercoaster of uncertain terminus. Everything seems to be possible on this record: deathly sad, enchanting indie hymns. Sharp stinging raps by Sharp stinging raps by Doseone with his distinctive voice. Understated grooves, Krautrock tracks, melancholy, lightness... The lyrics and song titles are another strength the album and one that binds it together. For on „own your ghost“ 13&God are dealing with life's big topics: growing old, death and mortality. In other words they are concerned with issues that pop music has traditionally left behind. Lyrics and song titles such as can't get the eat out of death, death major, old age, unyoung, to end, belong down etc. are like a read thread through pretty much all the songs. And the front cover depicts a weightless skeleton floating through the air. 13&God were founded in 2004 under adventurous circumstances by members of the bands Themselves (Adam Doseone Drucker, Jeffrey Jel Logan, Dax Pierson, Jordan Dalrymple) und The Notwist (Markus and Micha Acher, Martin Gretschmann). According to the legend the idea for the project was born on the highway near the Canadian border. A burning laptop and a stuffed fox apparently played central roles in the event. This transcontinental supergroup brings together curiosity, openness and ability. The Notwists signature is unmistakable – the absolute blueprint for experimental indie pop. The same goes for the Anticon band Themselves. That such different musicians time and again continue to surprise their listeners is to their highest credit. „own your ghost“ gives us a sense of how 13&God manage to stay afloat on a see of possibilities, rather than becoming shipwrecked on it. -
Members
adam 'doseone' drucker..dax pierson..jeff 'jel' logan..micha acher..markus acher..martin gretschmann..jordan dalrymple.....themselves.. and ..the notwist.. -
Influences
www.anticon.com www.alientransistor.de -
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Photos
Music
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10 Songs | May 17, 2011
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10 Songs | Apr 26, 2005
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4 Songs | Mar 14, 2005
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Bio:
The details are still hazy, but somewhere outside of Toronto in early 2004, on a stretch of uninspired highway leading to the U.S./Canadian border, a computer onboard a large tour bus spontaneously combusted. Some point the finger at the driver (an aspiring reality show auteur), others blame a faulty battery, and most hold a small stuffed fox accountable. But however it happened, themselves and The Notwist were stranded. Dates were cancelled. Meals were skipped. Shady motels were booked in below-freezing weather. The fox was dead. It was the fifth breakdown of their joint tour series of minor disasters distant somewheres, a love was born of nervous laughter, shared admiration, axle grease and roasting circuitry.From the balloon-and-burst child psychology of Adam "doseone" Drucker, Jeffery "jel" Logan, and Dax Pierson (collectively themselves), and the pinhole-in-paper astronomy of the Acher brothers Markus and Micha, and Martin "Console" Gretschmann (the core of The Notwist), emerge 13 & God music-fed bodies coming together for a first crack at making something from nothing. All connections formal and former cast aside, this half-dozen form a transcontinental supergroup of very human proportions: American angst and honest ability, German composition and countryside chill, and the simple recurring universal urge to locate oneself within the folds of time and place.
Our players first met over blushing cheeks at a show in Munich. Themselves were traveling, spreading The No Music (their darkly smile-twisted second full-length of free-rap, chaotic atmosphere and electro-hop) from their Berkeley, California base to Europe and points beyond. Dax's copy of the 2002 The Notwist masterpiece Neon Golden was the tour van favorite, instantly claiming Adam and Jeff as casualties of its gorgeous arrangement and dubby glitch-pop. The whispering began, and the whatifs followed, and when themselves reached their German destination, there was Markus audience. Talk of collaboration began by the end of the night, but really, they'd been saying it with their eyes all along.
After a pleasantly doomed North American tour, an impressive bus fire, and The Notwist's sprawling take on themselves' "Out in the Open" (for The No Music of Aiffs remix album), the two entities were inextricably entangled. It only made sense that a onetime punk band turned experimental woodwinded electronic rock-pop group should fall for an ex-battle rapper with a penchant for layered poetry and otherworldly melody (Adam), an SP1200 beatsmith who's rewritten the rules of sample-based music (Jeff), and their newfound keyboard-playing friend (Dax). Both groups have a rich history of genre-bending collaboration (see Subtle and cLOUDDEAD for themselves, Lali Puna and Village of Savoonga for The Notwist); the fact that their music is so different only made everything more necessary.
Demos flew back and forth across the Atlantic. Home recordings were made and shipped; ideas were added to, subtracted from and otherwise modified, then sent back in tiny little care packages. And in September, themselves got on an airplane in San Francisco and woke up in Munich. They were crammed into cozy guest house converted from a late-19th Century wash shed, and for 17 days counterparts banged out their newfound sound in Micha's newly acquired Alien Transistor studios in nearby Weilheim, on a lot shared by an industrial metal cutting factory. Each day 13 & God would record, friends would stop by and contribute (The Notwist drummer Martin Messerschmid, Valerie Trebeljahr from Lali Puna, Steffi Böhm of Ms. John Soda), the sun would begin its set, and everyone would return to Munich for home-cooked feasts, the world's greatest beer, and whatever sleep they could scrape together before it was time to start again. It was a partnership steeped in work ethic and wide eyes, with no time for doubts and no need. On the final night, the band committed their songs to memory and performed them live for the first time.
Member Since:
July 05, 2005Members:
adam 'doseone' druckerdax pierson
jeff 'jel' logan
micha acher
markus acher
martin gretschmann...
themselves and the notwist








