AVI (SPACECAT) came from a musical family.
At the age of 21 1993 he set up a recording studio, and after discovering the electronic music, channeled his energy to making trance.
He previously wrote music under the name Indoor 1994 nmc records ,DNA 1996 phonokol,phreaky, and also his recent project Alien vs the cat.
He has released more thane 80 tracks on different compilations and also on a new sony playstation 2 game " Gran turismo 4 ".
He has released Four SpaceCat albums The first came out on BNE Records 1997 " Beam Me Up " , 2'nd album 1999 " ShapesOf Sound "
3'd album 2002 " Power Up " and 4'th album 2004 " Mechanical Dream on Vision Quest Japan, Alien vs The Cat - "Hear the noize", Alien vs The Cat - "Space Jam"
He will release his new album around 2009 ,and a new Alien vs the Cat remixes album on march 2009 on farm rec Japan.
Avi has also wone the israeli's dj magazine 2005 competition at top place together with infected mushroom and skazi,for the best dj and live act.
hello friend I wait for estes very well breadfruit I leave this company/signature you for saludarte and I again wait for quick estes by Mexico greetings from puebla Mexico
Almost Tomorrow is the third full length collaboration album from Section 27 Netlabel founders Tam Ferrans and Andrew Paterson, under their Nonima & theAudiologist guise. This time around the sound is more melodic, and has a definite feeling of a complete and more mature sound than heard on the previous LP's "Dystopian Battle Hymns" and "Ceremony After Amputation". If you are familiar with their individual projects you may even be in for a slight surprise, as the tracks are not as beat driven like before, but are more atmospheric and sound, well... "bigger". In its 75 minutes, Almost Tomorrow takes you on a trip from the digital rain-soaked cavernous scraping in "Thoughtograph", the ethereal beat jittering of "The Colour of Rain", intercepted transmissions from unknown places in "Com-Intercept", "Ganzfeld"s huge yet strangely insect-like beats until everything you knew comes crashing around you in "Almost Tomorrow". Burning pianos, glitched out soundscapes and intricately programmed beatplay, this may well be their best work to date. Consider it the soundtrack to a rainy overcast day, but with just that glimmer of sunshine peeking from the clouds. "Almost Tomorrow" wears its heart on its sleeve.
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