Le Chat Noir

MUSIC

BIOGRAPHY

Le Chat Noir are hard-rockin' Transatlantic desperadoes Teddy Hesper and Eileen Spruce. The band formed shortly after Spruce moved to England from her native Los Angeles in the winter of 2006.

Since then the duo have hit the European gigging circuit hard, performing several hundred gigs in 8 different countries, their full throttle live performances leaving stages soaked with sweat and blood and littered with broken drumsticks.

Along the way, Teddy and Eileen have shared a stage with acts such as Motorhead, UFO, The Sonics, MC5, Saxon, The Datsuns, Nick Oliveri of Queens Of The Stone Age, The Dwarves, Wanda Jackson, The Bellrays, The Gories, The Oblivians, Nine Black Alps, She Keeps Bees and The Kids.

Le Chat Noir have recorded and released three albums through Garage Sale Records. Lyrically, the albums are a thematic trilogy of gritty tales based in a fictional setting that is part lawless Wild West, part shadowy film noir - featuring stories about femme fatales, hard liquor, murder and dark intrigue. Debut album Tales From Silver City was voted Playmusic Magazine’s Best Unsigned Recording of 2006 and quickly sold out; 2007's Deadwood is also sold out, whilst a third studio album, Postcards From The Dark Highway, was released in May 2009.

Le Chat Noir are currently working on a 4th studio album, due for release in early 2011.

TEDDY

Teddy Hesper was born in London, England, but moved to the 'wild South West' of the Devonshire countryside at an early age. His guitar style is unusual and influenced by his years as a bassist before Le Chat Noir - he plays a detuned guitar with heavy strings, using an 2-way box to split the signal to a bass amplifier and guitar amplifier to flesh out the band's sound - whilst his untrained, exorcism-in-progress vocal delivery has led to comparisons to Kurt Cobain, Frank Black and even Jim Morrison.

EILEEN

California native Spruce moved to England in 2006. Anyone who has witnessed one of Le Chat Noir's live shows will testify that her aggressive, animated style is like nothing you've seen before from a female drummer. On stage, Spruce becomes a woman possessed; she is an irresistible presence behind the drums, pounding out solid, powerful rhythms. People have made comparisons to John Bonham and Keith Moon. She is one of the most animated and hardest-hitting drummers you are ever likely to see of either gender, attested to by a trail of broken drumsticks and smashed cymbals!

VIDEOS

LIVE REVIEWS

There's something about seeing Le Chat Noir live, you just get that feeling deep down that you're watching a band that really have something special, and you might just be there at the birth of true greatness. The stories you hear about small venue early gigs of seminal bands, like The Brian Jonestown Massacre starting fights at the viper rooms or Sex Pistols at Manchester Lesser Free Trade Hall, The Beatles at The Cavern etc. - where hardly anyone was there but all of them went on to form bands after being inspired by what they saw... you can’t learn the kind of connection this double act have on stage, and the natural aptitude for their instruments. You just know that, and it’s only a matter of time before they do, when this band start playing for big, big crowds they could start a fucking riot... as soon as you put aside those White Stripes misconceptions – and you will as soon as they strike the first note, the first scream and first thunder of kick and snare, you realise your about to witness something explosive - and I for one feel privileged to now be able to say "I was there at the beginning".
Noize Makes Enemies live review

Teddy is the man on raw vocal and dirty blues electric, done up like a no-messin shit-slingin' cowboy. Eileen is on drums and sometimes off them... she pounds harder and faster than any female drummer I've ever seen. Think The Kills, The Ravonettes and every other male/female two-piece and double the 'f@$% me' ratio... drumsticks flew, Teddys blood was spilt, guitars were thrown and even trousers were split in the best example of dirty garage blues rock'n'roll I've seen in a long time!
Moles Club Website live review

De verrassing van de dag mag toch wel Le Chat Noir (**** ½) genoemd worden. Het uit Dartmoor (UK) afkomstige duo heeft er de pest aan vergeleken te worden met The White Stripes en gelijk hebben ze. Le Chat Noir – met Teddy Hesper op gitaar/zang en Eileen Spruce op drums – klinkt vettiger, rauwer en energieker dan de familie White. Met hun rauwe blues, kleffe country en high energie rock ‘n roll doet Le Chat Noir eerder denken aan dat andere ADHD-duo op speed uit Groot-Britannië, Blood Red Shoes. Straf materiaal, iets waar we vast en zeker nog van zullen horen!
Festivalnoise.be live review

ALBUM REVIEWS

Exeter’s, boy-girl, garage-punk, rock-roll duo render most of this month’s other dodos extinct. ‘Deadwood’ picks up where last year’s gloriously scuzzy debut left off, tweaks up the grizzly Detroit-esque distortion, introduces a host of new mythological icons and throws us around like rag-dolls in a dust-storm. Combining elements of the Wild West fed through the alcohol-stale streets of the Wild South West, the likes of ‘Wedding Dress’ are riffmungously fervid, while the dark prairie coo of ‘Down By The River’ reveals a band with enough strings to their bow to slay critical all-comers.
24/7 Magazine review of Deadwood

Tales From Silver City is a masterclass in gutter-groove, mixing '50s garage with '60s Detroit howl and '70s punk riffola, where songs like 'Mary Lee' ooze class, confidence and clarity. If the Stooges, MC5, Winnebago Deal and Blues Explosion rock your world, then come stroke this dirty pussy.
24/7 Magazine review of Tales From Silver City

Located at the sonic crossroads between raw blues-rock abuse and garage fuzz Le Chat Noir deliver the goods across fifteen pulpy noir-flecked tales of hard liquor, stray corpses and grief. This is effortlessly-convincing nu-blooze - cheap, sleazy and brutal - like The Black Keys sound-tracking a Film Noir. Underneath the tough blues exterior lies an equally doomy alt.rock heart that would doubtlessly beat comfortably on a 90s Sub Pop compilation.
MAPS Magazine review of Tales From Silver City