Dead Meadow @ The North Star in Philadelphia 6/17/2006, doing Sleepy Silver Door from the Feathers record.
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Click here to see some other posters from Dead Meadow shows
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Click here to view this Video Interview at Larimer Lounge in Denver! Click on Past Interviews. (Might require the latest version of Flash.)
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VICE magazine says "Dead Meadow make the best make-out music!" and they give "Feathers" a "10"!
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MOJO magazine gives good review of "Feathers" with four stars!
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"Mesmerizingly beautiful..." NME magazine gives the new record "Feathers" an "8"!
NME picks "Feathers" as one of the Top 50 Albums of 2005!
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Haunting, gorgeously inward-looking, yet laced with memorable
melodies, Feathers is Dead Meadow's strongest work ever and an
early contender for one of 2005's best records.
--Jennifer Kelly
Splendid Magazine
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BILLBOARD REVIEWS "FEATHERS!"
"Feathers" is a hazy, sprawling thunderbolt of an album that finally sees Dead Meadow coming into its own on the front lines of the
neo-psychedelic movement.
--Ron Hart
Read the full review at
Billboard.com
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Dead Meadow cannily melds a passion for the '60s psychedelia a la Pink Floyd and Jimi Hendrix and the molten '70s rock of Led Zeppelin, Black Sabbath and Blue Cheer with the literary influence of such fantasists as J.R.R. Tolkien and H.P. Lovecraft: Call it heavy mental.
--Richard Harrington
The Washington Post
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Dead Meadow has a new album, Feathers,"that shows surprising moments of lightness ...
The New Yorker
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Sit in the dark, light some candles, grab a beer and get away from the world for 57 minutes of sprawling, grandiose contemporary stoner/psych rock at its best.
Michelle Evans
Gigwise
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Dead Meadows music is a lot of things: heavy, dreamy, trippy, expansive, reflective and evocative. Many of their stoner rock compatriots share those attributes, but dont mistake Dead Meadow for banner-waving proponents of the genre. On their fourth and most fully realized album, the band displays its greatest sonic range to date, from the Sabbath/Budgie-like soaring sludge of "Lets Jump In" and "Eyeless Gaze All Eyes/Dont Tell the Riverman" to the psych/folk lilt of "At Her Open Door" and "Such Hawks Such Hounds" to the Byrdsian melodicism of the gorgeously reverbed "Stacys Song." On Feathers, the bands first album as a quartet with the addition of guitarist Cory Shane, Dead Meadow whispers and suggests as much as they pummel and throb. Unlike their stoner brethren, who are often unrelentingly ponderous in a one-dimension manner, Dead Meadow understand the inherent power of painting in subtler shades.
--Brian Baker
ZIA Record Exchange
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