AUTOBIOGRAPHICAL BOOGIE APPEARS ON NEW ALBUM 'THE BLUES ROLLS ON,' OUT SEPT. 23 ON DELTA GROOVE / ECLECTO GROOVE
Surrounded by special guests like B. B. King and Derek Trucks on his new album 'The Blues Rolls On,' Elvin Bishop takes one song solo, accompanied only by the insistent beat of his stomping foot. It's a boogie called "Oklahoma" that tells his own life story.
Raised on an Oklahoma farm, Bishop heard a Jimmy Reed song on the radio and was determined to find out more about the blues. He won a scholarship to the University of Chicago in 1959 but soon dropped out and took on a different kind of education from Smokey Smothers on the city's South Side in 1961, eventually graduating to the highly influential Paul Butterfield Blues Band in 1964.
In the opening verse of "Oklahoma," Bishop sets the Chicago scene, circa 1959:
"About a 100 other badass dudes Tearing the south side and the west side too I got to Chicago jumped off the Greyhound bus 'Woo you fellows are really kicking up a fuss' They said, 'come on in and get you some Look here boy, where did you say you were from?' I come all the way, from Oklahoma"
In 1968, Bishop moved to San Francisco, and found himself at the center of another incredibly influential music scene. Gaining a reputation as one of
the great slide guitarists, he performed on stage at the Filmore with B. B. King, Jimi Hendrix, Eric Clapton, and The Allman Brothers Band, among others. He picks up the story in "Oklahoma":
"The Family Dog, the Filmore The light shows, Janis and the Dead Enough to put a dent In anybody's head. But the change of scene Didn't really change me. Still eating cornbread And black-eyed peas. I come all the way from Oklahoma."
To hear more of Elvin's story, check out "Oklahoma," from 'The Blues Rolls On,' which will be released September 23 by Delta Groove / Eclecto Groove.
For more information, please contact Nick Loss-Eaton or Matt Hanks at Shore
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Growing up in the 1940s on a farm in Iowa with a loving but non musical family, Elvin seldom heard music as a kid. "This was before TV," Elvin says, "and on the radio you got a lot of Frank Sinatra and ‘How Much Is That Doggie In the Window' type of stuff." The family moved to Tulsa, Oklahoma, when Elvin was 10, in 1952. Tulsa was "totally segregated," says Elvin, "I mean, hard core." However, "the one thing they couldn't segregate was the airwaves. When rock and roll started up in the mid-'50s, Chuck Berry, Fats Domino and Little Richard showed up on white radio."
And then, late one night when Elvin was 14 or 15, the atmospheric conditions a little rough, Jimmy Reed's harmonica came cutting through the static from WLAC in Nashville, and Elvin Bishop's life was changed. The song was "Honest I Do." "That piercing harp came through, cutting in like a knife, and I said, ‘Oh, man, that's it.' I found out that blues was where the good part of rock and roll was coming from." And about that time, he started trying to play guitar. "I wanted to play it from the beginning," Elvin says. "I kept trying and then quitting it. Hurtin' my fingers, playing those old pawn-shop guitars with the strings two inches off the fret board. Nobody I knew played." But he kept after it. "Not being able to dance, and seeing how the musicians did with the girls, and loving the music, I finally stuck with it."
Hooked on the sounds emerging from the radio, Elvin had to find out where they were coming from and who was responsible. When he was awarded a National Merit Scholarship in 1959, he could have gone to pretty much any college he wanted, but chose The University Of Chicago, because that's where the blues were. And so he landed in the middle of one of the richest and most vital scenes in blues history. "Any night of the week you could hear Muddy Waters, Little Walter, Howlin' Wolf, Hound Dog Taylor, Otis Rush, Junior Wells, Buddy Guy, Magic Sam, Bobby King, Eddie King, Little Smokey, Big Smokey, and a whole ton of people you never heard of."
His first week in Chicago, he came across Paul Butterfield, who was sitting on some steps drinking beer and playing blues on guitar. "We fell together right away," says Elvin. "I was amazed to find other white guys into blues." After playing with a lot of different people, ncluding J.T. Brown, Hound Dog Taylor and Junior Wells, Elvin hooked up with Butterfield to form the legendary Paul Butterfield Blues Band, with bassist Jerome Arnold and drummer Sam Lay, who'd been Howlin' Wolf's rhythm section. Producer Paul Rothchild of Elektra Records encouraged them to add guitarist Michael Bloomfield. "I'd met Bloomfield before, in a pawn shop," says Elvin, "when I was looking for guitars. We got to talking. He got a guitar out, started playing circles around the world."
In 1965 the Butterfield band went into the studio and recorded The Paul Butterfield Blues Band album, which turned out to be a sea-change record for thousands of rock fans and musicians. An integrated band playing blues music in 1965 was unheard of. It introduced a lot of people to the blues, and to the musicians who had influenced the Butterfield band. After several more albums with Butterfield, including the pivotal genrebending East West, Bishop took off on his own. "I wanted to stretch out, see how far I could take it on my own," says Elvin. Bishop had visited San Francisco with the Butterfield band during the Summer of Love in 1967. "I loved the people, the weather, and not having to watch my back all the time." And like several other Chicago musicians he ended up moving to the Bay Area.
The 70's saw Elvin hit the charts with solo tracks like "Travelin' Shoes," "Sure Feels Good" and what would become his biggest hit, "Fooled Around and Fell in Love," with a powerful vocal by Mickey Thomas (later of Jefferson Starship). During the 1980's, Elvin spent most of his time on the road, "entertaining the people and maybe having a little too much fun myself." Later in the decade he hooked up with Alligator for a number of excellent albums that grew right out of his blues roots.
Elvin’s brand new release “The Blues Rolls On” on Delta Groove Music, harks back to Bishop's roots, paying tribute to the musicians who helped give him his start. A who's who of blues musicians support Bishop on the album, including B.B. King, Warren Haynes, Derek Trucks, George Thorogood, James Cotton, Kim Wilson, Tommy Castro, John Nemeth, Ronnie Baker Brooks, and Angela Strehli. Bishop handles the majority of the vocals, with Nemeth and others pitching in as well.
Bishop revisits his own '70s solo hit "Struttin' My Stuff" with Warren Haynes and Derek Trucks, Junior Wells' "Come On In This House," and the Butterfield Band's "Yonders Wall" and Hound Dog Taylor's "Send You Back To Georgia." He also contributes the autobiographical boogie "Oklahoma," played solo electric. Sessions for the rollicking album ranged from Jacksonville, FL to Clarksdale, MS, and to a cruise ship off the Mexican coast.
Bishop is a slide guitar great with 45-years of blues under his belt. Rolling Stone has tagged Bishop's music as “raucous," praising his "careening slide and razor-edged bursts, all delivered with unflagging enthusiasm and wit. “The Blues Rolls On” is another defining moment in Bishop’s long career and a welcome reminder that the blues is still alive and well.
May peace and happiness fill your cup May the sun find you smiling when it comes up May you never face hard times all alone May the road be smooth you’re traveling on
Witout a doubt Elvin you're One of the Best from Butterfield and Bloomfield, not to mention Kooper and "Rasin Hell"...and much much more..You've made so many great times in my life with your music and humor..You can park your bus Anytime you please in Cincinnati my friend..Don't ever stop Playing Elvin..You are The Man..!! Oh Yeah.
Thanks for the new photos! Love them and love you, when are you comming to the Bay Area? 40th Woodstock Fest in October at the Golden Gate Park? Sooner would be good.
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