The Ganga Giri live experience is constantly evolving... Ganga Giri's live show has been strengthened by the inclusion of electronic drummer Dan Pearson playing beats and samples live, replacing the DJ aspect of his show. Along with Yeshe Reiners on World melodic instruments and French Guyanan vocalist Jornick Joe Lick, the full stage ensemble includes Traditional Indigenous singers & dancers, percussionists, keyboards & a custom designed visual show.
To book Ganga Giri or for further information contact
Oakies + 61 402 119 719 or oakiesmanagement@gmail.com
Hailing from Australia, Ganga Giri personifies the sound of Traditional Australian Didjeridu creating a powerful rhythmic style. The ensemble mixes pumping, percussive Didjeridu, fat tribal beats, funky dub bass lines, ethnic instruments and world percussion sounds to create a unique tribal-technological, deep earth dance experience.
Explosive and pulsating, at times ambient and flowing, the music is a multi-layered experience of complex grooves and raw natural sound.
Ganga Giri's music has been widely & wildly appreciated by music lovers in many countries across the globe including Europe, America, Canada, Japan, Indonesia, New Zealand & Australia, igniting audiences at international music festivals, events, shows and gatherings. It is a truly unforgettable organic dance music experience acclaimed by audiences around the globe.
Giving respect and acknowledgement to his ancestral roots and Indigenous Australia!
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Shambala 2008..................
Photographs by John.C.Watson
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Have most adventurous mucho L ♥ve & Respect ~Ann R.
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How are You? I hope you still ok! I have News my friend, so listen the newest Track "Under Control" in my player! The Debut-Album "Time4Revolution" of my Project "2012Conection" is released on 16.11.2009 by digitalFrequenz-Records!
Almost Tomorrow is the third full length collaboration album from Section 27 Netlabel founders Tam Ferrans and Andrew Paterson, under their Nonima & theAudiologist guise. This time around the sound is more melodic, and has a definite feeling of a complete and more mature sound than heard on the previous LP's "Dystopian Battle Hymns" and "Ceremony After Amputation". If you are familiar with their individual projects you may even be in for a slight surprise, as the tracks are not as beat driven like before, but are more atmospheric and sound, well... "bigger". In its 75 minutes, Almost Tomorrow takes you on a trip from the digital rain-soaked cavernous scraping in "Thoughtograph", the ethereal beat jittering of "The Colour of Rain", intercepted transmissions from unknown places in "Com-Intercept", "Ganzfeld"s huge yet strangely insect-like beats until everything you knew comes crashing around you in "Almost Tomorrow". Burning pianos, glitched out soundscapes and intricately programmed beatplay, this may well be their best work to date. Consider it the soundtrack to a rainy overcastday, but with just that glimmer of sunshine peeking from the clouds. "Almost Tomorrow" wears its heart on its sleeve.
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