That's what the Goo Goo Dolls discovered when they began writing songs for Let Love In, the band's eighth album.
Since forming in 1986, the Goo Goo Dolls have evolved from a scrappy punk-influenced trio into the platinum-selling, chart-topping act behind such radio staples as "Name," "Iris," "Slide," and "Here is Gone." Along the way, founding members John Rzeznik and Robby Takac left Buffalo, N.Y. for Los Angeles, but Rzeznik soon found that L.A. isn't everything it's cracked up to be.
"I wasn't really feeling any kind of real inspiration in Los Angeles," he admits. "I was sitting here just beating my head against the wall trying to write songs and I wasn't feeling inspired at all."
The quest to rekindle his muse led Rzeznik to pack his recording gear and guitars in a U-Haul truck and drive across country to his hometown. He met his band mates Robby Takac and drummer Mike Malinin set up shop in a 100-year-old Masonic Ballroom.
"It was a really beautiful old place," he says. "It felt really good to be back where I grew up. It's sort of that whole getting-back-to-your-roots thing only that sounds so cliche, but there's definitely a different kind of dramatic tension there than in L.A."
After the incredible success of "Iris," the landmark power ballad recorded for the City of Angels soundtrack, and the Goo Goo Dolls' 1998 blockbuster Dizzy Up the Girl, Rzeznik became a Los Angeles resident. But he soon found that the commercial success that the band strove for and obtained came with a price.
"Nobody likes to hear a fucking rock star talk about his problems," he says, "but it was really kind of alienating and strange to me. All of a sudden people really change how they treat you. I found a lot of people being disingenuous. So my circle of friends tightened, as in there are fewer of them."
Those feelings of isolation and the search for inspiration led him back home to Buffalo where the Dolls spent a long cold winter working 12 hours a day, writing and recording material for Let Love In.
Once in Buffalo, Rzeznik was able to tap into his roots. "It just reminded me -- this is who you are. This is where you're from. It's never anything to be ashamed of, and it actually gave me strength to have a sense of my own history," he says. "It's so easy to come out to L.A. as an outsider and plant your head so far up your own ass you can disappear."
The fifth and youngest child of a working class family, Rzeznik grew up with four sisters and a strict Catholic upbringing. "I was the last kid, which is a big difference from being a baby," he says. "The last kid gets what's left over and shuts up about it."
He inherited his lifelong love of music from his mother, a schoolteacher, and father, a postal worker, who were both musicians, practicing flute and clarinet, respectively. During those formative years, he endured the wrath of overly strict nuns at school and his eccentric father at home. "I think the phrase 'going postal' originated with him," Rzeznik quips.
Years later at college Rzeznik recalls his chums raving about by the writings of legendary hard-living novelist/poet Charles Bukowski, but he wasn't impressed. "I remember them saying, 'Bukowski's a genius' and I'd say, 'My father was Charles Bukowski.' Maybe if I was observing this guy as some sort of exotic species I could really admire from a distance, but no, I was living in the jungle with Bukowski."
The young Rzeznik tried to find balance between his hotheaded father's ravings and the strict teachings of the Catholic Church. "It was a really chaotic upbringing," he admits. "I went to church six days a week for nine years," he recalls. And yet on Sunday mornings, as the rest of his family prepared to go off to church, Rzeznik would receive a mixed message from his old man. "My father used to say to me, 'Don't let the church screw up your relationship with God,' before he rolled over and went back to sleep."
It was in a copy of the Rolling Stones&..39; Hot Rocks, a seminal double-vinyl "best of" set, that Rzeznik found refuge, listening to Jagger-Richards classics while starring at the gatefold sleeve and dreaming rock star dreams.
Those dreams turned to a nightmare when Rzeznik lost both of his parents within a year of each other when he was just was just 16. Shaken but not beaten, Rzeznik was left to his own devices.
"I went off on this amazing adventure, moving into the college "ghetto", got my own little place and started playing in bands. I was introduced to a lot of interesting things and people. I was like this wild kid on my own. I didn't have to answer to anybody or anything," he recalls. "I could just be myself."
Although by Rzeznik's own admission, "the dog was off the chain," he was responsible enough to get himself through high school and enroll in college with plans to become a social worker. "Mostly what I did was sell pot and chase girls while collecting grants," he admits. He also found time for such extra-curricular activities as smoking ganja with Rastafarians and catching shows by the Ramones, the English Beat, and the Clash.
It was while he was attending college that Rzeznik met Takac. "I was playing in a hardcore band. I just wanted to have someone to play with," Rzeznik remembers. "He was sort of like this hippy metal guy and I was very influenced by the whole punk thing. We just got together and enjoyed hanging out so we started playing together."
Recalls Takac, "When John and I met each other, I really didn't know how to write a song and he really didn't know how to keep a band together. We started learning from each other, and as we moved forward, it became easier for us to complete our own sentences with the help from each other."
The bassist and original voice of the Goo Goo Dolls worked days at a local recording studio, giving the aspiring band a place to hone its craft and record demos at night. Armed with the demos and a photo, the pair drove to New York intent on scoring a record deal and ended up signing with Celluloid Records, which issued the band's first album in 1987.
Soon the band landed a slot opening for Boston punks Gang Green and a tour that traveled all the way to the West Coast. Once there, the Goo Goo Dolls came to the attention of Metal Blade Records, which was looking to expand beyond metal into the burgeoning alt-rock scene.
It was on Metal Blade, which subsequently became affiliated with Warner Bros., that the Goo Goo Dolls began the transformation from thrash-playing punks to respectable rockers unafraid to wear their hearts on their sleeves. "My biggest influences were the Replacements, Husker Du, the Clash, and Elvis Costello," Rzeznik says. "I didn't feel like screaming constantly. I wanted to do what Paul Westerberg was doing. I wanted to be Westerberg."
Years later, the Goo Goo Dolls would find themselves opening for the 'Mats on that band's final tour and Rzeznik would co-write "We Are The Normal" with his hero Paul Westerberg -- even if it was done through the mail -- for the Goo Goo Dolls' 1993 effort SuperstarCarWash.
Although the Goo Goo Dolls have gone on to reach the commercial heights that eluded most of their heroes, Rzeznik has not forgotten. "Guys like Bob Mould, Paul Westerberg, Michael Stipe and Peter Buck, they paved the highway we drive on," he says.
The Goo Goo Dolls also have put in plenty of work and not only survived but also thrived over two decades, a milestone that hasn't gone unnoticed by the band. "One of the things that we've managed to do -- as simply put as possible is stay together," Takac says. "That's awfully difficult for a lot of bands."
For Let Love In, Rzeznik and Takac renewed their writing partnership. "John and I wrote together on this record," Takac says. "We had done some stuff lyrically together, but the last time we actually wrote completely together on Superstar CarWash."
While the Goo Goo Dolls have certainly enjoyed their success, one thing is certain the band hasn't forgotten where they came from and is happy to give back to its loyal fans. That became perfectly clear on July 4, 2004, when the band returned to Buffalo to play a free gig for more than 60,000 fans. When rain fell on the outdoor show, it could have turned into a logistical nightmare, but instead it became a hometown triumph that was captured for posterity&..39;s sake on The Goo Goo Dolls Live in Buffalo July 4th 2004 CD/DVD release. "The whole thing turned around as soon as it started raining," Rzeznik recalls. "It was awesome. I remember being up there playing and going, 'Sometimes God just cuts you a break' and that's what it was."
Writing the songs for Let Love In, Rzeznik found similar inspiration in his hometown. "When you drive down the street and you see the park and the bleachers where you first a kissed a girl, you drive past the house you grew up in and you remember them taking your mother out in an ambulance, you see the post office where your father worked, you drive through a neighborhood that used to be all factories and now it's just leveled, or you drive by a street and see a beautiful little shop that just opened and how people are really thriving there," he says. "It gives you a lot of hope and perspective."
That feeling, hope, and perspective informs Let Love In. "That whole experience kind of opened up my heart," Rzeznik says of the Buffalo sessions. "It was good to feel again. I don't need to feel good all the time. I just want to be able to feel."
Listening to Let Love In -- recorded with acclaimed producer Glen Ballard -- it's apparent that Rzeznik isn't only sharing his own feelings, he's tapped into consciousness to such an extent that some of the Goo Goo Dolls' songs have become anthems. Take "Better Days" for example, a song from Let Love In with such power and empathy it was adopted by CNN as an anthem of sorts for the recovery efforts following Hurricane Katrina.
"I was just looking at the situation in the world," Rzeznik says of the song. "Fear makes people do frightening things. Fear is a catalyst for selfishness and war. Sometimes I fear that we're losing our ability to reason. I needed some hope to hang onto. That's why I wrote 'Better Days'".
"Let's just hit the reset button," he says. "Let's say I'm sorry and start over again. That was basically the message. Something better is going to come."
With that hope, the Goo Goo Dolls have offered Let Love In, a rare work of naked honesty and emotion in songs that will stick in your head for the weeks, months, and years to come.
Here's hoping that you, too, will open the door.
PLEASE READ: This page is the official myspace page for The Goo Goo Dolls, but it is not maintained or run by any of the members of The Goo Goo Dolls. The band members might occasionally visit the page, so feel free to leave them comments and they may answer. Due to the huge quantity of mail that we are receiving and available space in the inbox, there is no way we can save or respond to all of the mail received.
Any negative and unnecessary comments will be REMOVED immediately. Please remember, this is not your ad space.
Members only PRE-SALE ticket oppotunities!
Goo Goo Dolls Q & A (You ask questions, they answer!
Exclusive audio / video
(behind the scenes, backstage and personal)
The band MOBLOG
Full tour diary and archives
Monthly contests and regular giveaways
Members only MEET & GREET lotteries
Exclusive Merchandise
Member message board and chatroom
Discography
Let Love In
Live in Buffalo
What I learned about
Dizzy Up the Girl
Gutterflower
A Boy Named Goo
Superstar Car Wash
Hold Me Up
Jed
Goo Goo Dolls
First Release
Videos
"Cant Let it Go"
"Let Love In"
"Without You Here"
Goo Goo Dolls "Before It's Too Late (Sam& Mikaela's Theme)
..
Play The Transformers Album Game
Featuring The Goo Goo Dolls
Watch The Pair Of Images Below & Then Click Below To Play
Be sure to check out the new single "Pose" from D'Aaron Anthony, as featured on DJ Vlad's Unsigned R&B Starz Vol. 2 Mixtape! The music video is coming soon! And watch D'Aaron Anthony live at The Venue of Scottsdale for Sean Kingston show performing "Wish He Was Me" with Nasty Nate and Rees
/ /// ////// ////////// //////// ///// II II IIIIIIIIIIII IIIIIIIIIIII TRUTH IIIIIIIIIIII IIIIIIIIIIII PEACE IIIIIIIIIIII IIIIIIIIIIII LOVE IIIIIIIIIIII IIIIIIIIIIII HOPE IIIIIIIIIIII IIIIIIIIIIII JOY IIIIIIIIIIII IIIIIIIIIIII
POEM OF LIGHT
Beyond your eyes exists a world That all can learn to see Within this world exists for us Infinite possibility
Many are lost in darkness And cannot find their way Because they choose to believe the lies They hear from day to day
The future's yours the future's yours, If you open your mind Discover what you do not know And greater truth you'll find
You and me and everyone are all beings of light We can all live in harmony, If we increase our sight, Open your heart open your mind, And see your path anew The greatest joy in life will come From Loving Being You!
Love all of life's Creations Take time and you will grow To know the truth and see the light and all you wish to know Your energy creates life and knowledge is for sure Come know yourself, The universe, And So Much, So Much More...
GLAD TO BE YOUR FRIEND, HOPE YOU HAVE A WONDERFUL AND AMAZING DAY. STRIVE TO MAKE A DIFFERENCE IN SOMEBODY'S LIFE TODAY, YOU'LL FEEL AMAZING AND REAP GREAT BLESSINGS!
There is currently a search for two types of bands for record label consideration.
*** Note: PLEASE IDENTIFY IF YOU ARE IN GROUP 1 OR 2 IN THE SUBJECT LINE OF YOUR RESPONSE. Emails are being reviewed by different representatives.
1. A Pop/Rock/Commercial band with female lead. Band must consist of 2 guitars (Prefer both guitar players to be of lead caliber. However, one lead and one rhythm is acceptable), keyboard/piano, bass, and drums. Lead vocal, followed by backing vocals, in that order, is a plus as it relates to other members of the group. Average age of the band cannot exceed 28 years of age.
* Group must have an outstanding lead vocalist. ** Musicianship throughout the entire band must be very strong. *** Group cannot currently be under any contract of any type that is related to the music industry.
2. A Modern Rock band with male lead. Must be a complete band but there are no prerequisites as it relates to the make up of the band. Average age of the band cannot exceed 23 years of age.
* Group must have an outstanding lead vocalist. ** Musicianship throughout the entire band must be very strong. *** Group cannot currently be under any contract of any type that is related to the music industry.
XXX - If you meet the minimum qualifications as described above. Email a link for your MySpace Page and if applicable, a link for your website to: recordingartistsearch@gmail.com
Only send one email with your links. Due to the volume of responses normally received for these types of opportunities. After review of your material, you will only be contacted if there is an interest in attending one of your shows by a label representative. As such please to not send any follow up emails regarding selections. If you were not contacted back, there was not an interest.
Thank You.
PS: Before You Enter Any MySpace Contests You Might Want To Also Review The Website At: www.st
I can't express how happy I am that so many years ago, I first listened to The Goo Goo Dolls. Inspirational music, heartfelt lyrics, and wonderful, sweet guys (YOU) constantly delivering us new music. There aren't enough words in the English language that express how much I love your music and appreciate what you do. <333
My fav song is Better Days by u guys right now and I u guys dont have it on ur page and i would like to ask u if u can put it up cause it would be my number one song!
I must share this with everyone...My husband & I split up after 21 yrs...He was my childhood sweetheart...after 6wks of this and dating,We are back together and stronger than ever before...He took me to DETROIT MOTOR CITY CASINO/HOTEL to purchase tickets for the GOO GOO DOLLS on new years eve!!!He has said over & over again how the goo goio dolls are us and how the music is soo meaningful!We can't express how much we love you and how beautiful this night is going to be for us...THE GOO'S ringing in the new year @ such a beautiful venue:)counting down each and everyday:)
