hey! first thanks for the add!! ive got a question....:do you got an official album?? im from germany and i cant find anything about "i blame coco" in the music-stores... can u help me or send me a website were i can get it??? thanks and greets!
My Dear I BLÅME COCO, I want you to know that your music and your songs are my passion. I am addicted. There is something that pulls me towards them. Keep it up I BLÅME COCO. Jane PS:Follow Me Twitter at http://twitter.com/iaent
Creative and label manager since september (Vigilance Music for Pop/Rock/Soul/Electro music), I'm proud to tell you the first release of a talented DJ from Barcelona called "The Big Mamamootchi" is available on iTunes since 3th November.
Made in Trance/progressive music, you can listen this first song for free just here before buy it :
hey, awesome music. You got a really unique voice. I'm a graphic designer/web developer I'd love to make you a website. The one ya got is cool but i could see ya with a punk pink and black site Let me know if you're interested...maybe something like this
....FRIZZ RECORDS is proud to announce our fourth LP release...
LEILA ADU has been described as 'A Nina Simone for the Noughties', and her two acclaimed albums infuse a broadly 'art-rock' approach with elements of torch song, speakeasy blues, avant garde jazz, gamelan, post-rock textures, and a David Lynch style dreamlike b-movie melodrama. As her website has it, exploring the "dissonant edges of familiar forms", but with that kind of 'dissonance' that they once accused Thelonious Monk or Debussy of, the kind that soon betrays it's own compelling melodic and harmonic logic to the attentive listener...
'Dark Joan', Leila's third album as a solo artist, was recorded in Chicago with the legendary Steve Albini (PJ Harvey, Joanna Newsome, Nirvana, Pixies), and Albini's genius has been to strip her sound back to it's essence, and hold it's most distinctive qualities up to the light. It doesn't hurt that this is by far Leila's most powerful set of songs to date, and if anything we are lead even deeper into her world by the pictures painted with just piano (or in some cases harpsichord or a grime-encrusted electric piano) and that voice...
Capable of anything from delicate heartbreaking purity to a fearsome dramatic power, her powers are seemingly limitless, yet unlike most other singers of her calibre, never does she resort to melodrama or show-boating, or any kind of pastiche, instead she employs her resources fully in the expression of her distinctive musical vision and the deep well-spring of her imagination. Nothing ever sounds as though it could have not been sung...