Describing this hazy, hallucinogenic album from Brooklyn's Julianna Barwick, you can neatly take Panda Bear's trippier tracks as a jumping off point, as Barwick loops and layers beautiful vocal harmonies with a similar slow-motion deep sea vibe. But this lovely debut is more than just derivative, and the wordless sound collages are transporting. -other music
Brooklynite Julianna Barwick’s voice is high, lucid and vaguely spiritual, like that of a child in a Christian-themed horror film. Her songs feature hardly any discernible words, yet few local musicians are so vocally oriented. On her self-released Sanguine, Barwick employs a guitar pedal to loop her voice, effectively creating her own backing choir through a modest four-track. Her overlapping vocals—almost entirely devoted to desperate Scrabble ploys like ahh or ooh—mesh together in a lovely blur. While Barwick rarely mimics the sound of an instrument, her web of vocals ultimately fills the role traditionally held by a band (aside from an occasional guitar, the album is largely a cappella). -time out new york
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