The Beatles, Albert Ayler, Hildegard von Bingen, Zia Mohiuddin Dagar,
Charley Patton, Rhys Chatham, John Cale,Tony Conrad, Eric Dolphy,L. Shankar,Charles Ives, Dr. S. Balachander,Ram Narayan,Gopal Krishnan,Charles Mingus,John Coltrane,Don Cherry,Arnold Dreyblatt,Terry Riley,Love,Master Musicians of Joujouka,Son House,Moondog,Astor Piazolla,Jimi Hendrix,Phill Niblock,Dave Tronzo,Ludwig Van Beethoven,Lou Harrison,Mississippi Fred McDowell,Lalgudi G.Jayaraman,The Dream Syndicate,Ornette Coleman,James Blood Ulmer,Sonny Sharrock,Harry Partch, Hukwe Zawose,NicholasCollins,John Butcher,EvanParker,U.Srinivas,Elliott Sharp,Mission of Burma,The Jam,John Fahey,This Heat,Wah!Heat,Ry Cooder,The Who,The Kinks,Leonard Cohen,Miles Davis,The Skids,Blind Willie Johnson,The Clash,Rahsaan Roland Kirk,Toru Takemitsu,Skip James,Karaikkudi Sambasiva Iyer, Kevin Volans,Foday Musa Suso,Derek Bailey,Erik Satie,Paul K ,Tom Verlaine,Alvin Lucier,Joseph Spence,Lois V. Vierk,Gnawa,Gagaku,gamelan,Kadri Golpnath,Johnny Cash and my friends who ive had the fortune to play with,too many to mention.
Sounds Like
"A rain of mirrors"
Record Label
Table of theElements Music Fellowship/NAFH/Eclipse
Bohrium was a gas!
Just a note to say how much i appreciated the response to my music
at the Table of the Elements festival in Atlanta and here on MySpace.
Ive met some wonderful folks and heard great inspiring music.Thank
you sincerely!
R.Keenan Lawler is a musician and sound artist based in Louisville
Kentucky. For over 25 years his musical journey has taken him from early
experiments with reverb tanks,noise and tapedecks to all manner of
avantgarde,"new" music,psychedelia,electro acoustic,drone,ethnic and sampler based work. Lawler is best known for developing a highly personal
and exploratory language for the metal bodied resonator guitar
which Baltimore's John Berdnt called "Cosmic, monolithic and deeply
American. Indeed his work is informed by carnatic classical,Charles
Ives, Albert Ayler, blues, minimalism and non western trance musics.
Primarily a solo performer,he is also known for collborative work.
The Keyhole II album he recorded with Pelt and metal worker
Eric Clark is one of Pelt's most beautiful and memorable recordings. and
His guitar playing is also heard on releases by Paul K,Jack Wright,My Morning
Jacket and most visibily on Matmos The Civil War.He has collaborated or
performed with a wide range of foward thinking musicians and mavericks
including Rhys Chatham, John Butcher, Pelt, Eliott Sharp, Charalambides,
Ignaz Schick/Perlonex, Matmos, Philip Samartzis, Valerio Cosi,Kaffe Matthews, Burning Star Core,Jason Kahn,Ut Gret,Thaniel Ion Lee,My Morning Jacket, Ed Wilcox ,Ramesh Srinivasan,Kevin Drumm,Craig Colorusso,David Watson, David First, Lukas Ligeti,Raoul Bjorkenheim,Arco Flute Foundation,Jack Wright,Eric Clark,John Berdnt,Neil Feather,Helena Espvall,Ian Nagoski,Thomas Ankersmit,Paul K and the Weathermen,Connor Bell,Andy Willis,John Brunner,The Golden Fleece,Spiral Joy Band,Ian Wadley,
Alan Licht,Taksuya Nakatani,Tom Carter,Mike Tamburo,Dave Gross,Mike
Bullock,Bhob Rainey,Chris Cooper,Red Fly Nation,Aaron Rosenblum, Joe
Dutkiewicz,Meisha Feigin,Ben Vandermeer,Evergreen,Eric Carbonara and Joseph Suchy
--------------------------------------Reviews----------------------------------------
Keenan Lawler - The Strange Tale of Eddy Westport (New American Folk Hero)
Innovators can often be split into two categories, those who break with
tradition out of frustration or anger, and those who do so more lovingly,
simply looking to explore further a form that they respect. Keenan Lawler,
thought his work on the resonator guitar would sound positively alien to
most of his fellow Kentuckians, seems more a member of the latter group.
The Louisville natives music is a clear descendent of rustic American
folk and blues, though largely aberrant progeny, to be sure. The Strange
Tale of Eddy Westport is Lawlers most recent release, a teaser, of sorts,
for the two discs that will drop on the Music Fellowship label in future
months. The three-track disc finds Lawler covering a surprising amount of
ground in such a short time, though hearing him on record [sic] doesnt
seem to showcase Lawlers arsenal of techniques as much as a live
performance can. Still, The Old Fort and A Fork in Gardners Path are
some nice slices of Lawlers own obscure Americana, the former more
traditional in its dark, serpentine path, the latter a more fragmented
collection of some of Lawlers more extended techniques. Goodbye Lisa
Rose closes the disc with an abridged performance and humorous footnote,
a closing that takes a turn from the levity underpinning the rest of the
music. Lawlers just completed a tour with Mike Tamburo, a like-minded
individual who runs New American Folk Hero, and should continue to be
active with releases and a reissue coming soon. Its hard to view this
release as much more than a small taste of whats to come, but thats no
reason not to enjoy it. Adam Strohm Fake Jazz
Keenan Lawler -"The Strange Tale of Eddy Westport"(New American Folk Hero)
Keenan Lawler first came to my attention as a member of Keyhole, a quintet
that also features Pelt and metal worker, Eric Clark. Their two albums on
Eclipse come highly recommended for anyone interested in the ever-blurring
gap between primitive folk and abstract improvisation. Solo, Lawler forges
a deep sound portal via his National Steel resonator guitar, an instrument
mostly associated with bluegrass and blues. And Lawler is definitely
playing a kind of blues on The Strange Tale of Eddy Westport 3 CD-R --
even a kind of bluegrass -- but his measured fingerpicking is run through
the filter of unorthodox string benders like Alan Licht, later John Fahey
and Keith Rowe. His sound is primal and otherworldly, meditative and
boundless, across three tracks of immersive plucks and drones. Lawler
bridges the aforementioned gap between the most primitive American
mountain music and modern day out jazz, and he does it live with no
overdubs. Case in point: Goodbye Lisa Rose, 90 seconds of lamenting bow
screech and spectral overtones that conjure a state of near-religious
exaltation and uncertain malaise at the same time. An inspired take on
so-called Americana music. 8/10 - Lee Jackson
hey u know what, i freakin love you man. thanks for always beinga wonderful listener-you're the most stunning friend anyone could ever ask for. you're the best Keenan. keep smiling, you never know who's falling in love with your smile!
