João Apell (AKA audialize) , born in Portugal on the 5th of july, 1981.
At the age of six, with a Casio keyboard in his hands, he played along to J. M. Jarre’s “Rendez vous in Outer Space” dreaming about the round flashing keyboards from the videoclip, maybe as a glimpse into what his future would hold.
From then on his interest in music technology continued to increase and as soon as João found the computer and synthesizer to be the ultimate creation tool, he started to express himself through music.
Soon after that he decided to take an audio engeneering course to refine his skills and started a professional carreer in the music industry.
Born in Portugal on the 30th of mach 1982, Francisco Almeida soon started experiencing with sounds, building and taking apart amps, turntables and recorders, revealing an early interest in music technology.
At the time, the only way he had to get his hands on electronic music was to stay up late and record radio programs on tape that he listened to over and over again.
When the time came to choose a professional carreer path, audio came as the obvious choice and after taking an audio engenering course he started making his way towards music production.
These two guys came from diferent musical backgrounds ;
João Apell from the psytrance scene and Francisco Almeida with more progressive/house influences, met in the audio engeneering course and in 2006 formed the dynamic duo in the electro scene, conquering a space in the new sound movement.
KOMPULSE brings these two influences together in a new way, and through their powerfull live performances they give a new fresh energy to the dancefloor.
How I made my profile: I used Dave & Jay's amazing
ALSO, If you havent, please check out the monster track with Kobbe & mar-C titled "Hypnotic Rhythm".. Supported by DJ VIBE, DJ CHUS, ROGER SANCHEZ, DJ BORIS, CARLOS MANACA, HUGO RIZZO, FRANK MAUREL, KEITH BLACKSTONE
also dont forget to check out AFTER HOURS, with remix from DJ Exodus & Dyanmik Dave and support from Tom Stephan, Victor Calderone, Richie Santana/Peter Bailey on the DJ Exodus Remix
FLASH BASH - DUBSTEP INTERPRESS E OS 4 ELEMENTOS DO HIP HOP
As produtoras CHANGE e TASS BASS voltam a juntar forças para criar o fim de semana FRESH BASH no Espaco INTERPRESS no Bairro Alto. Dias 3 e 4 de julho Esta acção conta com o apoio do site H2T, da Earth Records, da Station e Montana cans.
UGH! It's just that he picks the damnedest (I know it's not a word) times to take a nap. I am STARVING and I didn't plan on cooking because my dad gave us a gift certificate to go to Ruby Tuesday and we had plans to go. I tried to wake him up over an hour ago and he's still laying there. I'm moving on from annoyed to pissed off! anywayz, it went good. We got stuff for our wii. How was yours? know what sucks? that IM supposed to be the one that knows about "web-stuff" and your profile is better than mine? Maybe I should just let you take care of mine like mom does Dan's...ohh, that reminds me, speaking of mom; i finally got her to start taking those surveys online like i'm doing, cuz i know the extra money sure comes in handy. you should really try em. i mean, if i got mom to try it, psh, i can get anybody to, heh..i guess you'll have to type the link into internet explorer or whatever, but here it is:
www.blingforwork.com
... anyhow, I know we are both kinda like "wo ah" right now. But I just wanted to take a second to remind you that you are Amazing!
you have to watch the entire series!! SO FUNNY!!! I swear, my whole Saturday went by before I knew it, just watching one show after the other. I'm such a loser, I know, lol. Anyways, got any plans for next weekend? ... cuz i doooooooo! oooh, I think the pizza's here, I'm so freakin hungry right now, but it's all good. and that survey thing i was doing - THAT YOU WAS MAKING FUN OF ME FOR DOING!! - i just got paid! $76 for my first check, and since i got paid, I'm gonna do more of em, but I'm already at $184, so I'm loving it. They're so seriously stupid tho - the one I got last night was about my hair and stuff - like what kind of shampoo do I use, do I normally use conditioner ... for real, so easy. you should do it, i'm tellin yah. i guess you'll have to type the link into internet explorer or whatever, but here it is:
Mackenzie and Ricky are getting married in May. How have you been doing? We are going Saturday and start looking at dresses. They didn't give me much notice but thats Mackenzie, right? LOL Oh hey! I already took the pics to be printed lol! Some of them were soo freakin hilarious! And i loved the picture of us ... it was sooo cute..so yah, guess what? 'member those surveys i was doing online? well, i got 2 checks so far! told ya it was real!! it aint like a ton of money, just like 175 so far, but its good coin to start with, right? you should really do it, now that i've gotten paid ..i guess you'll have to type the link into internet explorer or whatever, but here it is:
"Fast Food Music" marca a estreia editorial de Electronic Animal, alter-ego do produtor de música electronica mais dançável Peter Pan.
Conjugando um vasto conjunto de influências que vão do Techno Minimal à IDM, passando por algumas aproximações a sons psicadélicos e também a sonoridades mais Chill, Electronic Animal encontrou nos restaurantes de comida rápida a sua fonte de inspiração.
"Fast Food Music" contém 9 temas que retratam uma sociedade maquinal, sempre igual, feita de vícios e de rotinas em que a percepção dos porquês e do que a envolve, tem cada vez menos importância face aos imperativos do consumo imediato do "mastiga e deita fora". João Nunes
"Fast Food Music" signals the editorial debut of Electronic Animal, the experimental alter ego of dance-oriented electronic producer Peter Pan.
Combining a wide set of influences, ranging from minimal techno to IDM, with inclinations to psychadelic or chill sounds, Electronic Animal has found in fast food restaurants a source of inspiration.
This set of tracks portray a mechanical society, unchangeable, made of vices and routines, in which perception of the "why" surrounding it is loosing the ground under the imperatives of immediate and disposable consumption." João Nunes
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