Man Parrish

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Man Parrish is one of the most important and influential figures in American electronic dance music. Helping to lay the foundation of electro, hip-hop, freestyle, and techno, as well as the dozens of subgenres to splinter off from those, Man Parrish introduced the aesthetic of European electronic pop to the American club scene by combining the plugged-in disco-funk of Giorgio Moroder and the man-machine music of + with the beefed-up rhythms and cut'n'mix approach of nascent hip-hop. As a result, tracks like "Hip-Hop Be Bop (Don't Stop)" and the legendary B-Boy Electro classic "Boogie Down Bronx" were period-defining works that provided the basic genetic material for everyone from Run-DMC and the Beastie Boys to Autechre and Andrea Parker -- and they remain undisputed classics of early hip-hop and electro to this day. A native New Yorker, Man Parrish was a member of the extended family of glam-chasers and freakazoids that converged nightly on Andy Warhol's Studio 54 Club. His nickname, Man, first appeared in Warhol's Interview Magazine, and his early live shows at Bronx hip-hop clubs were spectacles of lights, glitter, and pyrotechnics that drew as much from the Warhol mystique as from the Cold Crush Brothers. Influenced by the electronic experiments of his co-writer Klaus Nomi and Brian Eno as well as by Kraftwerk, Man Parrish together with "Cool" Paul Rodriguez recorded their best-known work in a tiny studio sometimes shared with Afrika Baambaata, whose own sessions with Arthur Baker and John Robie produced a number of classics equal to Parrish's own, including "Wildstyle", "Looking for the Perfect Beat", and the infamous "Planet Rock". What distinguished "Hip-Hop Be Bop", however, was its lack of vocals and the extremely wide spectrum of popularity it gained in the club scene, from ghetto breakdance halls to uptown clubs like Danceteria and the Funhouse. After he discovered a pirated copy of his music being played by a local DJ at the infamous "Anvil" club (NYC), Parrish found his way to the offices of the Importe label (a subsidiary of popular dance imprint Sugarscoop and Disconnect DJ mixing service), which whom he inked his first deal. He released his self-titled LP shortly after, and the album went on to sell over 2 million copies worldwide. He was signed to Electra Records and managed by David Bowie's notorious manager Tony De Fries and the infamous Main Man Ltd management team. Tony De Fries had managed careers of David Bowie, New York Dolls, Mott the Hoople, Mick Ronson and Dana Gillespie to name a few. Following a period of burn-out that followed, Man Parrish recorded and remixed tracks for Michael Jackson, Boy George, Gloria Gaynor, and Hi-NRG group Man2Man, among others, and served as manager for the Village People and Crystal Waters to name a few. Man Parrish has now found brand new success & an army of new fans with the re-emergence of the Electro scene in NYC & the UK; & he continues to record his unique dirty, sleazy sound from his Brooklyn studio and is a frequent DJ at New York's eclectic night spots and SM clubs. His Sunday Underground Party "Sperm" at the "The Cock Bar" on New Yorks lower east side, is notorious, to say the least!
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