Mark Alburger (b. 1957, Upper Darby, PA) is an award-winning, eclectic ASCAP composer of postminimal, postpopular, and postcomedic sensibilities. He is Music Director of San Francisco Composers Chamber Orchestra and San Francisco Cabaret Opera / Goat Hall Productions, Editor-Publisher of 21st-Century Music and New Music, Music Critic for Commuter Times and San Francisco Classical Voice, and Instructor in Music Theory and Literature at Diablo Valley College. His principal teachers were Gerald Levinson, Joan Panetti, and James Freeman at Swarthmore College (B.A.); Jules Langert and Ted Blair at Dominican University (M.A.); Roland Jackson at Clarement University (Ph.D.); and Terry Riley.
Dr. Alburger has composed 157 major works over the past 34 years, including chamber music, concertos, oratorios, operas, song cycles, and symphonies. His complete catalogue is being issued on discs from New Music ($15 / P.O. Box 2842, San Anselmo, CA (707) 451-0714)
Complete Works Recordings Available:
EARLY OBOE EARLY VOICE (1) - Psalm 6, Suite "Sol[ar]", Ecclesiates, Poems on Crane, The Lord’s Prayer
INSTRUMENTS OF DECONSTRUCTION (2) - Variations and Theme, Interrupted Interludes, The Twelve Fingers, Nocturnes for Insomniacs, Three Places in America, Portraits of Three Players, Four Processions, Seasons’ Eves, Book (Prehistoric Atlas)
CONTRARY COMOTION (3) - Some Stuff, Two and a Half Pieces, Yellow River Concerto II, Academic Endeavors, Embedded Inventions, Missa "The a Deux", Duo Sonata No. 1 ("Hyphenated"), Sequence Music
BASS AND RANGE (5) - Street Songs, Merton Songs, Duo Sonata No. 2 ("Wasatch")
A WINDBLOWN ROCK IN SAN RAFAEL (6) - Crystal Series, San Timoteo Can[yon]tata, Songs for Rebecca, Missa California, Lot in Life
ONE-HOUR COLOR PROCESSING (7) - At a Photo Shop, Spectral Preludes, Big Beat, Trumpet Concerto ("Mach[a][o] Concertino")
LOST IN PLACE (8) - Mice Suite No. 1, Westminster Tropes, Deploration Passacaglias, Helena Suite
MICE AND MEN: ACT I-III (9)
Recordings in Progress:
MICE AND MEN: ACT IV-V (10)
THREE WIRED SYSTRUMS (11)
BUSINESS AS USUAL (12)
L.A. STORIES (13)
DEATHSONGS (14)
EVERYTHING IS RELATIVITY (18)
PEOPLE CAN FALL DOWN (19)
SYMPHONIES OF THE AIR (20)
THE NATIVITY ACCORDING TO ST. MATTHEW, Op. 72
ANIMAL FARM, Op. 76
HENRY MILLER IN BROOKLYN, Op. 77
ANTIGONE, Op. 88
THE LITTLE PRINCE, Op. 89
THE BALD SOPRANO, Op. 94
ANIMAL OPERA: AN ORWELLIAN COMEDY, Op. 95
THE WIND GOD, Op. 96
FLYING OUT THE MOUTH, Op. 103
CATS, DOGS, AND DIVAS, Op. 104
OUT ON THE PORCH, Op. 107
THE PLAYBOY OF THE WESTERN WORLD, Op. 111
THE PIED PIPER OF HAMELIN, Op. 116
WAITING FOR GODOT, Op. 128
THE PIED PIPER SUITE, Op. 132
THE RING OF HARRIET, Op. 142
Other Recordings Available:
"The Twelve Fingers" on DIVERSIONS (Max Lifchitz, North/South Consonance)
"Symphony No. 1" on AMERICAN TAPESTRY (North/South Consonance)
CAMINO REAL (I Kill Me Music - available from New Music)
Psalm 6, The Twelve Fingers, Symphony No. 1, The Bald Soprano and Pied Piper Overtures, "Information Wanted" from Business As Usual, and "Between Depression" from Cats, Dogs, and Divas are in regular rotating airplay on KDVC.ORG
WORKS, 1974-2007 (New Music, San Anselmo, CA)
Op. 1 Psalm 6 (1974) for oboe(s) (and high-hat cymbals)
Op. 2 Suite ("Sol[ar]") (1975) for oboe, piano, and percussion
Op. 3 Ecclesiates, or the Preacher (1975) for voice(s) and orchestra (after the Book of Ecclesiastes)
Op. 4 Poems on Crane (1975) for mixed chorus (after Stephen Crane)
Op. 5 The Lord’s Prayer (1975) for soloists, choir, and keyboard (after the Gospel According to Matthew)
Op. 6 Variations and Theme (1976) for keyboard
Op. 7 Interrupted Interludes (1977) for keyboard
Op. 8 The Twelve Fingers (1977) for keyboard
Op. 9 Psalm for the Sabbath Day (after Psalm 92) (1977) for voice and keyboard (after Psalm 92)
Op. 10 Nocturnes for Insomniacs (1978) for violin (or vibraphone) and keyboard
Op. 11 Portraits of Three Players (1978) for flute and keyboard
Op. 12 Four Processions (1978) for string quintet
Op. 13 Three Places in America (For Four) (1978) for four oboes / four trombones / four-handed keyboard
Op. 14 Seasons’ Eves (1978) for double-reed (or harp) duet
Op. 15 Book (Prehistoric Atlas) (1979) for keyboard
Op. 16 Some Stuff (1979) for mixed quintet
Op. 17 Two and a Half Pieces (1979) for flute, 2 trombones, and tuba
Op. 18 Yellow River Concerto II (1979) for oboe and violin (or percussion)
Op. 19 Academic Endeavors (1979) for keyboard and voice (after Richard Loucks)
Op. 20 Embedded Inventions (1979) for keyboard
Op. 21 Missa "The a Deux" (1980) for voices and instruments (after the Liber Usualis)
Op. 22 Duo Sonata No. 1 ("Hyphenated") (1981) for violin (or vibraphone) and trombone
Op. 23 Sequence Music (1982) for a (piano) trio
Op. 24 Orpheus Cycle (1982) for voice and keyboard (or instruments) (after Matthew Keill)
Op. 25 Stolen Students (1983) for keyboard
Op. 26 Sinfonietta (1984) for orchestra (3333 3331 HpPf2Perc Strings)
Op. 27 Aerial Requiem (1985) for soli, chorus, and instruments (after the Liber Usualis)
Op. 28 Mary Variations (1985) for keyboard
Op. 29 Street Songs (1985) for voice and keyboard (or instruments) (after Found Texts)
Op. 30 Merton Songs (1986) for voice and keyboard (after Thomas Merton)
Op. 31 Duo Sonata No. 2 (1986) for viola (or vibraphone) and percussion
Op. 32 Crystal Series (1987) for oboe(s) and keyboard
Op. 33 San Timoteo Can[yon]tata (1988) for soli, chorus, and instruments (after Paul’s First and Second Letter to Timothy)
Op. 34 Songs for Rebecca (1988) for voice and keyboard (after texts selected by Rebecca Jones)
Op. 35 Missa California (1988) for voices and instruments (after the Liber Usualis)
Op. 36 Lot in Life (1988) for voices and instruments (after Genesis 18-19)
Op. 37 At a Photo Shop (1989) for voice and keyboard (or instruments) (after Found Texts)
Op. 38 Spectral Preludes (1989) for keyboard or ensemble
Op. 39 Big Beat (1990) for orchestra
Op. 40 Trumpet Concerto (1990) for trumpet and ensemble
Op. 41 Mice Suite No. 1 (1991) for orchestra (2222 2000 PfPerc Strings) (voices ad lib or ensemble)
Op. 42 Westminster Tropes (1991) for voices and instruments (after Found Texts)
Op. 43 Deploration Passacaglias (1992) for keyboard
Op. 44 Helena Suite (1992) for voice(s) and keyboard(s or instruments) (after Found Texts)
Op. 45 Mice and Men (1992) for voices and orchestra (after John Steinbeck)
Op. 46 Iliad Songs (1992) for voices and orchestra (after Homer)
Op. 47 Babel (1992) for voices and instruments (after Genesis)
Op. 48 San Fernando Hub (1993) for voices and instruments (after Found Texts)
Op. 49 Business as Usual (1993) for instrument(s and voice[s]) (after Found Texts)
Op. 50 L.A. Stories (1994) for voices and instruments (after Found Texts)
Op. 51 San Rafael News (1995) for voice(s) and instrument(s)
Op. 52 Abraham and Isaac (1996) for voices and instruments
Op. 53 Mice Suite No. 2 (1996) for voice(s) and instruments
Op. 54 Israel in Trouble (1997) for voices and instruments
Op. 55 The Passion According to St. Matthew (1997)
Op. 56 For My Brother for My Brother (1997) for voice (or instrument) and keyboard (after S. Alburger)
Op. 57 Amazing Joseph (1997) for voices and instruments
Op. 58 The Ten Commandments (1997) for voices and keyboard (or instruments)
Op. 59 Mice Suite No. 3 (1998) for baritone, bass, and instruments
Op. 60 Twelve Preludes and Fugues ("Topical") (1998) for keyboard
Op. 61 Symphony No. 1 in C Major, Op. 21 ("It wasn’t classical, if was symphonic / It wasn’t a symphony, because it did not have a sonata-allegro") (1998) for orchestra (2222 2231 Pf2Perc Strings) (or ensemble)
Op. 62 Symphony No. 2 ("Tamalpais") (1998) for orchestra (2222 2231 Pf2Perc Strings)
Op. 63 Moses and Aaron (1998) for voices and instruments
Op. 64 Joshua Fought the Battle (1998) for voices and instruments
Op. 65 Samson and Delilah (1998) for voices and instruments
Op. 66 Babe Ruth (1998) for voices and instruments
Op. 67 Saul! Saul! (1998) for voices and instruments
Op. 68 Mice Suites (1998) for voices and instruments
Op. 69 King David (1998) for voices and instruments
Op. 70 Solomon (1998) for voices and instruments
Op. 71 Elijah Rock (1998) for voices and instruments
Op. 72 The Nativity According to St. Matthew (1998) for voices and instruments
Op. 73 The Opera of Daniel (1999) for voices and instruments (after The Book of Daniel)
Op. 74 Buddha’s Little Instruction Book (1999) for two voices and keyboard
Op. 75 Symphony No. 3 ("Recycled") (1999) for orchestra (2222 2231 Pf2Perc Strings)
Op. 76 Animal Farm (1999) for orchestra (1111 1111 PfPerc Strings)
Op. 77 The Sidewalks of New York: Henry Miller in Brooklyn (1999) for soprano, alto, tenor, and ensemble (101[sax]0 0210 GtPfPerc Bass) (after Mel Clay)
Op. 78 Esther Xerxes (1999) for voices and instruments
Op. 79 Job: A Masque (1999) for voices and instruments
Op. 80 John and Salome (1999) for voices and instruments
Op. 81 The Beatitudes (Blessed Are) (1999) for voices and keyboard (or instruments)
Op. 82 Symphony No. 4 ("Sequence") (1999) for orchestra (2222 2231 Pf2Perc Strings)
Op. 83 Quadruple Concerto ("Metal") (1999) for wind quartet (and metal instruments)
Op. 84 Flute Concerto ("Mythological") (2000) for flute and orchestra (2222 2231 Pf2Perc Strings)
Op. 85 The Gospell According to St. Matthew (2000) for voices and instruments
Op. 86 Magnificat (2000) for voices and instruments
Op. 87 Violin Concerto ("Ticklish") for violin and orchestra (2222 2231 Pf2Perc Strings)
Op. 88 Antigone (2000) foir voices and orchestra (2222 2231 Pf2Perc Strings) (after Sophocles)
Op. 89 Le Petit Prince (2000) for voices and Pierrot ensemble (after Antoine de St. Exupery)
Op. 90 Diocletian (2000) for voices and orchestra (after Edward Gibbon)
Op. 91 Uncle Vanya (2000) for voices and orchestra (after Anton Chekov)
Op. 92 Trombone Concerto ("Flute Players") for trombone and orchestra
Op. 93 The Creation (2000) for voices and instruments
Op. 94 The Bald Soprano (2001) for voices and orchestra (after Eugene Ionesco)
Op. 95 Animal Opera: An Orwellian Comedy (2001) for voices and orchestra (after George Orwell)
Op. 96 The Wind God (2001) for voice and keyboard (or orchestra) (after Harriet March Page)
Op. 97 Quartet for the Beginning of Time: Adam and Eve and Cain and Abel (2001) for voices and instruments
Op. 98 Noah’s Flood ("Noah, Noah"): A Mystery Play (2001) for voices and instruments
Op. 99 Symphony No. 5 ("An American’s Reply") (2001) for orchestra (2222 2231 Pf2Perc Strings) (2001)
Op. 100 Symphony No. 6 ("Apathetic") (2001) for orchestra (4444 4431 HpPf2Perc Strings)
Op. 101 Symphony No. 7 ("Tragicomic") (2001) for orchestra (4444 4431 HpPf2Perc Strings
Op. 102 Symphony No. 8 ("Unending") (2001) for orchestra (4444 4431 HpPf2Perc Strings
Op. 103 Flying Out the Mouth (2001) for voice(s) and keyboard (or orchestra) (after Harriet March Page)
Op. 104 Cats, Dogs, and Divas (2001) for voice(s) and keyboard (or orchestra) (after Harriet March Page)
Op. 105 Gloria (2002) for voices and keyboard (or instruments)
Op. 106 The Nativity According to St. Luke (2002) for voices and keyboard (or instruments)
Op. 107 Out on the Porch (2002) for voice(s) and keyboard (or orchestra) (after Harriet March Page)
Op. 108 Blake House (2002) for voice and keyboard (after William Blake)
Op. 109 Six Characters in Search of an Author (2003) for voices and orchestra (or keyboard) (after Luigi Pirandello)
Op. 110 Camino Real (2003) for voices and orchestra (or keyboard) (after Tennessee Williams)
Op. 111 The Playboy of the Western World (2003) for voices and orchestra (or keyboard) (after John Millington Synge)
Op. 112 On the Road (2004) for voices and orchestra (or keyboard) (after Jack Kerouac)
Op. 113 Endgame (2004) for four voices and orchestra (or keyboard) (after Samuel Becket)
Op. 114 Horn Concerto ("Sherlock") (2004) for horn and orchestra
Op. 115 Clarinet Concerto ("Matrimonial") (2004) for clarinet and orchestra
Op. 116 The Pied Piper of Hamelin: A Child’s Opera (2004) for voices and orchestra (or keyboard)
Op. 117 Symphony No. 9 ("From the West") (2004) for orchestra (4444 4431 Pf2Perc Strings)
Op. 118 Oboe Concerto ("Wanderer") (2004) for oboe and orchestra
Op. 119 Viola Concerto ("Felicitations") (2004) for viola and orchestra
Op. 120 Bassoon Concerto ("Grandmother") (2004) for bassoon and orchestra
Op. 121 Tuba Concerto ("Pasteurized") (2004) for tuba and orchestra
Op. 122 Piano Concerto ("Child’s Play") (2004) for piano and orchestra
Op. 123 Harp Concerto ("Ballerina") (2004) for harp and orchestra
Op. 124 Percussion Concerto ("Dictator") (2004) for percussion and orchestra
Op. 125 Cello Concerto ("Roasted") (2004) for cello and orchestra
Op. 126 Bass Concerto ("Conrad") (2004) for bass and orchestra
Op. 127 Twelve Pieces for Orchestra (2005) for orchestra (4444 4431 Pf2Perc Strings)
Op. 128 Waiting for Godot (2005) for voices and orchestra (or keyboard) (after Samuel Becket)
Op. 129 Eccelsiastes Tropes (2005) for soprano (and shadow singers) and piano (or orchestra)
Op. 130 Diabolic Variations (2005) for keyboard
Op. 131 Concerto for Orchestra (2005) for orchestra (4444 4431 HpPf2Perc Strings)
Op. 132 Pied Piper Suite: Concertino (2005) for orchestra (4444 4431 HpPf2Perc Strings) Op. 133 Rossetti Songs (2006) for voice and orchestra (1110 1100 HpPf2Perc Strings)
Op. 134 Grande Suite ("Sol[ar]") (2006) for orchestra (1111 1111 Pf2Perc Strings) Op. 135 Big Beat Remix (2006) for MIDI orchestra
Op. 136 Sinfonietta-Suite ("En Attendant Godot") (2006) for orchestra (4444 4431 HpPf2Perc Strings)
Op. 137 From "Poems of My Heart" (2006) for voice and keyboard (or instruments) (after Juan Chi)
Op. 138 New Street Songs (2006) for voice and orchestra (after Found Texts)
Op. 139 New Crystal Series (2006) for oboe(s) and keyboard
Op. 140 One Page of a Swarthmore College Literary Magazine (2006) for voice and instrument(s) (after Tom Crochunis, et al)
Op. 141 Kipling Songs (2006) for voice and keyboard (after Rudyard Kipling)
Op. 142 The Ring of Harriet (2006) for voices and orchestra (after Harriet March Page)
Op. 143 Textbook (2007) for orchestra
Op. 144 Grating Prelude (2007) for orchestra
Op. 145 St. Paul Suite (2007) for voices and instruments
Op. 146 Trout Fishing in America (2007) for voices and instruments
Op. 147 The Musical Orbital (2007) for mixed media
Op. 148 Variations on Americana (2007) for orchestra
Op. 149 The Desert (2007) for a hopeless array
Op. 150 Halfway Mark (2007) for voices and instruments
Op. 151 A Walk Through California (2007) for found sounds
Op. 152 The Countess Cathleen (2007) for voices and orchestra
Op. 153 History Phases (2007) for sound files
Op. 154 White Horse Suite (2008) for voice(s) and instrument(s)
Op. 155 Flying Mixes (2008) for sound files
Op. 156 Vocal Sonatina No. 1 (2008) ("Spitzer") for voice and keyboard
Op. 157 Vocal Sonatina No. 2 (2008) ("Vatsyayana") for voice and keyboard
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Tampa Taiko is a professional drumming duo that has performed their unique style for a vast array of audiences, performing at festivals, concert halls, schools, workshops, summer camps, corporate and VIP events. Using a collection of taiko drums made by themselves from discarded wine barrels, Tampa Taiko has developed a dynamic fusion of old and new styles of drumming, bringing a contemporary vibrance to an ancient martial artform.
May you have the Happiest Fourth of July in your Life, May God shield America with his Almighty Wing ---- Ilkka http://www.imdb.com/name/nm2838901/ Thank you Michael Met him in Helsinki. He walked to me- Ilkka
Hi there! The Danish composer Per Nørgård's music has been much on my mind the past few years. Arguably the most important now living Scandinavian composer also has a remarkable output for the guitar. I spent a couple of years working with the composer on this repertoire, spanning from 1973 to 2000, in order to embrace the emerging performance practice associated with his work.
I have just uploaded 10 new tracks, all taken from "Tales From the North", my double CD box with the complete guitar works of Danish composer Per Nørgård. Also, in my latest blog you will find recent reviews of this release.
For further reading about the composer, this is an excellent website, with articles by a series of scholars and performers that have dedicated much study to his work:
Hey Mark! Long time no speak. Hope everythings going well for you back at DVC. check out one of my latest compositions on my page it's called, "MACHINES". It's for Piano duo, 2 performers, 4 hands, 1 piano. First time i wrote something like this before and it was a live recording. leave me some feedback if you get a chance to as well! take care!
Online Now!
