I edited my profile with Thomas Myspace Editor V4.4 (www.strikefile.com/myspace)
FOUR TET, JULEE CRUSIE, COCTEAU TWINS, DEREK JARMAN,COIL, SCOTT WALKER, TINDERSTICKS, NICO, DURRUTTI COLUMN, PIANO MAGIC, JOHN JACOB NILES, RAINER WERNER FASSBINDER, THE MONTGOLFIER BROTHERS, CUL DE SAC, LABRADFORD, JAPANCACKES, AMIINA, SIGUR ROS, LOW, NICK DRAKE,THE MAGNETIC FIELDS, ENRIQUE MEDINA, ALL MUSIC ;) , RAMONES,PHIL SPECTOR, THROBBING GRISTLE, FERNANDO KABUSACKI, BONNIE PRINCE BILLY, STEPHIN MERRITT, CHRISTIAN BASSO,PETER GREENAWAY, KARL MARX, EINSTURZENDE NEUBAUTEN, JOHN FAHEY, SILVIO RODRIGUEZ, ESQUIVEL, LEONARD COHEN, GODSPEED YOU BLACK ! EMPEROR, SUBMISSION HOLD, DAF, CABARET VOLTAIRE, TUXEDOMOON, CAN, JIM O ROURKE , FRANCIS BACON, MANIC STREET PREACHERS, MAZZY STAR, VASHTI BUNYAN, HENRY MILLER, YO LA TENGO, AUR REVOIR BOREALIS, CARTER TUTTI, SEINFELD, TWIN PEAKS, LUCIA PULIDO, CURRENT 93, ALBERTUS SEBA, MINOR THREAT, ARAB STRAP, ANTHONY AND DE JOHNSONS, THIS MORTAL COIL, SILVER MOUNT ZION, SILVER APPLES, SUICIDE, JOANNA NEWSOM, TOM WAITS, DIRTY THREE, PSYCHIC TV, JUANA MOLINA, WILLIAM S BURROUGHS, ALEJANDRO JODOROWSKY, AXEL KRYGER, LOVE LISA, TORTOISE, THE GOTHIC ARCHIES, SUPERGRASS, BUZZCOCKS, LUCIA PULIDO, BEACH BOYS, ROBERTO ARLT, KENNETH ANGER, JOAN BAEZ, ELVIS, THE RONNETES, ARTURO RIPSTEIN, NAN GOLDIN, KLAUS NOMI, NOBUYOSHI ARAKI, XIU XIU ETC ETC ETC ETC.
IMPORANTE ! NO ESTAN EN ORDEN DE PRIORIDAD !!! :)
Mel mann synthesizes his musical search extremely influenced by the indietronic and the post rock, in the following formula: ethereal, melancholy and introspective songs, with electronic elements, emulating organic textures. In his live shows, always thematic, the projections in scene occupy an important place, with photographers' images as Nan Goldin, William Klein, Nobuyoshi Araki or painters as Francis Bacon, combining the force of the visual impact with the almost placid sensation of his music, creating a worrying concept.
After years of experiences in bands of industral t and noise, Mel mann came to the conclusion that "one works better on their own". In the spring of 2005 he realease his first disc, Kyoko inspired by The Box, I cut of the Japanese Takashi Miike in the movie Three Extremes, with influences of groups like Tindersticks, Julee Cruise, Four Tet, Godspeed you Black Emperor!, Tortoise, or the sonorous bands of Angelo Badalamenti, in a totally independent form and distributed in specialized record stores. His second album is in process right now.
In May, 2006, his first show comes, as semifinalist of a contest organized by the magazine The Inrockuptibles and the French Alliance, with good acceptance of the public. Then, he continues appearing live in diverse stages, taking part of Festivals as Jurassic Escape in the Museum of Natural Sciences, where he includes one of his songs in the compiled "Opened Study" managing to realize a visit to Chile, with shows in Santiago and Valparaiso and obtaining an honourable mention in the recognized site: http: // super45.cl/..
Mel Mann has realized a recent European tour by Vienna, Koln ( C O POP FESTIVAL ); Berlín , Hamburg, París, Bordeaux, London , Barcelona y Madrid.
Mel mann sintetiza su búsqueda musical, sumamente influenciada por el indietronic y el post rock, en la siguiente fórmula: canciones etéreas, melancólicas e introspectivas, con elementos electrónicos, emulando texturas orgánicas. En sus shows en vivo, siempre temáticos, las proyecciones en escena ocupan un lugar importante, con imágenes de fotógrafos como Nan Goldin, William Klein, Nobuyoshi Araki o pintores como Francis Bacon, combinando la fuerza del impacto visual con la sensación casi plácida de su música, creando un concepto inquietante.
Tras años de experiencias en bandas de industral t y noise, Mel mann llegó a la conclusión de que solo se trabaja mejor. En la primavera de 2005, edita su primer disco, Kyoko, inspirado en The Box, corto del japonés Takashi Miike en la película Three Extremes, con influencias de grupos como Tindersticks, Julee Cruise, Four Tet, Godspeed you Black Emperor!, Tortoise, o las bandas sonoras de Angelo Badalamenti, en forma totalmente independiente y distribuyéndolo en disquerías especializadas. Su segundo disco se encuentra actualmente en preparación.
En mayo de 2006, llega su primer show, como semifinalista de un concurso organizado por la revista Los Inrockuptibles y la Alianza Francesa, con buena aceptación del público. Luego, continua presentándose en vivo en diversos escenarios, participando de Festivales como Fuga Jurásica en el Museo de Ciencias Naturales, donde incluye una de sus canciones en el compilado, Estudio Abierto llegando a realizar una visita a Chile, con shows en Santiago y Valparaíso y obteniendo una mención honrosa en el reconocido sitio http://super45.cl/ .
Mel Mann viene de realizar tocadas varias por Europa pasando por Vienna, Koln ( C O POP FESTIVAL ); Berlín , Hamburg, París, Bordeaux, London , Barcelona y Madrid.
If you want to book shows in your city , make an interview , etc contact Nicolás Melmann at melmanns@gmail.com
Also you can check out last shows and see the melman own Photo Blog at.
Almost Tomorrow is the third full length collaboration album from Section 27 Netlabel founders Tam Ferrans and Andrew Paterson, under their Nonima & theAudiologist guise. This time around the sound is more melodic, and has a definite feeling of a complete and more mature sound than heard on the previous LP's "Dystopian Battle Hymns" and "Ceremony After Amputation". If you are familiar with their individual projects you may even be in for a slight surprise, as the tracks are not as beat driven like before, but are more atmospheric and sound, well... "bigger". In its 75 minutes, Almost Tomorrow takes you on a trip from the digital rain-soaked cavernous scraping in "Thoughtograph", the ethereal beat jittering of "The Colour of Rain", intercepted transmissions from unknown places in "Com-Intercept", "Ganzfeld"s huge yet strangely insect-like beats until everything you knew comes crashing around you in "Almost Tomorrow". Burning pianos, glitched out soundscapes and intricately programmed beatplay, this may well be their best work to date. Consider it the soundtrack to a rainy overcast day, but with just that glimmer of sunshine peeking from the clouds. "Almost Tomorrow" wears its heart on its sleeve.
TODOUNO es un proyecto de rock que incluye personas especiales. Algunos fragmentos del documental LIBRE ya se pueden ver en:/TODOUNO is a rock project that includes people with learning disabilities. You can watch some LIBRE documentary fragments at: http://www.myspace.com/todouno
Encontranos en Facebook. Apoyá a TODOUNO/Find us in Facebook. Support TODOUNO.
Este Sábado 10 de Octubre después de pasar por 70 segundos antes del Knock out, Dietrich y Hacia dos Veranos tocarán juntos por vez primera y en esta ocasión recibirán a la banda de Space Rock Uruguaya, Ufesas.
Elmirlo se encargará de amenizar la velada.
Sábado 10 de Octubre - 22hs Dietrich - Ufesas (UY) - Hacia dos Veranos Plasma - Piedras 1856 - San Telmo
After the majestic powerhouse of an LP that was [Audissect], Ventolyn & Becotyde delivers another 7 tracks of electronic nourishment. "Neuro Torque" expands upon the ideas of [Audissect], ups the ante, and adds complex rhythms, complete with tasty melodies and added crunch. It also flows like a dream with every track complimenting the next, this EP delivers the goods then takes your face off. Ventolyn & Becotyde and Section 27 are proud to give you "Neuro Torque", now available for free download. Like all good things should be.
