Aint Seen A Black Hole In Three Days:
Nick Morisson-Guitar
Derek Beckvold- Alto Sax
Excerpt from Improvisation:
James Wylie- Saxophones
Nadav Remez- Guitar
Ah-Leu-Cha (Charlie Parker):
Zac Shaiman-Tenor Sax
Daniel Durham-Bass
The Way In (Joe Morris):
Sean McMahon:Guitar
Chronology (Ornette Coleman):
Sam Decker: Tenor Sax
Nick Sanders: Piano
Daniel Durham: Bass
Sun:
Moses Eder: Multitrack Piano and Poetry
Influences
Roy Haynes, Wayne Shorter, Minimalism, Kieth Jarret, Philly Joe Jones, Richard D James, Japanese Poetry, James Pollock, Max Roach, Tony Williams, Steve Reich, Bill Evans, Jack DeJohnette, John Cage, John Zorn, Bill Frissell, Thomas Jenkins, Miles Davis, Jeff Watts, Boards of Canada, Pharaoh Sanders, Pat Metheny, Kenny Werner, Ari Hoenig, Maurice Ravel, Iannis Xenakis, Otomo Yoshihide, Sleepytime Gorilla Museum, Ornette Coleman, Thelonious Monk, Tom Rainey, Gyorgy Ligeti, The Act of Creation, A State of Trance, Blank PIeces of Paper, Dave Holland, Jean Michel Pilc, Friedrich Nietszche, Bill Stewart, Kenny Wheeler, Dave Douglas, Brian Blade, Erik Satie, Plants and Flowers, Godspeed You Clavk Emperor, Queens of the Stone Age, Sulley Imorro, Nick Drake, The Beatles, Dizzy Gillespie, Steve Coleman, Busta Rhymes, Luke Vibert, Albert Ayler, Paul Bley, Jon Surman, Paul Motian, Bob Moses, Gary Burton, Beck... To Be Continued
Moses Eder began his music making with classical piano lessons which lasted 6 years. After getting frustrated with the instrument, he bought a drumset and has been playing it ever since, for about 7 years. Currently, he is exploring jazz styles, open imrpovisation, found sound and the creative possibilities of collaborating with poets, dancers and visual artists. Previous musical experiences also include west african drumming and dance, Indonesian gamelan, Balinese kechack, jawharp, djembe, classical percussion, composition and other world percussion experience.
In Los Angeles, his hometown, he attended the Los Angeles County High School for the Arts and now is a Bachelor of Music student at the New England Conservatory for Music in Boston in their Jazz Performance program. He studies privately with Bob Moses and Billy Hart and has previously had private instruction from Blake Colie, Bill Wysaske and Joe LaBarbera as well as meetings with Steve Barnes, Ari Hoenig and Peter Erskine. Now, he is beginning to get some groups together to continue to bring music out into the public with his comrades of the NEC jazz department.
Check out his latest music at his new band webpage:
htttp://www.exitstrategymusic.wordpress.com
and his creative writing blog: http://mosesoffthedeepend.blogspot.com/
nothing specific. just sort of a general "what's your experience been like?". anything in particular that sticks out in your mind, things you like about it, things you don't etc... thanks, levon
hey. ya it's been pretty fun. i joined not knowing how to play any percussion instrument, my sophmore year(last year), and now im in the pasadena city college rose parade honor band which is pretty cool.
Thanks man! College apps. are soo annoying but Im looking forward to getting out of LA. Maybe be I'll be seeing you in Boston sometime soon. Talk to you later
thanks Moses! Calarts is great so far, I'm really digging tabla class. I got married last weekend so things are starting to settle in a little more now. How's Boston treating you?
I totally would, but I don't have the camera to use it with. The best I could do is send it to you and you could do with you like with it, if you have access to the same camera, if not, I have no idea what could be done with it.
Hey, just wanted to make sure everyone adds my new music myspace. www. myspace. com/justinklunkmusic before i end up deleting this myspace. haha thanks everyone! some peoples myspaces wont allow requests from bands...bummer, thanks again! all the best, justin
