When one of Germanys best Techno-Clubs, like
Kassel’s Stammheim, is around the corner it must cause an effect. Being 16
Norman started djing, infected by electronic music.
Three months later he passed the first tests at the
Afterhour-Club Spot in Kassel, Sphinx Houseclub and Technopartys in Kassel’s
infamous Club A.R.M. followed soon and then Stammheim, where everything started. In
1999 he played there for the first time. Many rousing sets later he became
resident at the club.
His passion
for Techno music which has got him bad so early is basis and motive for him
being a DJ. Breaking musical barriers -by playing an Elvis track at the end of
his set or scratching parts influenced by Hip Hop during his set- the cheering
crowd thanks him!
The Stammheim Techno style has influenced Norman
significantly “standing still - you can go”. Norman took advantage of these
words and is searching his sound out of the permanent renewing dance music. “The
sound must be pushing / must be fun!
Being in line with the playlist and of course the
party he is using the big diversity in the field of electronical music.
Between all these sweaty & ecstatic nights in the
club, there was not enough time to introduce himself in other locations in
Germany. This changed, after closing the “Heim”, his DJ activities are
dispersing over whole Germany.
Coming home, Norman continues to tinker his own
versions of electronic dance music, partly abstract partly for the floor. His
tracks can stylistically be allocated under “electronic music”. Each track is a
unique copy „when
I produce it is very dependent on how I feel, great many develops just in a
moment. I would not say without a concept, but it depends on my humour, this is
why each track sounds different. Norman’s first productions have been published
under the Label HörSpielMusik in 2002.
After taking a longer break for being creative and
learning more about his improved equipment and songstructures, Norman released
between 2004 and 2007 several net releases on the label
Broque and 2 further records on the Label
Feinwerk, situated in Gießen.
These 2 vinyls emerged as bestsellers of the label.
More records are planned for the Label
Snork Enterprises (Gießen) in 2008
on which for example we can anticipate remixes from producers like Tom Clark or
Andomat 3000.
Servus :) hoff dir gehts gut, und du spulst den Leuten ordentlich die Öhrlis durch ! wünsch dir ein tolles We . Hoffe, man sieht sich bald mal wieder ...??!!
Ihr braucht mal wieder richtig satte Beats auf die Zwölf und Action für die Hüften?! Da hat sich Euer DECO-Denis es sich nicht nehmen lassen anlässlich des zehnjährigen Jubiläums von Sender-Records eine Party mit den Jungs vom Zaun zu brechen. Anfangs in Köln gegründet, hatte sich das heute-über-Label nach seinem Umzug nach Berlin schnell zu einem DER Protagonisten des knackigen wie harten und geraden Beats entwickelt und kann inzwischen auf über 80 Veröffentlichungen von derben Produzenten wie Jake Fairley, Misc, Baby Ford oder T.Raumschmiere zurückblicken. Und weil Jubiläum einfach Bock macht startet das Label um seinen Boss Benno Blome eine Clubtour, die nicht nur in diversen Städten des deutschsprachigen Raums Halt macht, sondern eben auch in Eurem schnuckeligen Panoptikum und zwar am 07.11.09
Online Now!
aber gute besserung für deine mandeln
man sieht sich...
..
