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OQTO, born in Fukuoka,living in Kanagawa/Japan.
Been in the scene since the abstract and electronica were banging.
Has experienced living in Europe&India, the raves and dub sound
system culture there that he is a realistic guy as a master of music.
Joined the compilation of Club Asia, dedicated tunes for Ryuichi
Sakamoto's project, 'Stop Rokkasho' and been making tunes colored as
Dubstep since 2006, what he is spreading out is the organic sound
surrounded by lots of spacy synthesizer with the low drum and rough
confusing beats.
His work has been lifted up for twice in the UK scene by BBC/Mary Ann
Hobbs and also been a regular of the underground radios such as Sub
FM and Brap FM.
Owns the independent label "BASSAB", he has played with Goth-Trad, DJ
Tsuyoshi, Tokyo Zawinul Bach and many more.
In Dec '08, his new&hoped-for album appears from the exclusive
Japanese Dubstep label, "Steppin' Ahead" with the first formal
packaging that will be praised for sure.
Adviruz is the artist psedonym of Istanbul’s Pinar Gurcan, whose growing passion for sound is translated through her music. Since an early age, she has been listening and mimicking opera singers, writing melodies, songs and poems in which she spoke her mind and reflected her soul. All of which are evident on "Nightly Sounds", an 8 track album which is the equivilent of having a glimpse into a diary, learning of love lost, gained, a snapshot of the human condition from which we can all draw experience... All of these things are developed musically into minimalistic glitch, noise, idm, experimental music and microsounds, its influences reminiscent of work by artists like Tujiko Noriko, Mira Calix, Plaid and Björk.
Adviruz and Section 27 present "Nightly Sounds", an intricately woven and rewarding musical tapestry. Available now for free download.
Almost Tomorrow is the third full length collaboration album from Section 27 Netlabel founders Tam Ferrans and Andrew Paterson, under their Nonima & theAudiologist guise. This time around the sound is more melodic, and has a definite feeling of a complete and more mature sound than heard on the previous LP's "Dystopian Battle Hymns" and "Ceremony After Amputation". If you are familiar with their individual projects you may even be in for a slight surprise, as the tracks are not as beat driven like before, but are more atmospheric and sound, well... "bigger". In its 75 minutes, Almost Tomorrow takes you on a trip from the digital rain-soaked cavernous scraping in "Thoughtograph", the ethereal beat jittering of "The Colour of Rain", intercepted transmissions from unknown places in "Com-Intercept", "Ganzfeld"s huge yet strangely insect-like beats until everything you knew comes crashing around you in "Almost Tomorrow". Burning pianos, glitched out soundscapes and intricately programmed beatplay, this may well be their best work to date. Consider it the soundtrack to a rainy overcast day, but with just that glimmer of sunshine peeking from the clouds. "Almost Tomorrow" wears its heart on its sleeve.
As ever if this is your kind of thing, or indeed even if it is not, please give it a listen: the free and easy quick download is there for your use and abuse! The full track listing is available within my profile blog!
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