Otezuka has always been inspired by Music. He started his career as a radio DJ in France (Normandy and Sarthe). At the same time, he also played different kind of music from Electro to Tech House in bars and clubs.
He then moved to England in 1997; where he discovered the music that has inspired him since 1999: Trance and more particularly Progressive Trance. Otezuka learnt and perfected his craft in the Londonian underground scene, attending multiple squat parties.
After 8 years, he moved back to France for professional reasons and settled down in Paris. Over the past few years, he has mixed at a number of parties across Belgium, France, England, Morocco, Spain & Switzerland.
Resident DJ @ Atlantis Party (London/UK) & StereOrganic (Paris/FR)
In 2005, he formed stereOrganic, an association aimed at organising Organic Dance Music Events...
In 2007, his heart goes Bim Bam Boom with artists like Insane Creation, Buju, Aden, V-Tunes, Mirowsky, Anakena, PsyriTual and Thomas to celebrate his signature on Domo records’ Label, a Label based in Israel & UK.
In 2008, he joined Fabrice Rackam from Gaia Concept to bring Progressive Parties in Paris @ Odditorium with Johnson, Mapusa Mapusa, Kokmok, Day.Din, Nadi, Thomas, Insane Creation, PsyriTuaL & Adrien.
He offered you as well the possibility to escape from your restraints with Escapology @ Glaz'art, a parisian club based in Paris with Shotu, Leptit, Naya, Doog, and himself to bring you Psychedelic and Progressive Trance event.
September 2008, he signed a residency in the famous parisian club called LA LOCO. He already invited many Artists from all over the world such as:
31st October 2009, he organised his first PSYCHEdelight for Halloween and terminate his residency in the famous parisian club called LA LOCO. He invited Allaby (England), Avalon (England), Quantize (Israel), Illegal Machine (France), Little Pumpkin (France), Sismo (France) & Rizbo (France)
StereOrganic's Coming Event:
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South African Corona, whose second album is getting ready to be launched on Solar Tech very soon, and his compatriot Chabunk teamed for a Sunset Safari. As this term implies, it is an beautiful but also an adventurous tour that awaits the listeners. On the contrary of cheesy standard melodies, these varied tracks put the idea of Trance in a nutshell and distinguish themselves by forcing power and deepness. While most of them represent the creativity of South Africa, also material from Brazil, Chile, the UK and Germany is included.
Adviruz is the artist psedonym of Istanbul’s Pinar Gurcan, whose growing passion for sound is translated through her music. Since an early age, she has been listening and mimicking opera singers, writing melodies, songs and poems in which she spoke her mind and reflected her soul. All of which are evident on "Nightly Sounds", an 8 track album which is the equivilent of having a glimpse into a diary, learning of love lost, gained, a snapshot of the human condition from which we can all draw experience... All of these things are developed musically into minimalistic glitch, noise, idm, experimental music and microsounds, its influences reminiscent of work by artists like Tujiko Noriko, Mira Calix, Plaid and Björk.
Adviruz and Section 27 present "Nightly Sounds", an intricately woven and rewarding musical tapestry. Available now for free download.
OUT NOW 'Fulltilt EP' from Glasgow outfit Mr Hajika.
4 slabs of groove driven tech house...
Fulltilt original is a chugging, bass heavy track with a subtle musicality that develops throughout. Dr. Bergers remix is a stripped down deeper edit, with an infectious flow that maintains the essence of the original. Similarly to Dr. Berger, Alex Fiction strips back the layers to uncover an electronic soul which builds into an intelligently emotive interpretation, if slightly twisted. Completing the package is 'Nitemoves' which shares the big sound of Fulltilt, but with a more progressive, melodic vibe."
Monkee Platez next offering is the OUT NOW 'Fulltilt EP' from Glasgow outfit Mr Hajika.
4 slabs of groove driven tech house...
Fulltilt original is a chugging, bass heavy track with a subtle musicality that develops throughout. Dr. Bergers remix is a stripped down deeper edit, with an infectious flow that maintains the essence of the original. Similarly to Dr. Berger, Alex Fiction strips back the layers to uncover an electronic soul which builds into an intelligently emotive interpretation, if slightly twisted. Completing the package is 'Nitemoves' which shares the big sound of Fulltilt, but with a more progressive, melodic vibe."
To celebrate our first 27 releases on Section 27 Netlabel, we proudly present to you "Sectioned", a compilation of 27 tracks, amounting to 2 hours across two discs of twisted electronic beats, discordant melodies, haunting passages, broken ambience, bending senses of time and space, microscopic glitches, pounding bass frequencies, sounds between sounds, the human voice and the audible sensation of music dissolving in acid. This is the sound of your mind's eye. This is the sound of the Sectioned... Strap yourself in and enjoy the experience.
Also features a 75 minute bonus disc "Sectioned : Nonimxs", including 9 remixes of selected Section 27 artists by Nonima and 2 original tracks created by Silent Snow and Nina Kardec using existing Nonima tracks.
we'd like to share with you the sound of our latest release, Sahar Z and Audio Junkies - Beyond Detroit, out on now on Reneissance Records UK, this track has recieved support from Sasha, Laurent Garnier, Nick Warren, Peter Kruder, Paolo Mojo, Sander Kleinenberg, Guy J, and featured on Dave Seamans Master Series mix cd,
Almost Tomorrow is the third full length collaboration album from Section 27 Netlabel founders Tam Ferrans and Andrew Paterson, under their Nonima & theAudiologist guise. This time around the sound is more melodic, and has a definite feeling of a complete and more mature sound than heard on the previous LP's "Dystopian Battle Hymns" and "Ceremony After Amputation". If you are familiar with their individual projects you may even be in for a slight surprise, as the tracks are not as beat driven like before, but are more atmospheric and sound, well... "bigger". In its 75 minutes, Almost Tomorrow takes you on a trip from the digital rain-soaked cavernous scraping in "Thoughtograph", the ethereal beat jittering of "The Colour of Rain", intercepted transmissions from unknown places in "Com-Intercept", "Ganzfeld"s huge yet strangely insect-like beats until everything you knew comes crashing around you in "Almost Tomorrow". Burning pianos, glitched out soundscapes and intricately programmed beatplay, this may well be their best work to date. Consider it the soundtrack to a rainy overcast day, but with just that glimmer of sunshine peeking from the clouds. "Almost Tomorrow" wears its heart on its sleeve.
Online Now!
