Unser Musikprojekt in eine bestimmte Musikkategorie einzuordnen, ist uns nicht sonderlich wichtig.
Wir machen Musik, weil sie in erster Linie erst einmal uns gefällt.
Phalanx feat. The White Rabbit sieht sich als "Band", welche ihren eigene musikalischen Horizont überschreitet und Musik nach Gefühl macht. Wir haben selbst die unterschiedlichsten musikalischen Einflüsse, die man immer wieder aus unseren Stücken heraus hört. Dies macht uns zu einer "Band", die viele Genres abdeckt...
Diogenes was born in late 2007, through different conceptual and musical ideas, under the social repression and rejection, the human's race stupidity, trying to be superior, their love to money, the abandon, selfishness, hate, anger, lies, frustration, angst, fear, horror and terror, paranoia, poverty of mind... musically, the concept is to do music without stavlished schemes.
Llyn Y Cwn (Welsh - lake of the dogs) is a small lake at 715m, nestled between Glyder Fach and Y Garn in the Glyder mountain range of Snowdoina, North Wales.
Llyn Y Cwn is a dark ambient project by Ben Powell (mank).
The two EP’s were released only in digital format in 2009 – part 1 in March and part 2 in November. The EP’s try to emulate the type of environment encountered at Llyn Y Cwn, harsh and desolate but at the same time beautiful. They feature environmental field recordings from the mountains of north wales and from an ice breaker ploughing through ice at the north pole. The music is intended to be played as the listener is going to sleep.
Second excursion of this project into the territory of Soviet past, the release of the materials recorded in summer 2008. The project line-up consists of SGI (Vresnit / Vetvei) and one of the members of Moscow-Yaroslavl trio Night Shift. 6 noise canvases dedicated to the visions of outer darkness seen through the old radio receivers and black and white photographs. To the inseparability of the dark Cosmos and bright future in the unsaid doctrines of Soviet mysticism. Flying and diving into the lost time, search for foothold, responsibility before the communist party and the people, coldness of supervisor's look and his lofty voices. In comparison to the previous release "Voz.Dukh" put out by Kerpg, this album is less dusty, it's sometimes condenses to industrial noise traditional for St. Petersburg noise wave, and sometimes disperses to manifold nuances of technogenic ambient. Fat raw sound, lots of samples and archive recordings, voices, radionoises, guitar, synths and Soviet vinyl. The last steel from cooled Vagranok. Author's artwork: full-colour photographs in typical SGI style and a signal sleeve.
A better burden can no man bear on the way than his mother wit; 'tis the refuge of the poor, and richer it seems than wealth in a world untried. ~ the Hávamál
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![Dead Factory [suspended]](http://c2.ac-images.myspacecdn.com/images02/75/s_e3f51dc2c3b844b884581bf1f1d75d4d.jpg)
