A blur of indefinite energy, invisible not for transparency but for speed. An ecstatic dance dissolving the corrupted fabric of causality, invoking singularity, bleeding at the edges. Radiant spectral photon flux irradiating primal metabolism; resonant vibration within the primitive emotions inducing moiré visions of coherent light via sympathetic stimulation of the optic nerve. Labyrinthine mirrored corridors of abstraction sporadically lighted by fires of irrationality. Amplified homeostatic hum transmuted into an oscillating neurochemical ouroboros feeding a crescendo of standing wave drone through each molecular bond in the corporeal manifestation of collected nonconscious reality.
Sounds Like
"Reverberating with primitive hallucinogenic drones, garage rock grinds and improvisations that slowly build from half-formed blowouts to cosmic Stockhausen-style epics... PU have crawled out of the psychedelic undergrowth and evolved into something special" - Edwin Pouncey (Savage Pencil), the Wire
"underworldy free-rock music... The Undermind is a kind of direct descendant of the big late ‘60s electronics-powered post-psychedelic ensembles such as Fifty Foot Hose, but much much better " - Julian Cope, Headheritage
"paranoid burnouts playing loud, distorted psych. Behold the swirling madness and tranquility" - Doug Kubert, Zeen
"more than enough gnarl to satisfy the goriest of heads" - David Keenan, the Wire
"Words like trippy and psychedelic were invented for this kind of music, but they seem inadequate here… try “revelatory” instead" - Jennifer Kelly, PopMatters
"Primordial Undermind attempt to bend their music away from plotted psychedelic explosions and towards free music" - John Mulvey, the Wire
"Jazzaffine Experimental/Avantgarde-Rockband... ein akustischer Abenteuertrip zwischen improvisiertem Psychedelikrock, elektro-akustischen Forschungsreisen und ambientösen Soundscapes." - Der Falter
"Unbelievably authentic psychedelia: put more reverb on the guitar and it's Blue Cheer meeting Vanilla Fudge after a month in the desert." - John Darnielle, Last Plane to Jakarta
"Chunky, sprawling jazz-psych splatter that somehow congeals into a 4-headed dragon of tidal doom and breaks apart into a thousand shards of glistening starlight and reforms" - Lee Jackson, Womblife
"unrelenting swamp laced free form sonic skrees, a colossal fringe parting aural alliance that sees splintered remnants of garage grooves acid dipped in ferocious squalls of mind withering psyche stew" - Mark Barton, the Sunday Experience, Losing Today
"psychedelia with the patience of sludge-rock and the skronky soul of free jazz. Last year's Loss of Affect was a hit with the readerships of both The Wire and Arthur"- Christian Schaeffer, Riverfront Times
"extended guitar jams as much drone as garage rock as psycheblowoutslowdown. like some rockist 13th floor elevators. like the grateful dead via bardo pond via television via pink floyd via sir richard bishop" - Cows are Just Food
Hi guys! Your music sounds apocalyptic :) Thanks for friendship; we really would like to come to play in Wien, and hope to see you live soon here in Italy.
HELLO, THANKS FOR THE TRIP !!!! I SPENT A VERY NICE TIME IN YOUR SPACE, GREAT WORK, I LIKE YOUR UNIVERSE !!!! ALL THE BEST, SEE YOU SOON, CHEERS, MOLECULE (paris) www.molekule.fr
Hey guys, great show at fluc. Beautiful sound- and noisescapes, i enjoyed the intensity. Also Meaghans cello reminded me on the ex with tom cora. Cheers, Martin